In 1948, Pu Yi heard Wanrong's name in the Boli Shelter, which sparked memories of the past. Wanrong was thrown into the cold palace because she was accused of fornicating with the guards, and finally died in a miserable situation, and was even thrown into a stinky ditch. Looking back on the old things, Pu Yi always has complex feelings for Wanrong, from the abolition to the marriage, everything is embarrassing.
* Ten years, Pu Yi, who was only fifteen years old, was forced to choose a wife, and had no expectations for marriage. In the concubine's **, he chose Guo Buluo Wanrong Gege, but he had doubts about this marriage. Wanrong's aristocratic background and beauty were unmatched in the capital at that time, but Pu Yi's disregard for marriage doomed this marriage to a bumpy fate.
The extravagance of the wedding ceremony and the funds collected for the royal wedding were particularly out of place in the famine and hardship of the capital. The congratulatory gifts of various warlords and ** plunged the Qing Dynasty into illusory prosperity, and Wanrong became the queen of the "mother's world". However, her fate was doomed to tragedy in this grand wedding.
After marriage, Pu Yi was cold to Wanrong at first, thinking that she was just an "accessory" that had been labeled. However, Wanrong is not the stereotypical queen Pu Yi imagined, she is lively and cheerful, does not follow the rules of etiquette, and can even speak English fluently. Her appearance brought a touch of color to the dreary Forbidden City, and also changed Pu Yi's view of her.
The two raised dogs and learned bicycles together, and her liveliness and uniqueness made Pu Yi gradually like her. However, Pu Yi has never been able to truly treat Wanrong as an equal, treating her as his lover. In Pu Yi's heart, Wanrong is just a touch of color in his lonely life, a "medicine" he tries to use for himself.
As time passed, the discussion in the Forbidden City and the grievances in Wanrong's heart gradually deepened. Wanrong endured loneliness and struggle in the deep palace, and Pu Yi's indifference to Wanrong also left a shadow in her heart. She once said: "I don't know what love is, the relationship between husband and wife is the relationship between master and servant." This quote reveals her understanding of marriage and the difficulties she experienced in this marriage.
In the end, Wanrong was unable to change the fate of Pu Yi and the Qing Dynasty. Her tragic ending became the swan song of the Qing Dynasty, and Pu Yi's widowhood eventually pushed the two to an irreparable fate. Under the wheel of history, they could only end gloomily and become the last footnote of the Qing Dynasty.
Wanrong: The last queen with a bumpy fate, the bitter years of the deep palace.
This article profoundly outlines the tragic experience of Wanrong, the last empress of the Great Qing Dynasty, and the cold marriage with Pu Yi. Through vivid descriptions, readers can feel Wanrong's loneliness and struggle in the deep palace of the Qing Dynasty, as well as the complex and contradictory feelings between her and Pu Yi.
First of all, the article shows Wanrong's transformation from a noble lady to the last queen through a review of her life. Her fate has become tortuous and bumpy under the giant wheel of history, especially the extravagance and tragedy at the wedding ceremony, which presents readers with the helplessness and bitterness of the last queen in the feudal system.
Secondly, the article provides a profound analysis of the marriage between Wanrong and Pu Yi. Pu Yi's indifference to Wanrong and Wanrong's understanding of marriage both show the reality and cruelty of feudal society at that time. Wanrong's lively and cheerful contrast with Pu Yi's widowhood, and the indifference and incomprehension between the two make the whole marriage seem deeper and sader.
The article also shows some of the happy times they had by describing the life of the two together, such as raising a dog and learning to ride a bicycle. However, these beautiful moments could not hide the decline of the late Qing Dynasty and the widowhood of Pu Yi. Their marriage has never been able to escape the pressure of history and the shackles of fate.
Finally, the article ends with Wanrong's final tragic ending, which profoundly reflects the helplessness and decadence of the Qing Dynasty at the end of the Qing Dynasty. Through the description of Wanrong's life, the whole article reveals the tragic fate of women in feudal society, and the personal emotions under the power of the emperor cannot escape the certainty of history.
In general, through the interpretation of the content of the article, this review delves into* the tragic experience of Wanrong, the last empress of the Qing Dynasty, and the marital dilemma between her and Pu Yi. Through the lens of history, readers can better understand the fragility of human nature and the impermanence of fate in feudal society.
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