Text |Mu Ran.
Edit |Ternary.
Should I say that the finale of "Yi Nian Guan Mountain" is HE or BE?
Let's say it's he, the two protagonists and the brothers of Rokudodo are all dead.
Let's say it's BE, the screenwriter can be regarded as reuniting them in the underworld, why isn't it HE?
After watching the finale of "Yi Nian Guan Mountain", I can only say that the actors are all good actors, but the screenwriter and director of this drama are too crazy, what kind of new type of HE is this?Do you have to have graves next to graves and bury the protagonists together to end it?
Don't be too vicious!
This also directly led to the word-of-mouth of "Yi Nian Guan Mountain" in the early stage, but until the end, not only did it have a bad review, but it also fell to 68 points, I believe that as more and more viewers have watched the finale, there is still room for the score to decline.
In the finale, the Liudaotang team received boxed lunches one after another, and first Sun Lang blocked a shot for him in order to save the emperor.
Immediately afterwards, Qian Zhao was hit by several arrows, and finally fell into Yu Thirteen's arms.
Since the first two were sacrificed in battle, I thought that if Yuan Lu had to get a box lunch, he could have such a result, but he didn't think that the screenwriter would let him run to death.
In order to deliver the letter, Yuan Lu ignored his physical condition and finally delivered the news, but he couldn't save it, and confessed to Yang Ying before he died.
Yu 13 was blind, left alone to resist the enemy, and finally died.
I don't know if the screenwriter felt that the team was not neat enough and not good-looking, so Ning Yuanzhou was also besieged and stabbed to death.
I've seen the protagonist die, the supporting characters die, but I've never seen this kind of main and supporting roles all gag. Especially in the last few episodes, it gives people a feeling that they are not long enough and forcibly be.
Obviously, everyone in the Liudaotang squad has unique skills and combat effectiveness, but when it comes to the finale, they are easily counter-killed, and they are not killed in the hands of masters, but are stabbed to death by random attacks, and even run to death, does the screenwriter really not consider logic at all?
It's not that the protagonist has to live to the end and can't get a boxed lunch, but that everyone has to die as they deserve.
The most ridiculous thing that died in the hands of the screenwriter was Yuan Lu, who ran the horse to death, not thinking about finding a new horse, but running on foot, and not resting halfway because it was too late, did he want to tell the audience that he was running faster than the horse?
But if you ride another horse, or predict in advance that a long-distance run may exhaust the horse to death, you should take two horses to ride instead, and you have to let Yuanlu, who has a bad heart, run a marathon, what is the difference between this and dying by yourself?
For example, in the early plot, although Li Tongguang always has trouble with Ning Yuanzhou, he is not a bad person, his IQ is **, and his force value can also be said in the past.
But when the ending was near, Li Tongguang was changed into a waste with an IQ, and he was not the same person at all from the previous stage. At the last moment, after learning that Yu 13 and others received a boxed lunch in order to defend the city, they had to go to war in person, and let the actor die to save him.
turned a rather likable character like Li Tongguang into a fool who made the audience angry.
Maybe the screenwriter wanted to create a tragic atmosphere of all the six daotang sacrifices for the country, but there is no logic that makes everyone stunned, and the intuitive feeling is that the screenwriter has been holding back for a long time and has given the audience a big lump.
Is it okay for domestic dramas not to talk about love?You have to fall in love, but can you not let the protagonist not live without love?
All the types of dramas that can be launched in the national drama market, it is difficult to find a one that does not fall in love, and now even thrillers have to get the love element in it, once there is no love, the screenwriter will not make up the number of words for his script.
As a costume martial arts drama, there is nothing wrong with letting the hero and heroine fall in love, but when it is time to talk about it, it is to give candy to the audience, and when it should not be talked, it is pure to disgust the audience.
Ren Ruyi, played by Liu Shishi in the play, stayed until the end, but in order to appease the people of the two countries, she pretended to be the queen mother and broke into the enemy camp alone, and finally threw a thunder bomb and died with the enemy.
No matter how you look at this, it's all sacrificed for the righteousness of the family and country, right?Good guys!The screenwriter waved his hand and let go of the sentence "Yuanzhou, you are gone, this world is too lonely for me", which made Ren Ruyi become a martyr for love.
Whether it is Ren Ruyi or Ning Yuanzhou, which the screenwriter originally portrayed, they are not people who can't do without love, but after falling in love with each other, they have worries and bonds, and they can no longer be as carefree as before.
But this just adds some happy troubles to the two people, and it does not mean that the two of them become love brains as soon as they fall in love. When the screenwriter reached the finale, he undoubtedly ruined the two protagonists with his own hands and ruined the whole show.
Judging from the early plot, Ren Ruyi and Rather than whoever survives to the end, there is a high probability that they will be alone, walking in the world and the world, and finally returning to the mountains and forests. But because the people are still in dire straits, the two people with great righteousness in their hearts, as long as they can do something for the country and the people, they will not be alone.
So Ren Ruyi chose to go deep into the enemy country and seize the opportunity to let the rebels attack at the same time, which also brought a ray of life to Yang Ying and Chu Yue and others. In the camp of the Northern Wolf King, although Ren Ruyi, who had been seriously injured, killed two people one after another, his force value was not as good as before.
When there is no way out, it is necessary to die with the enemy, what does this have to do with love?
The screenwriter himself created two independent and sober protagonists, but ruined them in the end, doesn't conscience really hurt?
It is not difficult to understand that the screenwriter's original intention was to make the audience uneasy about this pair of CPs, and Ren Ruyi didn't want to live in a world without Ning Yuanzhou to win the audience's tears, but today's audience is not stupid, and those who can really cry about it have to reflect whether they are a love brain.
The screenwriter seems to have grasped the current audience's preference for chasing dramas, but in fact, he still deviated.
In the finale, the theme that was elevated in the early stage was not sublimated, but also directly followed the protagonists into the underworld, and the two protagonists were evenly matched in this life, and the love of sympathy for each other was also buried.
After watching the finale, I know why the audience wants to send blades to the screenwriter and director, it's really a dare to write and a dare to shoot, it turns out that it is the two love brain creators who ruined this drama!
What are your thoughts on this?Do you think the ending is unfinished?