Last night, the third phase of "The Sound of Life: Family Years" was successfully staged. However, the quality of this performance has declined, especially the chorus of more than three people is a bit noisy: Huang Qishan's rough real voice does not seem to meet the current market demand, although Tan Weiwei is easy to identify as soon as he speaks, but it is difficult to achieve the effect of 1+1 is greater than 2. In contrast, Han Hong and Chen Chusheng, two singers who really sing with their hearts, perform the best, they do not have the slightest competitive and commercial atmosphere, only pure singing and moving.
Overall, the overall vocal performance gives a sense of optimism.
1: Hu Yanbin's timbre has been cracked. As the first Hu Yanbin to appear, he chose a difficult repertoire in this performance. Although there are many falsetto parts, he can no longer show the perfect and gorgeous timbre that he had in his earlier singing of "Moonlight", and now his timbre is fragmented and inconsistent. The overall quality of the sound has weakened, and the thickness of the sound has become extremely weak compared to the early days. The listener has the illusion of returning to true and false voices from the mixed sound era, which is really a pity for Hu Yanbin, who once had the peak and gorgeous timbre.
From the perspective of **, when Hu Yanbin sang "Moonlight" in the early days, he preferred to focus on eating function and studio radio, which has a certain theoretical basis and vocal range difference from simple mixed R&B. At the same time, Hu Yanbin is now the general manager of Niu Ban, who is also the first production team of "The Sound of Life" and "The Voice of God". Inevitably, Hu Yanbin is developing in the direction of a technical manager, and has begun to let go of the iteration of opening his voice, protecting his throat, and technology.
2: Sun Nan's timbre is too strong, putting pressure on the emotions of the warm song, and the rhythm is still not very stable.
Sun Nan and Chen Chusheng sang a song full of warmth "The Nameless Man". Sun Nan is one of the peak singers, he has a very obvious, high-brightness unique timbre, especially good at pharyngeal mixed singing. His biggest characteristic is that he is different and very easy to be recognized. On the variety show stage, Sun Nan insists on singing with competitive logic, and his basic vocal concept is: the song is for himself, not for him to serve the song.
To put it simply, it's the process of picking songs and singing them in your own style, somewhat similar to Zhang Jie's approach. For example, this song "The Nameless Man" is a bit like "The Famous Man" after being sung by Sun Nan. For singers, singing their own style is the key to commercial success, but it also means that it can stagnate at some point, and there are pros and cons. Sun Nan's singing voice has always been very good, there is no problem with **, and he is a very solid top singer. However, he was like this just twenty years ago, and it is still true today, twenty years later.
If you appreciate Sun Nan maintaining the peak state for twenty years, you will like him very much and feel that he is very commendable. But if you pay attention to the progress and breakthrough of aesthetics, then you may feel some aesthetic fatigue like most people in the industry, and even Zhou Shen may be a little tired. In addition, regarding the problem of chorus rhythm, Sun Nan really needs to improve well, his chorus will be distracting, because the rhythm is unstable, sometimes fast and sometimes slow, which is really uncomfortable for ** lovers who are used to Xi metronome.
3-Best in the audience: Han Hong and Chen Chusheng - do not engage in vocal acrobatics, focus on song expression.
The message conveyed by a professional singer's singing voice is very rich, including outlook on life, business, and values. However, the current Chinese-language commercial market always puts competitiveness in the first place, and the way of thinking of singers has changed from how to sing good songs to how to have personal characteristics, and how to make the audience put a fixed impression label on themselves. When many singers start to prioritize commerciality, they ignore the original purpose of singing: to serve the song.
In the third issue of "The Sound of Life", except for Han Hong and Chen Chusheng, all the singers showed their identities as singers. Sun Nan's high-pitched performance, Hu Yanbin's complex arrangement, Wang Xinling's cheerfulness and appeal, Song Yaxuan's idol effect, and so on. However, when we turn off the TV and only listen to the singing, only Han Hong and Chen Chusheng's singing have real emotions and express emotions through songs.
In the song "Those Flowers" sung by Han Hong and Wang Xinling, they combined the spirit of Pu Shu with the work and sublimated it. In addition to using Pu Shu's sparse singing skills, they also showed perfect vocal cord marginal mixing skills, highlighting their superb singing skills. Han Hong's singing voice not only makes people feel excellent vocal thinking and artistic logic, but also adds a unique charm to the song.
