D:Seal reveals the current predicament faced by domestic martial arts dramas, which have fallen into three "deformed" states, and if they are not resolved, the future of domestic entertainment is worrying.
gf]fffd[/gf][gf]fffd[/gf].GIF Copywriting |Yi Xing Edit |One of Nanfeng's most popular domestic TV series at the moment is undoubtedly "Yinian Guan Mountain".
This martial arts road drama has attracted widespread attention for its uniqueness, coupled with the return of the former top 85 flowers to ancient costumes, it should have been a must-hit drama.
However, the direction of word-of-mouth makes people worry, either because of the actor's appearance, or because of the actress's demeanor.
Although the popularity is quite high, there is still a distance from the real popularity.
From the perspective of publicity, the most heated discussion on the whole network is undoubtedly Liu Shishi.
Her costume and demeanor are understandable, and her 36-year-old face is still strong.
There is even an entry for "Liu Shishi's knife and Ma Dan beauty" on the hot search list.
However, is the title of the heroine "Sword and Horse" too far-fetched?
In ** "Yi Nian Guan Mountain", it is obvious that most of Liu Shishi's play is actually a fixed-point plus a "blower", blowing clothes and hair to create a sense of atmosphere.
But most of the real scenes are completed by difficult stand-ins.
Even in some fight scenes, the face of the stand-in was coded.
While she is indeed beautiful, she seems a bit far-fetched when it comes to action scenes.
The three major deformities that domestic martial arts dramas are currently facing are the lack of a sense of historical weight.
The reason why martial arts dramas are fascinating is because it carries a strong ancient charm, and the chic of martial arts chivalry is in stark contrast to the ancient feudal society.
The lack of historical weighty scripts, casting, and costumes make martial arts dramas lose their depth, connotation, and taste of ancient costumes.
The second is that the righteousness of the family and the country has become a small love.
In traditional martial arts dramas, heroes often serve the country and the people, and can give up personal grievances and even their loved ones for the sake of the righteousness of their family and country.
However, today's martial arts dramas pay more attention to petty love, and the plot deviates from the concept of heroes, resulting in a deviation in the audience's understanding of martial arts.
Finally, acting is no longer king.
In the current entertainment industry, appearance and traffic seem to be more important, and acting skills have gradually lost their dominance.
The audience is more willing to see actors with high appearance and traffic, and the requirements for acting skills are gradually reduced.
This has led to the replacement of action scenes with slow motion and special effects in some martial arts dramas, and the real kung fu and real things of the actors are gradually missing.
In conclusion, domestic martial arts dramas have fallen into some deformities and urgently need to be changed.
The lack of a sense of historical weight, the righteousness of the family and the country has become petty love, and acting skills are no longer king, these three major problems need to be solved urgently.
Otherwise, it will be difficult for the martial arts drama market to get out of the predicament, and the prospects are worrying.
Let's be honest