In the colorful world of TV dramas, audiences always expect to be deeply moved by a wonderful performance. However, the word-of-mouth of domestic dramas seems to have fluctuated recently, which has aroused widespread attention and heated discussions. What is the reason for this phenomenon?Perhaps, the aesthetic downgrade is creeping in.
Once, we witnessed Zeng Li's enchanting posture as a female ghost in "Liao Zhai", Chen Hong's interpretation of Diao Chan is Chu Chu and moving, and Chen Hao's charming eyes are like silk. These beautiful images are deeply imprinted in the hearts of the audience, and this is a model of proper casting and visual enjoyment that brings beauty to the audience.
However, to this day, we have seen some actresses who are obviously "stumbling" in the play playing peerless beauties, which has aroused people's confusion and questions. Let's take a look at four of these actresses and how they portrayed characters on screen that didn't match their image.
Wang Like "Wind and Rain Sending Spring Back".
The plot of "Wind and Rain Sending Spring Back" seems to beat the same type of drama, but the final score is unsatisfactory. Wang Like plays the mayor ** in the play, which unexpectedly breaks through cognition and shows the image of a "beauty" with a local atmosphere. However, the audience questioned her performance in the play, and couldn't help but sigh how she captured the heart of the leader with such an image. Although Wang Like has rich experience in the industry, she has never been able to get the recognition she deserves and become a small transparent in the circle.
Patrol Procuratorial Team" Zhang Sile.
Zhang Sile, who graduated from Chinese opera, played the beautiful writer Qiao Yi in "Patrol Inspection Team", but was criticized by the audience. The audience not only raised doubts about her acting skills, but also expressed dissatisfaction with her appearance. Although she is the daughter of the famous actor Zhang Guangbei, her performance is very different from her father. In the play, the audience found that her appearance and temperament were inferior to other characters, which made people wonder how she cooperated with big-name stars.
Ouyang Nana's "Dream of Yong'an".
Ouyang Nana played Shen Zhen, the first beauty described as "crystal clear" in the original book ** in "Yong'an Dream". However, the audience questioned her ancient costume, thinking that she lacked fairy spirit and lacked classical temperament. Even the makeup of the crew failed to add points to her, making people feel that she was more like a maid than a beauty. In addition, Ouyang Nana's acting skills have also attracted attention, and whether she can create brilliance in this drama has become a hot topic of discussion among the audience.
Zhou Dongyu "Eternal Jue Chen".
Zhou Dongyu, as the youngest "Three Golden Queens", has caused controversy in the costume drama "Eternal Juechen". The audience questioned her temperament and appearance in the play, thinking that she did not show a fairy-like temperament in the costume drama. Although she has the image of a pure beauty in modern dramas, in costume dramas, the audience feels that she is more like a maid, and she is somewhat inferior to other actresses. Zhou Dongyu can be open to discussing her appearance, but this performance has made people question her costume image.
Conclusion. 
In film and television works, the audience's reputation and feelings are crucial. Casting, acting, and external conditions are all factors that the producer needs to consider comprehensively. Although the actor's acting skills are fundamental, the appearance is also the first impression the audience sees. I hope that future domestic dramas can be more cautious in casting and presenting character images, and bring more surprises and resonance to the audience.
Time flies, and the ebb and flow of the showbiz is like a dream. In 2016, Jin Qiaoqiao's words made waves on the Internet, expressing her disdain for rural roles. However, the difference in acting skills makes us deeply realize that appearance and temperament are only the surface, and what can really move the audience is the soul that an actor exudes in the role. Today, let's step into the world of seven outstanding rural women actors, appreciate their unique acting skills, and feel their vivid presentation on the screen.
First place: the graceful Liu Lin.
In 2019, the stunning appearance of the "Big Lady" in "Do You Know If You Should Be Green, Fat, Red and Thin" was impressive. Liu Lin's eclectic acting skills made her stand out in this hit drama, and also won her a nomination for the Shanghai Magnolia Award for Best Supporting Actress. Liu Lin's acting skills are like a breeze, natural and vivid, and the simplicity and simplicity of the character are vividly interpreted. Her persistence and exquisite handling of details make the audience feel a real and vivid "big lady".
