Since then, older actors have been dubbed "old actors", and although they are not very skilled, they are still highly regarded.
They make a living from fakes, their private lives are a mess, they don't mind money, and some even rely on age to support the scene, and their acting skills are simply terrible.
So, which old drama bones have attracted much attention because of "unworthy virtue"?
"White Lady" Zhao Yazhi
Zhao Yazhi is a woman who lives in a classic, she is an immortal goddess in the entertainment industry, with an otherworldly temperament. At the age of 67, having such a temperament is definitely the most ideal state.
Her acting skills have been questioned by many people, which makes people sigh that the time filter is broken and her acting skills are embarrassing.
The Legend of the New White Lady starring Zhao Yazhi made her quickly become a well-known actor in the country, and her status in the entertainment industry continued to improve, and she was loved by the audience.
Zhao Yazhi was the main host in the early days, and with her dedicated and hard-working attitude, she won the praise of many peers and the love of the public in the entertainment industry.
It has only been a year since her debut, and she co-starred with the well-known director Xu Guanjie in the movie "Half a Pound and Eight Taels", but the effect is not satisfactory, and the amount is not too high.
The moment when Zhao Yazhi left a deep impression on the hearts of the audience was when she starred in "Zhou Zhiruo" in "Heaven and Dragon Slayer" and "Feng Chengcheng" in the TV series with Chow Yun-fat, these two roles gave her a firm foothold in the Hong Kong entertainment industry.
For Zhao Yazhi, who is intellectually generous and like a small jasper, playing these roles is as easy as a small dish. However, although Zhao Yazhi's acting career is thriving, she still resolutely chose to give up her job and return to her family.
Her marriage and relationship were unfortunate and unfortunate, so she returned to her career.
Until the pinnacle of her creation, "The New White Lady", came out, Bai Suzhen's face was as beautiful as a fairy, and her gentle and kind personality is still an immortal classic image in the hearts of countless people.
Since playing "Bai Suzhen", Zhao Yazhi's performance has been too restricted, and her acting skills have been limited because of this, and she has not been able to make a breakthrough in this circle.
After the broadcast, Zhao Yazhi was criticized for her poor acting skills in the guest TV series "Shangyang Fu", no matter what role she played, it was like playing "Bai Suzhen".
Zhao Yazhi's random action in the play made everyone mistakenly think that she was going to show the mysterious magic of the "White Lady" again. In an instant, the image of the "goddess of elegance" Zhao Yazhi disappeared.
"Shocked" Zhang Tielin
The emperor's professional household "Zhang Tielin" is not without acting skills at all, but his performance is too rigid, and he seems to limit his acting skills to a certain mode, making it similar no matter what role he plays.
In the entertainment industry, this kind of role does not bring much challenge to the actors, but it is extremely difficult to interpret it deeply in the hearts of the people and touch the soul, and stand out among the many "emperors".
In "Huanzhu Gege", Zhang Tielin seems to be only good at expressing surprise with expressions of "blowing his beard and staring at his eyes" and "startled". Even when Little Swallow is in trouble, he still shows people with this expression.
Maybe there may have been some things that were not appropriate before, but after so many years of looking back again, Zhang Tielin's performance seems a little exaggerated.
If the performance of this drama is just an individual accident, and every time it is excellent acting skills, then the problem is no longer the audience's cognition, but Zhang Tielin's own acting ability.
The TV series "Iron Tooth Bronze Tooth Ji Xiaolan" has set off an uproar across the country, and has been sought after and loved by the audience, and the ratings have been red.
Therefore, Wang Gang took He Shen's slippery shoulders to the extreme, and achieved the iron triangle combination, which makes people love and hate, which can be called a classic among the classics.
Zhang Guoli expressed the essence of Ji Xiaolan vividly and unpretentiously. However, the emperor played by Zhang Tielin always makes people feel that something is missing, although it is not as exaggerated as in "Huanzhu Gege", but it still seems a little fake.
In a show, Zhang Guoli once complained that when Zhang Tielin entered the group for filming on the first day, he changed into a new costume, and put on an elegant posture, wearing a robe without saying a word, and Wang Gang next to him couldn't help but laugh.
I jokingly said to Zhang Guoli: "This is a mallet from **." Although this sentence is just a small joke on the set, it also hints at Zhang Tielin's exaggerated performance style.
