The first time Xiaoyu heard "One minute on stage, ten years off stage", it was in a certain program, the judges praised Peking Opera actors. In my impression, most of them have sticky beards, painted faces, thick-soled boots, and overlord helmets. The annual rings of time run over the world's disturbances, mixed with the applause of the guests and the clamor of the talented and beautiful people on the stage, slowly sailing into the distance, leaving behind or classics, or remembrance, all with the shouting of the guests, branded into a brilliant culture, with a long history. The famous poet Zang Kejia once wrote such a passage in his poem: "Some people are alive, but they are dead;Some people are dead, and he is still alive. "Although the journey of life eventually returned to dust, and the Si people have passed away, the memories and influences left to those who come after can be passed on to the present dynasty. On December 17, the Fujian Peking Opera Company released an obituary:Mr. Li Youbin, a famous Peking Opera performance artist in China and a national first-class director, died at the age of 86 due to ineffective medical treatment. 
NetworkingAs a veteran artist in China's Peking Opera industry, his whole life is linked to the quintessence of the country. Even in his old age, he still shines for love on the stage. Even if the old body can no longer support the dress of Wusheng, the love for Peking Opera can turn into an unquenchable flame, illuminating the way forward for countless younger generations. When another brilliant meteor fell into the firmament of art, he dragged his long tail into the boundless darkness, but left people with eternal nostalgia. As the most prestigious predecessor in the Peking Opera industry, he really managed to burn the last glimmer of light for his beloved art and dedicate all his life to the stage. In that era of lack of entertainment, his classic works were not only popular all over the country, but also conquered the hearts of overseas audiences as the business card of the Chinese art world. The starting point of Li Youbin's artistic career originated from his family. He was fortunate to be born in a family of martial artists, and a good family atmosphere made him engrave his love for Peking Opera from his genesHe is also not very "lucky", because he has a more famous father - Li Shengbin. As a martial artist who performed on the same stage with Mei Lanfang, Tan Fuying, Qiu Shengrong and other Peking Opera masters, a play "Fa Zidu" was popular all over the capital, and was called "brave and fierce martial arts" by fans. The monkey opera performed by Li Shengbin is a must, and it is called "Beijing Three Lis" together with the artists Li Shaochun and Li Wanchun in the same period. The achievements of our parents are both pressure and motivation. When he was 10 years old, Li Youbin learned art with his father, don't look at his young age, but his every move came from his father's careful guidance, and his talent coupled with hard work made him act on stage 2 years later. 
When he was 17 years old on the Internet, Li Youbin took the lead and starred in "Wu Song Fights the Tiger", "Water Curtain Cave", "War Horse Chao", "Fa Zidu" and other martial arts dramas, which won unanimous praise from the audience. Although he joined the stage, Li Youbin also had a passion for serving the country. Growing up in the war, he "went out" with his father in 1949 and became a glorious soldier actor, and this period of gilded years left an indelible mark on his growth path. He witnessed the fragility of life, and also saw the warmth and tenacity in the flames of war. The flame of peace, which was carefully cared for by the predecessors, took root and sprouted in the soil after a lot of baptism, and in order to pursue this hard-won victory, countless heroes and martyrs were buried in the ground. This inheritance, which belonged exclusively to that era, influenced Li Youbin's later life. In 1971, he transformed from an actor to an opera director, and his years of stage experience allowed him to fully absorb the artistic experience of his predecessors, and compiled classic plays such as "Flaming Mountain" and "True and False Monkey King". In particular, "The True and False Monkey King" was performed more than 500 times in Beijing, Tianjin, Shanghai and Fujian in 1980, and the venue was full and had a great impact. Later, it was made into a Peking Opera film and achieved good results at home and abroad. Li Youbin's stage is not only popular in China, but also has countless fans overseas. He has traveled to RIBEN three times to participate in cultural exchange activities, using art as a link to build a bridge of equal communication between the two peoples, and also to convey the unique Chinese civilization trajectory to the world. After retiring, Li Youbin did not extinguish his love for art, although he said goodbye to the stage, he selflessly passed on his years of interpretation experience to his juniors. He is like a pool of nourishing spring water, silently moistening the seedlings. 
When the spring water is frozen by the years and gradually dried up, the green plants he has infiltrated have already grown into towering giants, and every texture and vein is surging with that love and pursuit. Falling red is not a ruthless thing, turning into spring mud is more protective of flowers. Whether it is in nature or in the field of art, poetry can taste different charms. This sentence is the greatest praise for the selfless devotees who are deeply rooted in a certain field. With the development of the times, more and more young people have begun to shift their focus to idol singers. The stage with the spotlights jumping, the passionate swaying dancing, coupled with the investment of fans and the support of capital, the endless draft models have made star chasing more and more luxurious. Over time, many people inevitably miss those folk artists who have to perform with all their strength even if there is only one audience in the audience;The hardships of "practicing three nines in winter and three dogs in summer" are medals worthy of being praised on domestic entertainment idols, but in artists, it is the accumulation that no one cares about the most. This winter, a little long, the cold wave invaded the land frozen all kinds of thoughts, but also let those fiery hearts gradually cool. Many art forms that have been inherited for a hundred years seem to be unable to resist the passage of time, and they are "slapped on the beach" by the new generation of fast food appreciation. In the past, Xiaoyu was also worried about whether those cultural symbols that have been inherited for thousands of years will be drawn to rest in the new century, but as time goes by, those "fast food" that briefly stimulates dopamine secretion cannot fill the stomach. On the contrary, it is the "old antiques" who are complained that they are "behind the times" to satisfy their taste buds. Some treasures can be passed down for thousands of years, not without reason. But the reason why the classic can be remembered is not because of its historicity, but also because of its heritage. When we miss a person, a song, a rhythm, and a good drama, we are not simply nostalgic for a certain era, but admired by his longevity. Whether it is a talented woman or an emperor or a general, those classics that have been lost in the long river of history have survived in the present world in another form, and left treasures to future generations. The fragments that have been chewed repeatedly by the predecessors, after spitting out the old and accepting the new, will continue to be carried forward by the latecomers. They are thousands of predecessors like Li Youbin, standing at the intersection of history and the future, inheriting the responsibilities entrusted by the previous generation, and passing on the torch to future generations. The artist on the stage, Qing poured out his performance;The audience applauded thunderously. Clusters of flames, burning in those crazy eyes, finally turned into brilliant fireworks, scattered in the mottled sky.