Second place: the confident Liu Tianchi.
In "Parents' Love", Liu Tianchi made a stunning appearance with the image of "Wang Xiu'e". As Liu Lin's best friend, Liu Tianchi shows the true face of a rural woman. Her rude and neat actions make "Wang Xiu'e" an unforgettable character throughout the series. Liu Tianchi used her tenacious acting skills to successfully portray the role of "Wang Xiu'e" vividly.
Third place: the demure Gong Li.
Gong Li, known as "Gonghuang", showed a strong aura as early as Zhang Yimou's rural dramas. Her outstanding performance in "Red Sorghum" shows the tenacity and beauty of a rural woman. Gong Li's deep understanding of the role makes every performance seem to tell a real and touching story. Her success lies not only in the restoration of the image, but also in the grasp of the inner world of the character.
Fourth place: the tenacious Wang Qianhua.
Wang Qianhua, a professional actor at the Shanghai Theater Academy, has repeatedly hit a wall because of her appearance. However, in The Head of the House, she manages to integrate herself into the image of a rural woman. As the "first sister in the countryside", Wang Qianhua starred in a series of film and television dramas with rural themes one after another, interpreting each role vividly and powerfully. She dared to challenge, insisted on pursuing her dreams, and became a dark horse in the field of rural dramas.
Fifth place: fresh Zhang Ziyi.
Zhang Ziyi has always been pure and beautiful, however, in "My Father and Mother" and "The Favorite", she successfully stepped out of her comfort zone and played two rural women. Through the experience of in-depth rural life, Zhang Ziyi showed her extraordinary skills in acting. Her image is not only lifelike, but also makes people feel the truth and simplicity of rural life.
Sixth place: the simple Zhao Liying.
Zhao Liying tried the role of a rural woman in the new drama "Happiness to Ten Thousand Homes", although she needs to improve in appearance and temperament, her efforts and understanding of the role make people see her potential in acting. Zhao Liying's simplicity and sincerity in the role make people look forward to her future performance.
Seventh place: the open-minded Li Jingjing.
With her plump figure and sonorous voice, Li Jingjing successfully integrated herself into the interpretation of rural dramas. Her performance in works such as "Golden Wedding" and "Han Daughter-in-law's Home" has made her a bright star in the field of rural dramas. However, she chose to stay away from the film and television industry and start a new life. I hope she can go further and further in the future and show more possibilities.
Summary: In the world of actors, image and temperament may be the most talked about topics, but they can really move the audience.
In this era of entertainment supremacy and appearance is justice, face swapping has almost become a tacit survival rule in the entertainment industry. From Mr. Cai Ming's "tossing" again and again to many actresses today, changing faces seems to have become the only way to reach a new peak of his career. However, what kind of effort and change are hidden behind the faces of success?
The first paragraph: Chen Shu.
Chen Shu, the first generation of "cheongsam goddess", her acting skills and appearance are among the best in the entertainment industry. However, the truth is that she wasn't born beautiful. Looking back on her ** when she first debuted, her face was wide and her cheekbones were prominent, which was in stark contrast to today's delicate and charming. Through a decisive plastic surgery decision, she successfully shaped her "heroine face" and ushered in a new spring for her career. Chen Shu's success lies not only in her appearance, but also in her solid dance foundation and yoga persistence, which makes her not only have a good figure, but also an elegant temperament.
The second paragraph: Yang Mi.
Yang Mi, who debuted as a child star, her acting skills and beauty made her a superstar in the entertainment industry. However, the change in her countenance is also jaw-dropping. The square chin and wide forehead at the time of their debut were gradually replaced by a pointed chin and delicate facial features over time. Although she has always refused to admit plastic surgery, claiming that it was the tooth extraction that caused the change in her face shape, in fact, the change in her face made people wonder if this was the truth of the "Eighteen Changes of the Female University".
The third paragraph: Yang Zi.
Yang Zi, a child star debut, was once considered "rustic" and not suitable to be an actor. However, she succeeded in turning the ugly duckling into a white swan through technology. Her face was refreshed after plastic surgery, baby fat disappeared, and a pointed chin and delicate features appeared. Although she insisted that she was "growing up", the audience already knew about her "Eighteen Changes of the Women's University".