Zhang Tielin is not only like this in his acting career, he also has "three wives and four concubines" in his life, and he frequently exposes negative news. However, as time goes by, he can only rely on nostalgia to make money.
"Patterned" Yang Zhigang
He played Jiang Xiaoyu in "Fire Blue Blade", Mei Xianzu in "Red Lady", Ma Jiujin in "Dog Stick", and Huo Xiaolin in "Brave Heart", all of which have achieved good ratings in TV series.
However, many viewers expressed dissatisfaction with Yang Zhigang's acting skills.
Some people think that Yang Zhigang is like memorizing a text when he speaks his lines, his expression is stiff and he has no acting skills; Another person claimed that the reason why Yang Zhigang was able to play the male lead was entirely because the director was his own brother, so he was able to enter through the back door.
Yang Zhigang has been strongly supported by his brother Guo Jingyu for so many years, isn't there anyone else who likes him?
After graduating, Yang Zhi began his acting career, and many viewers felt that he lacked change in shaping his character image, and almost every role had a similar performance style and line interpretation, so some people criticized his image for not being brilliant enough.
Yang Zhigang had appeared on a variety show before, but his performance in the show attracted fierce criticism from netizens, especially his lack of lines, and some people even jokingly called him a "human typewriter".
Is this what people call "old drama bones"? Is that really the case?
It can be easily observed that the role played by Yang Zhigang is similar, he always has a full sense of arrogance, rigid acting skills and sloth-like reading lines, coupled with a slow tone, which makes people feel quite boring.
What the audience appreciates is the ups and downs of the plot, not the acting skills of the actors.
As a result, Chen Zhigang is generally regarded as a person who obtains resources by means of relationships rather than strength, and his acting skills are not outstanding, which has also become a specific label for Yang Zhigang.
"Shaking his head" Zhang Kaili
Zhang Kaili became famous in one fell swoop for starring in the drama "Desire", and thus won the reputation of a good daughter-in-law of the country and became a household name.
Zhang Kaili once again won the title of national first-class actor by participating in the drama "Monument", but nevertheless, it may be a bit far-fetched to call her an old drama bone.
After playing the role of Zhang Huifang, she did not achieve outstanding performance, but she had a lot of outstanding performances in playing the role of mother-in-law or mother, and it can be said that she is a professional mother.
After Zhang Kaili grew old, she often showed herself as a mother, and her lines as sharp as a machine gun pierced the audience's heart, but as time went by, the audience gradually became aesthetically fatigued.
Zhang Kaili has played the role of a mother in many TV series, and her performance is almost exactly the same as playing a mother-in-law and mother in other film and television works. Zhang Kaili has always been labeled as a good wife and mother.
She has played the role of a mother-in-law tirelessly for many years, aspiring to be a model of virtuous wife. However, over the years, she has never been able to break through the limitations of her performance, and those exaggerated expressions and lines make people feel a little overkill.
Zhang Kaili's style in each drama seems too monotonous, although the role of a middle-aged woman is very classic, but if you don't make breakthroughs and adjustments in time, it is easy to be limited by a fixed way of acting.
Although her performances in the two big dramas "In the Name of the People" and "The World" are average, they fail to really integrate into the role.
In "The World", all actors are praised for their vivid and vivid performances.
And Zhang Kaili brilliantly interprets the role of an old lady who is full of leadership, which is like a vivid reading and preaching.
Perhaps because the advertising campaign for senior shoes was too successful, it can be summed up that her performance at work is that she often frowns, widens her eyes, shakes her shoulders, and all her energy seems to be concentrated on her shoulders and neck, and she always shows her presence with a high-pitched voice.
Over the years, Zhang Kaili has not made a breakthrough in her acting career, her performance is stiff and rigid, although she is a first-class actor, she is not enough to be called an old actor.
"Facial paralysis face" Ni Dahong
He played the pitiful and hateful Su Daqiang in "It's All Good", and also played the traitor Yan Song in "Ming Dynasty".
When he was young, because his appearance was not outstanding enough, he ran into the ** Drama Academy many times, until he was discovered by director Zhang Yimou in middle age and became his queen supporting role.
Ni Dahong is regarded by many directors as a potential stock, but the audience generally believes that his performance is facial paralysis, and no matter what role he plays, he always seems to have a straight face.
Some people joked that every cell in Ni Dahong's eye bags was desperately acting.
