In the ancient "Romance of the Three Kingdoms", Liu Bei was honored as the emperor's uncle by Emperor Xian of the Han Dynasty, and he claimed to be the great-grandson of Emperor Xiaojing after King Jing of Zhongshan. However, Liu Sheng, the king of Zhongshan, was not famous, but in a burial tomb discovery at the end of the sixties of the last century, the historical figure was truly presented. This mausoleum, known as the tomb of King Jing of Zhongshan or the tomb of the Han Dynasty in Mancheng, not only unearthed rich cultural relics, but also revealed the extravagance and superstition of the aristocratic life of feudal society.
The epitome of aristocratic extravagant life.
The discovery of the joint burial tomb shows the luxurious life of the nobility of feudal society, and two complete national treasures such as the "golden jade robe" and the jade-inlaid lacquer coffin shine brightly. The Boshan furnace has become one of the treasures that show the extravagant taste of the aristocracy, including the Cuojin Boshan furnace and the Lux riding dragon Boshan furnace.
The origin and uniqueness of Boshan furnace.
As a type of incense burner, the Boshan furnace was relatively simple in the early days, but in the Han Dynasty, an elaborate and complex Boshan furnace appeared, reflecting the social background and the superstitions of the emperor at that time. The emperors pursued immortality and made the Boshan furnace into a fairy mountain style to express their yearning for the gods. The Lux Qilong Boshan Furnace has a unique chassis design, showing the superb skills of ancient craftsmen and mysterious scientific principles.
The mysterious Boshan superstition and the worship of the emperor.
The ancients superstitious belief that immortals exist in the three immortal mountains of Fanghu, Yingzhou and Penglai, and Boshan is the collective name of these three immortal mountains. In order to pursue the art of immortality, the emperor strengthened his yearning for Boshan. Boshan furnace became popular during the period of Emperor Wu of the Han Dynasty and became a fashion symbol among the nobility of feudal society.
The artistic beauty of Lux riding Longbo Mountain Furnace.
The Lux riding dragon Boshan furnace takes the furnace cover, the furnace body and the chassis as the main parts, and the furnace cover carves the ethereal Boshan fairyland, which is divided into three themes: Yunshan tiger and bear, man and beast fighting, and character ox cart. The design of the furnace body is simple, but the flow moire pattern is painted using a gilt silver process, which adds a sense of mystery. The Lux dragon riding in the chassis is exquisitely designed, showcasing the skill and understanding of scientific principles of ancient craftsmen.
The cultural value and historical significance of Boshan furnace.
Although the Lux riding dragon Boshan furnace is not as gorgeous as the Jinbo mountain furnace, it contains richer cultural value. The scientific principles contained in the chassis demonstrate the wisdom of ancient craftsmen and provide valuable historical materials for future generations. The discovery of these artifacts gives us a deeper understanding of the culture and aristocratic life of the feudal era.
Epilogue. 
Exploring the tomb of King Jing of Zhongshan, we discover a world of luxury and mystery. The uniqueness of the Boshan furnace reflects the superstition and yearning of the ancient society, while the Lux riding dragon Boshan furnace shows the outstanding talent of the ancient craftsmen with its exquisite craftsmanship and scientific principles. These cultural relics are not only witnesses of the extravagant life of the aristocracy, but also treasures of history and culture, allowing us to get a glimpse of the glory of civilization in the feudal era.
This article excavates the cultural relics of the tomb of King Jing of Zhongshan, especially the artwork based on the Lux riding the dragon Boshan furnace, so that we have a more detailed understanding of the extravagant life and culture of the feudal era. Through the depiction of historical events and cultural relics, readers seem to be able to travel back in time and experience the social landscape of the time.
First of all, the article introduces the cultural relics in the tomb of King Jing of Zhongshan, especially those precious national treasures, such as "golden jade clothes" and jade-inlaid lacquer coffins, which show the overly extravagant lifestyle of the nobility in feudal society. This kind of magnificent life scene is in sharp contrast with the impression of feudal society in ordinary people, so that readers have a more three-dimensional and vivid understanding of history.
Secondly, the article details the origin and development of the incense burner of Boshan furnace. By revealing the mystical worship of Boshan by the emperors of the Han Dynasty and the pursuit of immortality, the reader has a deeper understanding of the thoughts and beliefs of the people at that time. The description of the production process and appearance characteristics of the Boshan furnace presents the reader with a picture of the exquisite skills of the ancient craftsmen.
Particularly fascinating is the Lux Riding Dragon Boshan Furnace, a work of art with a unique chassis design and superb craftsmanship. The design and engraving of the lid, body and chassis are described in detail, so that the reader can clearly outline the form of this ancient artifact in his mind. The wrestler riding dragon in the chassis is a stunning detail that shows the ancient craftsmen's understanding of the principle of the center of gravity. This emphasis on scientific principles makes this artwork aesthetically appealing and at the same time provoking deep reflection on the wisdom of ancient craftsmen.
Finally, the article cleverly summarizes the entire content in the concluding part, emphasizing the cultural value and historical significance of these cultural relics. The author points out that these cultural relics are not only testimonies of luxurious life, but also historical and cultural treasures, allowing us to understand more deeply the glory of civilization in the feudal era. Such a summary makes the article more thoughtful and guides readers to think and reflect on history.
Overall, the article does a pretty good job in terms of depth of content, structure, and language. Through detailed descriptions and in-depth analysis, readers have a more comprehensive understanding of the culture, beliefs and crafts of feudal society. The article presents the history vividly and interestingly through the cultural relics, and provides readers with an interesting and profound historical and cultural journey.
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