Today s couplets ancient and modern landscapes

Mondo Culture Updated on 2024-01-30

Today's couplet. Sentence: Zhang Gang Sichuan.

Ancient and modern landscapes. Natural pie Gang Persia (Zhang Gang).

Shanglian] climb high and look far away, carry the moon and chase the wind, look at the mountains and see the water, see the landscape;

Downlink] Take advantage of the indulgence, chant poetry and wine, sigh the past and sigh the present.

2023.12.15 in Chengdu.

Yongzhou Wenyuan] Poetry friends to the next couplet:

1.Guangxi Huang Qishang.

Downlink] put the wine on the railing, look at the sky and ask the earth, chant the ancient and the present, and chant the ancient and modern friends.

2.Nanning, Guangxi, Wang Shaoding.

Downlink] abandon the old and draw the new, find the scriptures and imitate the classics, and describe the tree and the flower.

3.Extended to the junior Yang Hong.

Downlink] splashing ink, chanting poems and paintings, depicting eyes and eyebrows.

Downlink】 Before the moon flowers, the frost and rain Si Yan Si Shu Si Yan Shu.

4.Nanning Zou Chengwei.

Downlink] Knock on the scriptures, clear enlightenment, worship saints, worship sages, worship sages.

5.Shandong Lei Yuting.

Downlink] Grinding ink cutting notes, waving color mixing, painting horses, painting cows, painting horses and cows.

6.Nanning Some clouds.

Downlink] walk through the streets, find the village and ask for directions, repair locks, repair doors, repair lock doors.

7.Fujian is flourishing

Downlink] Talk about the past, talk about the present, talk about the past and the present.

8.Anhui Xiong Shuying.

Downlink] Learn from the past and think of the present, peace and neighbors, and seek common ground.

A hundred flowers bloom and a hundred schools of thought contend" is an important guiding principle for the prosperity and development of socialist science and cultural undertakings determined in April 1956 in the process of discussing the ten major relations, referred to as the "double hundred" policy, specifically, in literary and artistic creation, works of different styles, different genres, different themes, and different techniques are allowed to exist at the same time and develop freely;In terms of academic theory, it advocates that different schools of thought and different viewpoints compete with each other and discuss freely. On April 28, 1956, at the enlarged meeting of the Political Bureau of the Communist Party of China, he said that "a hundred flowers blooming" on the issue of art and "a hundred schools of thought contending" on academic issues should become the policy for the development of science and the prosperity of literature and art in China. This policy was put forward by the Communist Party of China and is an important policy on scientific and cultural work determined by the Communist Party of China.

Ancient and modern landscapes. Natural pie Gang Persia (Zhang Gang).

Shanglian] climb high and look far away, carry the moon and chase the wind, look at the mountains and see the water, see the landscape;

Downlink] Take advantage of the indulgence, chant poetry and wine, sigh the past and sigh the present.

The reason why I am interested in the couplet, and expand the connotation and extension, is that I see that the sentence "look at the mountains and rivers and see the mountains and rivers" in this group is indeed quite clever!

However, there are different opinions that "mountain", "water" and "landscape" in "looking at the mountains and waters" have the same artistic conception, and the meaning is heavy!

Attached to the original words of the consultant of Guangxi [Yongzhou Wenyuan]:

Discussing with poets, metrical poems, lyrics, and couplets are all rigorous, concise, and concise. The content of the two sentences is synonymous, which is called gassho, taboo, and everyone has made it clear. In a single sentence, the meaning of the first half of the sentence and the second half of the sentence are synonymous or similar, which is called artistic conception repetition, referred to as meaning weight. It is also not allowed. Recently, there has been a sentence of looking at the mountains and rivers and looking at the landscape, and many poets have written similar sentences. This is a typical repetition of the artistic conception, the first half of the sentence looks at the mountains and waters, and the second half of the sentence looks at the mountains and rivers, the artistic conception is the same, verbose. Not good verse structurally. It should not be promoted.

When I raise an objection, I am shallow and ignorant.

I would like to teach you here.

Thank you. Liao Jiaju bowed.

Gangbo's plea is as follows:

Actually, it's not either![smiley] [smiley].