Ni Dahong's acting career does not seem to have made any amazing breakthroughs, and it has always been an unknown performance, but playing the role of "Su Daqiang" made him quickly popular all over the country.
Among a large group of high-profile actors, Ni Dahong, as a representative of the new generation of "Parents Are Evil", successfully debuted with a high reputation, and followed closely after participating in the filming of many classic works.
No matter what role she plays, Ni Dahong always maintains a consistent performance style.
For example, when playing the high-profile "Su Daqiang", his expression is always slightly drooping, his eyes are slightly closed, his eyes are hollow, his brows are slightly furrowed, his facial muscles are completely relaxed, and the whole person is like a "facial paralysis".
In each of his plays, he walks in an ethereal, slow, slightly swaying style, a way of acting that runs through almost all of his works.
recently played the role of Uncle Tai in the movie "Hurricane", he always has a quiet expression as a "big guy", but he can't hide Gao Qiqiang's up-and-coming momentum.
Jin Dong and the father he played form a very obvious contrast, they vividly present the image of a "villain and dark", and do not show the feeling that a warm old father should have.
These roles inevitably have some "Yan Song" atmosphere, and it is not unfounded to say that his acting skills have regressed, because the frequent use of a performance method will always cause visual fatigue, which is difficult not to suspect that he is "perfunctory".
"Dawei Motorcycle" Chen Jianbin
The acting skills that were praised as "old drama bones" were originally immutable programmed performances. Chen Jianbin successfully crossed over into the film and television industry from the king of the drama stage, showing very successful and powerful acting skills.
However, can we really call Chen Jianbin 's acting skills an "old drama bone"?
Mr. Chen Jianbin is very suitable for starring in some dramas, he seems to play the role to the fullest effortlessly, some people say that he gives life to the character, and some people say that it is the role that makes him shine.
I believe that the audience who has passed "The Legend of Zhen Huan" will have no doubt that Chen Jianbin has developed from the original drama master to a powerful male star in the entertainment industry, and the image of "old drama bones" he has created has endured for a long time.
Chen Jianbin is most characterized by his consistent poker face, which is especially prominent when playing some serious and stable roles, which helps him to better enter the role. And so it was.
Take the fourth master in "The Legend of Zhen Huan" as an example, although it is a harem drama, he has quietly become the focus with his unique charm, even if he is among the many beauties in the harem.
The audience even affectionately called him "Big Fat Orange".
However, this advantage has become a burden in contemporary theater.
Li Jianbin in "Don't Think Too Much If You Love Me" and "Don't Confused Journey", when he is extremely happy, he still has a serious expression; And when he was extremely sad, he still had a serious expression.
Li Yitong's acting skills are the same, which makes people feel confused. is obviously showing sweet love, but it was interpreted by Mr. Chen Jianbin as the emotion between father and daughter.
The audience only felt the greasy artificiality on the screen, coupled with Chen Jianbin exerting too much force, no matter how you look at it, it makes people violate the word harmony, and the result is a batch of dismal ratings.
Tong Mei's face was filled with joy for this uncle's love, while Teacher Chen Jianbin looked displeased, as if he might turn into an assassin at any time, making people think that he might pull out his blade in the next second.
Mr. Chen Jianbin seems to be quite comfortable with his acting skills and comfortably integrates into the role.
Chen Jianbin can be moody when playing the superior, but he may seem a little restrained when playing a modern person. This shows that he has not yet stepped out of his comfort zone, and it may be too early for him to be called "old drama bone".
A good actor is always able to shape the image according to the needs of the character, rather than projecting the self into the character. They have the ability to "have a thousand faces" and are able to change and interpret each role perfectly.
Of course, not all solidified performances mean a lack of acting skills, such as Stephen Chow, a "thousand-faced" comedy king, can always bring freshness to the audience through exaggerated expressions and movements.
The actor's performance is considered to be more sophisticated, because each audience will have a different opinion on the actor's acting skills, just like there are a thousand different Hamlets in a thousand audiences, and everyone has different criteria for judging good acting.
The audience is the final judge of the film and television work, their eyes are bright, and the actor needs to convince the audience that everything that the character is going through is real.
Actors must integrate into the role, so that the audience can feel the corresponding information and emotions through their performance, so it is not an older actor who can be called an "old drama bone".
Only by constantly improving their own strength can they win the recognition of the audience, and if they only want to rely on their past achievements to gain benefits, they are doomed to be eliminated.