1: The sound is strong and the volume is low. Sun Nan, Huang Qishan, and Tan Weiwei all have an obvious characteristic: they have a strong voice and a lot of volume when they speak. What does this mean?This is ingrained in discerning thinking. Because these four people are all excellent in live singing, they can overwhelm other professional singers in singing, especially Huang Qishan and Tan Weiwei will often put the cart before the horse because they highlight their strong singing skills, and the emotions they show are too tough and lack room for softness.
Compared with the original singing, Han Hong performed the popular singing method of "Qinghai-Tibet Plateau" with popular singing, reaching a perfect balance. Her voice can be high-pitched and impassioned, but great care must be taken to control the volume, as too much volume can cause emotions to spiral out of control. Generally speaking, the mood of the lead song is low, and the volume should be kept as low as possible, while at the same time ensuring that the sound is solid. This brings us to Han Hong's second skill
2: Han Hong is China's most outstanding legato thinking pop singer. Many people think that her strongest vocal performance is in the high-pitched Tibetan mountain songs, but in fact, from a vocal point of view, the technique of mountain songs is not her special skill. Tan Weiwei, Yun Duo and even those female singers who studied Xi in ** Academy have also mastered the singing method of Tibetan mountain songs, and even made a breakthrough and reached the C6 range. However, none of them can have as important a status as Han Hong and can move people's hearts so much. Why?
Han Hong's voice is not a high pitch, but a perfect expression of the middle and low tones. Her singing style is very delicate and her voice is full of soul. The two versions of the song "Jiu'er", the comparison of the national team's big demon Tan Jing and Han Hong, it can be seen that the core secret of Han Hong's vocal music is **.
Tan Jing's "Jiu'er" is based on folk music and folk singing. The rhythm at the beginning is relatively hard, and the connection between the beginning, end and next notes of the notes reflects the staccato thinking of the national singing method, and there is still a strong sense of support and spring on the whole. Han Hong's rendition, on the other hand, is based on the luxurious timbre of the pop mix, with a very soft rhythm at the beginning, followed by a gradual increase in sound pressure and diffusion in trills. The beginning, end and subsequent articulation of each note have a smooth and graceful feel. This is the most obvious difference between staccato thinking and legato thinking in timbre.
If you want to show a delicate and perfect beauty in **, you must focus on legato. The sustain beauty of legato is the original aesthetic characteristic of singing, but the national singing method is difficult to be loved in the market, because of the lack of an excellent singer. In addition to legato, the expression of emotions is also very important, and this is where the magnificence and recognizability of the timbre become crucial.
However, Tan Jing's folk singing style does not focus on polishing the timbre, while Han Hong uses legato thinking as a technique with timbre as the highlight. Vocal marginalization and mixing techniques are not limited to the R&B style, nor are they only for talented singers. As early as 18 years ago, Han Hong began to experiment with the marginalization technique of vocal cords, and in "Jiu'er" a few years ago, she completely mastered this technique, and it is more prominent than "Qinghai-Tibet Plateau".
Han Hong turned over Li Na, what is the mystery of the original song "Qinghai-Tibet Plateau"?The answer is very simple: Han Hong performed this national-style song in pop singing, and added elements that are in line with the aesthetics of the times, so as to achieve a perfect performance effect. As a comprehensive person, producer, composer, lyricist and peak singer, she can keenly perceive the expansion and color of language. The vocal message she presents is nothing short of an audio-visual feast.
Re-enactment, so as to perfectly show the warmth that touches and evokes the memories of youth. Han Hong's singing resonates with everyone, and we will only be touched by our own memories, and will not break the integrity of memories because of Han Hong's personal characteristics. In contrast, Wang Xinling's pronunciation is not natural enough, and the processing of timbre is also lacking, which unfortunately destroys the beauty created by Han Hong. It is strongly recommended that Han Hong can re-sing the song "Those Flowers" alone to present it perfectly.
4: Song Yaxuan's voice has the problem of loose vocal cord closure.
Finally, I want to mention Song Yaxuan, who is highly recommended in "The Sound of Life", to be honest, compared with Ma Jiaqi, in terms of vocal talent, this child is slightly inferior. In terms of basic vocal cord closure, Song Yaxuan has a large airflow leakage problem, which is an entry threshold, and only when the vocal cords are firmly closed can it be possible to produce mixed sounds. And the airflow leakage is precisely because Song Yaxuan pays too much attention to the high-pitched part of the falsetto, in fact, the falsetto of the air leakage is equal to the ineffective pitch.
In short, after comprehensive consideration, the performance of the third phase of Shengsheng has decreased slightly, among which Han Hong's singing voice is the most outstanding, but it is regrettable that some of Wang Xinling's behaviors have ruined Han Hong's performance atmosphere.