In these rapidly changing times, the world is facing unprecedented environmental challenges. This article is not a simple turn to the real problem, but through the theme of environmental protection in Japanese monster movies and anime, it triggers a deep reflection on the relationship between human beings and nature. Perhaps in these fictional stories, we can find some revelations about the real world.
A new chapter:
In a world full of fantasy and creativity, we discover the hidden environmental themes of Japanese monster movies and anime. These works are not just for entertainment, but also a profound reflection on the relationship between humans and nature.
In the original work of "High Energy e-Beizi", we witnessed the controversy over the discharge of nuclear-contaminated water from the Fukushima nuclear power plant. And from another perspective, we can also find similar shadows in Japanese monster movies. From "Godzilla" in the 50s of the last century to "Ultraman Tiga" today, these works seem to tell us a warning that human actions will cause the earth to revolt.
Godzilla, a mutated monster contaminated by nuclear radiation, seems to have become the representative of Japanese monster movies. Its name is a synthesis of the terrestrial creatures gorillas and sea creatures whales, symbolizing strength and fear of the unknown. Its shape design is more nuclear-related, **texture is taken from the mottled ** of the victims of the atomic bomb**, and the head is inspired by the shape of the mushroom cloud after the atomic bomb**.
The appearance of these monsters seems to be a response to human arrogance and overexploitation of nature. From "Godzilla" to "Ultraman Tiga", the monsters in these works are often polluted and mutated creatures, and the nuclear tests and pollutant emissions carried out by humans for their own benefit eventually lead to the emergence of these monsters.
Perhaps in these fictional stories, we can see some real shadows. For example, in "Ultraman Cosmic Heroes", the plot of the mutation of marine life due to a rocket crash is just like the destruction of the ecosystem by marine pollution in reality. And in "Ultraman Gaia", the power of the sea refuses to save humanity, believing that it is the result of humanity's own evil, is this also the earth's counterattack against humanity?
At the same time, we can't ignore the call for environmental protection in Japanese anime. As a generation that grew up in works such as "Doraemon" and "Detective Conan", Miyazaki's works often reflect on the relationship between man and nature. He expressed his deep concern about environmental damage through the white dragon in "Spirited Away" and the ecological disaster in "Valley of the Wind".
However, these fictional stories remind us of the helplessness of reality. When the news of the death of Miki Miura, the author of "Cherry Maruko", came, we discovered that the beauty in the story may just be the author's imagination. Similarly, Japan's attitude towards environmental issues is worrying in reality. The second dimension may not save the world, but in these works, we may find some enlightenment that allows us to be vigilant in the face of the current environmental crisis.
In this late-night topic, we can't help but think: how many environmental protection theme Japanese comics allow us to **, and how many practical problems we need to face together?Perhaps, it is only by finding a balance between thinking and acting that we can create a better world in the future.