Mountains, water, and landscapes, strictly speaking, are different and different. Mountains and water are two natural landscapes in the objective world, and they are also two aspects of human perception of the worldMountains and rivers are not the same, the meaning of mountains and rivers is by no means limited to pure natural giving, mountains and rivers are full of feelings, thoughts, environments, spirits, souls, spirits, and are the unity and harmony of the cosmic spirit and the soul world, the subjective personality internalization of objective things, and the objective empathy of the subjective world. If discussed separately, landscape is an objective definition of nature;If discussed in a context, the landscape embodies a perfect blend of scenes. In the unity of mountains and rivers, there is absolutely no distinction between mountains and waters, and the two are not independent existences. The mountain is in the water, the water and the mountain intersect, the real place seeks the mountain, the virtual place seeks the water, the virtual and the real are born, the mountain is turned into water, the water is turned into a mountain, beyond the mountains and water, to be embraced. This can be understood as the "Shanshui Spirit".

Natural pie Gang Persia (Zhang Gang).

2023.12.16 answered in Chengdu.

Discussion on "Ancient and Modern Landscapes".

Li Dezhen, Guangxi.

In the group, the format of the poem couplet of "looking at the mountains, looking at the water, and looking at the landscape" was discussed, and the teachers had two diametrically opposed opinions, one was that they thought it was clever, and the other was that it was not appropriate to advocate. I'll also talk about my own opinions:

First, the foothold of the discussion is not uniform. Mr. Liao's point of view is based on the specific genre form of writing poetry couplets, which is a literary work, and he puts forward his own opinions under the premise of strict control, that is, for poetry couplets, this structural form of "looking at mountains and rivers and looking at landscapes" should not be promoted. Mr. Zhang obviously expanded the scope of the prerequisites for discussion, expanded to the scope of the material laws of nature and the soul of the spiritual world, and there is nothing wrong with understanding the connotation of the word "landscape", but this is far from the scope of the law of poetry couplet writing. Although the understanding is correct, it does not mean that it is correct to use it in the writing of poetry couplets. As a result, there is no overlap between the two points of view, which leads to a serious divergence of views between the two sides.

Second, I agree with Mr. Liao's point of view. The main bases are:

First, the writing of poetry couplets cherishes words like gold, sees the meaning of the words, and points to the end, which is important in subtlety, and pursues a high degree of unity of theme and aesthetic expression. For example, in this format, we can give a lot of example sentences (regardless of the level):

Look at the mountains, see the water, look at the landscape, sigh the ancient and sigh the present, look at the wind and see the water, look at the feng shui, the trade wind letter water, the trade wind letter water, the trade wind and the letter of the water, the thinking of the wild goose, the book of the wild goose, the description of the eyebrows, the drawing of the eyebrows, the painting of the horse, the painting of the cow, the painting of the horse and the cow, the talk of the ancient and the present, the talk of the ancient and the modern, and so on.

The above sentences, according to our laws and habits of reading poetry couplets, can we not think of the artistic conception connotation of "looking at the mountains and rivers", "sighing the past and sighing the present", and so on?It is completely possible to get the image connotation of the next three words according to the reader's life experience and divergent thinking. Obviously, if we are writing a rhyme, then there are only 7 words in a line of rhythm, and we are wasting three words of poetry;If it is a couplet, it can be reduced by three words, and the length can be compressed and more concise. Therefore, the last three words do not need to appear.

The second is the loss of the precious blank beauty of poetry couplets. A poetic couplet is a literary work, and it needs to be left blank just like a painting. The difference is that the poetic couplets are left blank through the appropriate lack of words. And the above formats are written so straightforwardly and full, how to talk about the beauty of the blank space of the poetry couplet. Since we want to leave it blank, we must allow the "meaning" to be incomplete, and it doesn't even need to be expressed as accurately as academic, you must know that we are writing poetry. Regarding this, you can take a look at how *** answers those who are responsible for his "Qinyuan Spring Snow" lyrics.

The third is that everyone has their own writing requirements for writing poetry couplets, and my requirements are: let the "layman" people understand it, and let the "insider" people not feel shallow. This is also the basis for my own opinion.

Finally, I am new to poetry couplet writing, and I think it is more meaningful to solve a basic theoretical problem than to write 100 works without knowing it. I hope you will give me a lot of advice, this is a good opportunity for me to learn and improve. Thank you, teachers!

Yongzhou Wenyuan] Group Leader:

Good evening, everyone!In the past two days, some issues in the group about the couplets of "ancient and modern landscapes" have been discussed. I think that's good, and we've seen it!There is a strong atmosphere of learning. What's even more pleasing is that poets can treat each other politely and politely. This is the unique cultivation of [Yongzhou Wenyuan] poets.

Now that the problem is thrown on the Internet, I also hope that netizens will express their opinions!Thank you.

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