In the long river of history, there are some words or inscriptions that are incomplete, but they carry rich cultural connotations and profound stories. These lost words seem to be a window to ancient wisdom and values, allowing people to feel the cultural river precipitated by time. Just like exploring the mysterious "worm two" word on Mount Tai, or the mystery of the word "rich" on the gate of Confucius, the lack and mystery of these ancient words make people can't help but ** the story behind it.
The "worm two" stone carving of Mount Tai has puzzled countless tourists. However, Guo Moruo's brushstrokes interpret this seemingly obscure text as "boundless wind and moon", which makes people suddenly realize. This is not a simple omission of strokes, but a trick of the literati's heart. The term "boundless wind and moon" originates from the late Tang Dynasty Lu Dongbin's Mobao, who inscribed the word "worm two" in Yueyanglou, Hunan, and put the beautiful scenery of this place into the pen, leaving an eternal fairyland beauty.
The word "rich" on the gate of Confucius Mansion is also another cultural code. This is not a time erosion or a mistake in the engraving, but a deliberate arrangement by the family. In the couplet written by Ji Yun, a scholar of the Qing Dynasty, the word "rich" is omitted from the upper end, which is intended to hope for a better future for the Confucian family to "be rich and noble, and the articles will reach the sky".
On the tombstone of Bigan in Weihui City, Henan, the four characters of "Yin Bigan Mo" are said to be the handwriting of Confucius. However, this is not a simple omission of words, but a compliment to the image of a loyal minister. Archaeology has found that there was no "tomb" in the Confucius era, and the word "Mo" replaces today's words "tomb" and "twilight", which gives a glimpse of the culture and Xi at that time.
Behind these lost words lies the profound connotations of ancient Chinese culture. They are not only the words left behind, but also the symbols of wisdom and faith accumulated by thousands of years of civilization. Behind the exploration of the lost words, we are revisiting the wisdom and faith of the ancients, and comprehending the ancients' pursuit of values such as the country, loyalty, and integrity.
These fragmented words seem to be witnesses of time, they witness the changes of history, and also record the inheritance of culture. It is these seemingly incomplete words that outline the colorful aspects of ancient Chinese culture, leave us with room for reflection and imagination, and let us more deeply understand and cherish the breadth and profundity of traditional Chinese culture.
The Mystery of Ancient Culture: The Mysterious Inheritance of Lost Writing.
This in-depth article on the culture of the lost text is thought-provoking. The author takes the stone carving of "Worm Er" in Mount Tai, the character "Fu" in Confucius, and the "Yin Biganmo" on the tombstone of Bigan as examples to deeply analyze the cultural connotations and stories behind these lost words. The mutilation or distortion of these characters is not a simple clerical error or weathering, but a symbol that carries cultural heritage and wisdom.
First of all, the author gives a deep historical background and cultural interpretation when he loses the text. Taking Guo Moruo's interpretation of the "Worm Er" stone carving as an example, the literati feelings and fun behind the text are vividly presented, outlining the colorful stories behind the words. Through these lost texts, readers seem to be able to relive historical scenes and feel the praise and nostalgia of the literati for natural landscapes.
Secondly, the article mentions the character "Fu" in Confucius and the deformation of the characters on the tombstones of Bigan, revealing the cultural connotation and historical background behind the loss of words. Regarding the deliberate arrangement of the character "Fu" in Confucius, as well as the "Yin Bi Ganmo" on the tombstone of Bigan, the author deeply interprets the reasons for the loss of words, and connects the social background and cultural connotation at that time, so that readers can better understand the meaning behind these lost words.
Finally, the essay ends with a return to the importance of cultural inheritance and values, emphasizing the significance of lost words for cherishing traditional Chinese culture. The loss of words is not a simple omission, but a testimony of cultural inheritance. Although these lost texts are incomplete, they outline the diverse aspects of ancient Chinese culture, leave us with room for thinking and imagination, and let us understand and cherish the breadth and profundity of traditional Chinese culture more deeply.
Overall, this commentary** demonstrates a deep understanding and respect for ancient cultures through an in-depth analysis and interpretation of the lost text. The author combines the historical background, cultural connotation and characteristics of the times, so that readers can more comprehensively understand the rich connotation behind the lost words, and then appreciate the precious significance of the inheritance of words to culture.
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