"Memoirs of Hong Kong Films: An Inventory of Hong Kong New Wave Films" Hong Kong New Wave films are treasures in the hearts of many movie fans, and although time has passed, the style and connotation they show are still fascinating to this day. These classics are full of the unique flamboyance and weirdness of Hong Kong films, and they are very unique and charming, and they are still worth pondering.
First of all, when it comes to "Marginal People", although it is a little rough in terms of character portrayal and plot development, the handling of the ending is really excellent, full of unexpected and reasonable double tension. This film can be described as a landmark work in the history of Hong Kong films, and has had a profound impact on later Hong Kong films. Next, let's take a look at "Pointing Soldiers", which is not perfect in terms of details, but it shows the style of Hong Kong society at that time, and fully reflects the trend and cultural influence of the Lingnan region.
Its documentary thriller style, coupled with the wild city of Hong Kong, makes the audience feel as if they are in an eerie atmosphere. Moreover, "Doctor Lamb" became a representative work of Hong Kong films at that time with its realistic crime story and neat cast. In the film, JC's violence can't make him succumb, but it can break his defenses, which is impressive. This work is not only superior to the Eight Immortals Hotel in terms of storytelling, but also makes a profound exploration of the evil hidden in the city. In addition, the "Rules?".
's lens language and Lu Songxian's outstanding performance are also impressive. However, the plot of killing and killing in the film is slightly monotonous, which makes the overall perception a little less, and the final ending is also a little unexpected. Finally, let's talk about "Weak Killing". The performance of the female protagonist in the film is slightly bland, but the performance of the male protagonist Wu Yijiang can be called **, which is impressive.
Although there are not many passion scenes as a ** film, he is very careful about the shaping of the male protagonist's role, especially in the handling of interludes and detailed descriptions, showing excellent contradictions. In the process of reviewing these classic Hong Kong films, we can't help but think about a question: whether the image of the villain shown in these films is a realistic problem of reasonableness to extort confessions by torture?Does the violent use of public power shown in Hong Kong films reflect social problems and the evil of human nature?
These are all questions that deserve our in-depth consideration. In film and television works, Hong Kong films have always been a topic worth paying attention to. These classics not only let us review the first era of Hong Kong films, but also bring a lot of inspiration to the current film and television creation. Let's miss these classics together, and look forward to more excellent film and television works in the future.