"How Much Hate" is a short story adapted by Zhang Ailing based on the movie script "No Love", which tells the story of Yu Jiayin, a woman from the Shanghai citizen class, who encounters a series of difficulties and pains such as her father's blackmail, sister's jealousy, her husband's suspicion, and the torture of illness after falling in love with a married man Xia Zongyu. ** depicts Yu Jiayin's mental journey from a beautiful, intelligent and kind female teacher to a haggard, lonely and desperate patient with meticulous and cold brushstrokes, showing her complex and real relationship with the characters around her, reflecting the darkness and hypocrisy of Shanghai society in the midst of war and change.
*The theme is the reflection and perception of love and hatred. The author shows Yu Jiayin's psychological changes and attitude choices at different stages, such as her forgetfulness and memories of her first love Yun Fan, her infatuation and letting go of Xia Zongyu, her hatred and forgiveness for her father, and her acceptance and resistance to her fate. Through Yu Jiayin's story, the author expresses his longing and helplessness for love, as well as his understanding and release of hatred.
* is characterized by a profound portrayal of the character's character and social background. The author uses multi-angle, multi-layer, and multi-clue narrative techniques to connect Yu Jiayin with characters of different classes, backgrounds, and concepts, such as Xia Zongyu, Yun Fan, Yu's father, and Sister Yu, forming a rich and three-dimensional social picture. The author shows the character's personality traits and psychological dynamics through detailed descriptions, such as Yu Jiayin's pride and inferiority complex for her appearance and identity, her tenderness and indifference to relatives, friends and strangers, and her joy and fear of life and death.
The author also highlights the differences and conflicts between the characters through contrasting techniques, such as the innocence and reality between Yu Jiayin and Xia Zongyu, the past and present between Yu Jiayin and Yun Fan, and the filial piety and rebellion between Yu Jiayin and Yu's father. The author also uses rhetorical techniques such as symbolism, suggestion, and metaphor to enhance the artistic effect of **, such as the association between Yu Jiayin and the withering flowers, the metaphor of the mandarin duck flower between Yu Jiayin and Xia Zongyu, and the metaphor of the red rose and white rose between Yu Jiayin and Yun Fan. In short, "How Much Hate" is an excellent ** that reflects love and hatred, which shows Zhang Ailing's deep insight into human nature and life and her superb attainments in literature. After reading this **, I felt the author's sympathy and care, and I also expressed my admiration and blessings to women like Yu Jiayin.
Zhang Ailing's personal profile
Zhang Ailing (Eileen Chang, September 30, 1920-September 8, 1995), formerly known as Zhang Lang, pen name Liang Jing, was born in Shanghai, his ancestral home is Fengrun, Hebei, graduated from St. Mary's Girls' High School, and is a modern Chinese female writer. Zhang Ailing began writing at the age of 7 and began to publish her work in school magazines and magazines at the age of 12. In 1939, he was admitted to the Department of Literature of the University of Hong Kong, and in 1943, he published ** "Agarwood Crumbs: The First Incense" in "Violet", and became famous in one fell swoop. Since then, he has created a series of classics** such as "Jasmine Tablets", "Love in a Fallen City", "Red Rose and White Rose", as well as essay collections such as "Legend" and "Rumors".
He went to Hong Kong in 1952 and settled in the United States in 1955. During his stay in the United States, he wrote "The Rice-Sprout Song" and "The Rouge of the North" in English, and engaged in the research and English translation of "Dream of Red Mansions". In 1972, he moved to Los Angeles and began a secluded life. He was found on September 8, 1995, at the age of 75, a week after his death in his home in Westwoods, Los Angeles.
Zhang Ailing's ** is known for her superb writing, delicate psychological description, profound social insight and unique style, and is known as the "mother of modern China". Her works are deeply loved and admired by readers and critics, and have had a profound impact on later generations of literary creation.
The scholarly fragrance of the society