With the launch of the third season of "The Sound of Life", the audience is once again immersed in the review of China's best chronicles. Although this music variety show is relatively young, it has attracted wide attention with its unique theme pattern and guest lineup. In the first episode of the guests' first meeting, the awkward interaction made people can't help but snap their toes, and with the update of the show, the audience ushered in a post-** memory kill.
The first performance was opened by "Acacia" sung by Mao Amin and Hu Yanbin, outlining a picture full of history. Mao Amin's voice seems to be a time-traveler, resonating with Hu Yanbin's modern vocal cavity, interpreting this classic work vividly and vividly, which is endlessly evocative.
Then, Tan Weiwei and Yu Kewei's "I Remember" became a popular BGM on the short ** platform with its unique atmosphere, and the female voice blended with the theme of maternal love in the song, arousing the audience's resonance and tears.
What is really touching is the cooperation between Han Hong and Sun Nan, their interpretation of "Beautiful Myth" can be called the top chorus in the Chinese music scene. At this moment, the audience seemed to have traveled to the plot of "Myth", General Meng Yi stood on the edge of the cliff, watching Princess Yushu dance, and all kinds of feelings were transmitted to the bottom of his heart.
Immediately afterwards, Wang Xinling used "The First Lover" to trigger a chorus of the audience, bringing the audience back to the memories of their student days. Wang Sulong used the adapted version of "Love Ya Ai Ya" to show its unique charm, which reminded people of the classic that was all the rage.
Gu Juji and Chen Chusheng's "Love of the Year", Zhou Shen and Huang Qishan's "Years", each cover gives a new meaning to the classics. This is exactly the concept of "endless sound" pursued by "Sound Endlessly", so that ** can maintain vitality under the baptism of time.
Just when the audience was feeling a lot about this episode, the performance of a young singer caused a lot of controversy. 19-year-old Song Yaxuan, although he has a lot of traffic, his performance in strength is lackluster. In the chorus with Tan Weiwei, he performed Zeng Yi's rap part alone, but he attracted criticism from the audience because of his flat performance and lack of momentum.
On the stage of the third issue, Song Yaxuan chose "Proud Boy" of the Southern Expedition and the Northern War. This was supposed to be a tailor-made performance for young singers, but his performance made the audience feel overwhelmed. Despite his clear voice and steady vocals, he pales in comparison to this passionate rock track.
What's even more suffocating is that his performance is full of embarrassing elements, and an inexplicable sensational monologue makes the audience wonder if the program team is deliberately creating an embarrassing scene. And when Zhang Qi, who was partnered with him, spoke, the audience was finally relieved and felt the real strength of singing.
Song Yaxuan's performance caused the audience to question the strength of the young singer, and the discussion on the barrage was endless. This may be a reminder that even if the traffic is large, it will take more time and effort to become a real powerhouse.
In the hall of **, the classic cover is a tribute to the predecessors and the inheritance of **history. The audience's expectations and requirements for singers are constantly rising, and they are eager to see more powerful and in-depth performances. Young singers on such a big stage may need more Xi practice and more experience to stand out among many singers.
In the third season of "The Sound of Life", the rhythm of ** is intertwined with the singer's challenge. Although there were some twists and turns in the process of performing, it was also part of growing up. It is hoped that through the feedback of the audience and the adjustment of the program, the future program can present a better and more touching journey. In this world of endless sound, every singer has his own notes, which is the charm of **.