Fourth paragraph: Yang Ying.
Yang Ying, the darling of the entertainment industry, has always shown people with high-end beauty. However, her acting career has also gone through a process from "original" to "plastic surgery beauty". In the early **, the swarthy**, sausage mouth, and baby fat made her very different from her current image. For the sake of her career, she underwent plastic surgery and then successfully became one of the top actresses in the entertainment industry.
Fifth paragraph: Ju Jingyi.
Ju Jingyi, from the eighteenth-line idol to the queen of traffic, her title of "Four Thousand Years of Beauty" is enviable. However, she is no exception, through step-by-step plastic surgery, from the square face when she first debuted to today's exquisite facial features, she has changed so much that people have to sigh the magic of plastic surgery technology.
Conclusion: Through the change of plastic surgery, these actresses not only have a new look in appearance, but also embarked on the peak of their careers. However, their success does not depend solely on their beauty, but also on their comprehensive qualities such as personal business ability, temperament and acting skills. Beauty is important, but if you don't have the strength to support it, you can only become a vase in the end. This series of stories of "Eighteen Changes in Women's University" is not only a testimony to the change in appearance, but also a microcosm of their career development.
The entertainment industry is like a vast ocean, vast and immense, surging with all kinds of stars. In recent years, the entertainment industry seems to be surging, and new words have emerged in an endless stream, such as small fresh meat, idols, old drama bones, old bacon, etc., which are overwhelming. Among them, the term "old drama bones" has become a kind of glory pursued by actors, representing multiple halos such as acting skills, qualifications, and ability. However, the use of the term has recently become controversial and appears to have become somewhat abusive. Let's take a look at whether the title of "old drama bones" can truly reflect the superb acting skills of the actors.
Chapter 1: The Truth of Acting.
In the entertainment industry, there is a group of actors who are titled "old drama bones", who are either popular all over the country because of their temporary works, or are well-known to the audience because of their years of hard work. However, as time goes on, whether this honor can really become a true portrayal of the actor's acting skills has raised questions.
Chapter 2: Ni Dahong's "facial paralysis acting".
Ni Dahong, a veteran actor who has worked in the film and television industry for many years, once became famous for the role of "Sun Maocai" in "Qiao's Courtyard". However, in recent years, with his frequent appearances in film and television dramas, audiences have begun to question whether his acting skills are too dull. His role as "Uncle Tai" in "Hurricane" caused a lot of boos from the audience. Could it be that "old drama bones" have been reduced to a synonym for age, rather than a symbol of real acting skills?
Chapter 3: Zhang Tielin's "blowing beard and glaring".
Zhang Tielin, with the role of "Huang Ama" in "Huanzhu Gege", became an "emperor professional household". However, his acting skills were jokingly called "blowing his beard and staring" by the audience. The acting skills have become his label in the film and television industry. At the same time, his transformation has caused more controversy, and the audience has begun to think about whether the "old drama bones" also need to evolve?
Chapter 4: Zhang Kaili's "Teeth and Claws".
Zhang Kaili once became a classic with the role of "Huifang" in "Desire", but she was frequently complained by the audience in her later works. Her acting skills also seem to have encountered a bottleneck and become a spokesperson for "teeth and claws". The audience began to wonder if beauty had become a kind of barrier to her acting skills.
Chapter 5: Chen Jianbin 's "Poker Face Limit".
Chen Jianbin became a classic with the role of "Qiao Zhiyong" in "Qiao's Courtyard", but in the follow-up works, his acting skills seem to have fallen into the upper limit of "poker face". Audiences have questioned whether the depth of his acting skills is just superficial rather than a real expression of emotion.
Conclusion: It may not be easy for actors to be in the entertainment industry, and the glory of "old drama bones" is the crystallization of their hard work over the years. However, in the eyes of the audience, whether this title still has the original sense of glory and whether it can truly reflect the acting skills of the actors is a question worth pondering. Perhaps, only through the baptism of time can the audience finally see who is the real acting school and who is just "old".