Dawang kiln
Jingdezhen ceramics is a symbol of the local cultural symbol of the Chinese nation and the root of our culture. Since the Yuan Dynasty Jingdezhen created a successful Yuan blue and white glaze red process, during the cultural exchanges between China and other countries around the world"china"Representatives"china"。When exporting Chinese culture, letting the world know about China is a golden business card for China's foreign exchanges.
Dawang kiln is located in the millennium porcelain capital Jingdezhen Changnan River, after nearly 40 years of ceramic brand exploration and practice, has become a collection of ceramic works creation, design, customization, marketing in one of the modern comprehensive art porcelain kiln, not only has a whole system of craftsmen handicraft inheritance team for traditional handicraft traceability, excavation and continuation, but also has top artists and design teams in the context of contemporary multiculturalism to carry out a new ceramic art development and creation.
As the founder of "Dawang Kiln", Mr. Rao Huajun has always advocated Wenxin porcelain making, inheriting classics and seeking innovation with the times with his significant humanistic spirit in the field of ceramic aesthetics and painting. It is true that he used the techniques and forms of Chinese painting to integrate into the creation of porcelain paintings, and with his unique forms of expression and artistic techniques, he brought forth the new. He creates a vivid and vital artistic image, so that his works to achieve charm, momentum, and taste, he is very comfortable to express the change of thick and thin lines, the pursuit of sparseness, rhythm changes, so that the works are hearty, distinctive, and have a strong ink charm.
The biggest artistic feature of "Dawang kiln" is the pursuit of the artistic conception of the work, through the high-temperature firing of blue and white glaze in the red wonder of the accident, combined with the artist's high-level poetic painting skills, so as to achieve the "Dawang kiln" literati porcelain painting works. The work must not only have Qu Yuan's lingering compassion, but also Zhuangzi's ultra-empty and ethereal. lingering compassion can go deep into love and go deep into the core of all things;Super open and ethereal, only to be traceless, so-called"Beyond the image"。Color is emptiness, emptiness is color, color is not different from emptiness, emptiness is not different from color. This is not only the poetry of the Tang Dynasty, but also the artistic conception of the Song and Yuan Dynasty flower and bird paintings.
"Dawangyao" has always maintained national characteristics while absorbing diverse cultures. The development of contemporary Jingdezhen kiln literati porcelain should have the courage to innovate on the basis of predecessors, which is the responsibility of contemporary Jingdezhen kiln porcelain painting artists.
Among the many kilns, the blue and white glaze and red process combined with the concept of literati artists (literati porcelain painting) are the main works and ceramic characteristics, which are narrated"Heaven and man are one"The freehand spirit of Confucianism and Taoism philosophy of literati flowers and birds writes a new chapter of humanities in the era of blue and white glaze comprehensive decoration. Because of its ancient tradition and the exploration of the times at the same time, it has become a leader in the field of porcelain industry. In the process of making achievements in the field of art and branding, "Dawang Kiln" has become a thousand-year-old porcelain capital in Jingdezhen, from focusing on craftsmanship to integrating literati painting art, with a distinctive influence on the kiln brand.