Qian Qi is one of the most romantic poems, with a novel conception, which has established an immorta

Mondo Culture Updated on 2024-01-28

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"Knock two or three poems, and read poems and books quietly. Song Yun Tang Feng Wen Haimu, high mountains and flowing water meet bosom friends. "Welcome to you!

Qian Qi, whose name is Zhongwen, is of Han nationality, a native of Wuxing (now Huzhou City, Zhejiang), and a poet of the Tang Dynasty. He used to be a meritorious examiner, so he was called "money to test merit". and Li Duan, Lu Lun, Ji Zhongfu, Han Hong, Sikong Shu, etc., known as the ten talents of the Great Calendar. Because of the same name as Lang Shiyuan, it was called "Qian Lang", and at that time it was called "Shen Song in the front, and Qian Lang in the back." ”

His poems have a high artistic level, the style is clear and elegant, fluent and delicate, especially good at writing scenes, and is an outstanding representative of the poetry style of the calendar. Such as "Xiaoxiang what to do and wait for leisure, the water is blue and the sand is bright on both sides of the moss." The twenty-fifth string played the night moon, but it flew in without victory. "Returning to the Goose".

After Qian Qi took office, he lived in the north for a long time, and saw the wild geese returning from the south, which touched his feelings, so he wrote this poem. The poet writes about the traveling geese full of sorrow, and tactfully expresses the thoughts of traveling to other places.

With its unique artistic characteristics, the poem has become one of the most eye-catching songs.

In this issue, I share with you a famous poem that he has appreciated through the ages. This poem was written by Qian Qi Tang Xuanzong Tianbao in the tenth year (751) when he took the Jinshi examination. Provincial poems have their own specific format, which is required to be a five-character poem, six rhymes and twelve sentences, and the title and rhyme of the poem are limited.

Because the provincial test poems limit the title and content, and the requirements for sound and rhyme are very strict, such poems rarely have excellent works that are recited by the population. The full poem is as follows:

Good drum clouds and Se, often hear the emperor's spirit.

Feng Yikong danced to himself, and Chu Ke was unbearable.

The bitter tone is poignant, and the clear sound is in the dark.

Cangwu came to complain, and Bai Zhi moved Fangxin.

The flowing water spreads to Xiaopu, and the sad wind passes through the cave.

At the end of the song, no one is gone, and there are several peaks on the river.

Tang Qian Qi "Provincial Test Xiangling Drum".

Provincial Test Xiangling Guse", Provincial Test: In the Tang Dynasty, the tributes from various states and counties to Beijing were mainly tested by the Ministry of Rites of Shangshu Province, commonly known as the Provincial Test.

Xiang Ling: The legendary concubines of Shun, Empress E and Nuying, committed suicide by throwing themselves into Xiangshui due to grief after Shun's death and became the goddess of Xiangshui.

If you are learning to Xi Rhythmic Poetry Writing, you can read the "Basic Knowledge of Rhythmic Poetry Writing", which will help you improve your writing level.

Good drum clouds and Se, often hear the emperor's spirit. ”

I often hear that the gods of Xiangshui are good at playing clouds and seers.

Yun Hese: Yun He, the name of the ancient mountain. "Zhou Li, Chunguan Da Si Le":"The Clouds and the Lyre. "

Emperor: Qu Yuan's "Nine Songs": "The emperor descended to Beizhu." Most of the commentators believe that the emperor is a Yao girl, that is, Shun's wife.

The first two sentences closely follow the title of the poem to summarize the theme, according to the title of the poem, pointing out the legend that the goddess of Xiangshui is good at drumming, she caresses the clouds and Se, and plays a sad music.

Feng Yikong danced to himself, and Chu Ke was unbearable. ”

The beautiful music made the river god Feng Yi dance when he heard it, but the travelers who traveled far away could not bear to listen to it.

Feng (píng) Yi: The legendary river god.

Empty"words, indicating that Feng Yi did not understand Xiang Ling's grievances;It is those in the world who have been degraded to Xiangshui"Chuke", I appreciated the sad heart song of Xiangling hidden in the music, and couldn't help but feel sad and couldn't bear to hear it.

The bitter tone is poignant, and the clear sound is in the dark. ”

The deep and mournful tune moved and grieved even the hard stonesThe clear and high-pitched music, the penetrating power is so strong, and it has been flying to the high and boundless place.

The noun here is used as a verb, which means that the sound of the stone can make the hard stone miserable;

"Enter", entering, which means that the sound of the sound is penetrating and can be transmitted to the high and distant sky. The poet skillfully uses verbs and imagines them to write the deep sorrow and clear and high-pitched sound of the seren, highlighting the artistic appeal of the seren.

Cangwu came to complain, and Bai Zhi moved Fangxin. ”

When such a beautiful piece of music reached the wilderness, even the spirit of Emperor Shun, who rested on Jiuzhi Mountain, was moved by it, and complained and longedAnd Angelica dahurica, which grows in the Cangwu area, also spits out more fragrance under the inspiration of the music.

Cangwu: the name of the mountain, now in Ningyuan County, Hunan, also known as Jiuzhi (jí), legend has it that Emperor Shun toured the south and collapsed in Cangwu. This refers to the spirit of Emperor Shun.

The fifth to eighth sentences express the infectious power of the sound from the side, which can make the golden stone sad and the angelica fragrant. The sound of the sermon permeated the vast space, making the heavens and the earth miserable, and the plants and trees moving.

The flowing water spreads to Xiaopu, and the sad wind passes through the cave. ”

The sound of music was transmitted along the flowing water to the Xiangjiang River, turning into a sad wind and flying over the vast Dongting Lake.

These two poets imagine that the sound of the song flows along the flowing water and turns into a sad wind blowing through the cave, so that the invisible music can be tangibly expressed, endless, poignant and resentful, and moving.

At the end of the song, no one is gone, and there are several peaks on the river. ”

At the end of the song, there was silence, but I didn't see the goddess of Xiangshui who was drumming, and the smoke on the river dissipated, revealing several peaks, and the mountains were green and charming.

The tail couplet is a swan song. At the end of the song, the people scattered, and there were no Yi people, only a river and a few peaks and green mountains. The picture is extremely clean, bright, quiet and beautiful, leaving people with a long aftertaste. Here's what's great:

With the scenery to end the love, the aftertaste is endless. The subsequent grievances of Xiangling have been integrated into the continuous flow of the Xiangjiang River, and perhaps the beautiful shadow of Xiangling has turned into several green peaks on the river, inspiring people's many magical and wonderful reverie.

Echoing the beginning, the beginning and the end are rounded. The whole poem begins with the appearance of the goddess of Xiangshui and ends with the disappearance of the goddess of Xiangshui, forming an organic whole that is round from beginning to end.

The transformations are clever and complement each other. From the virtual to the real, the poetry is pulled back to the real world from the imaginary world that gallops to the fullest;The second is from movement to stillness, indicating that the music stops abruptly in the climax, and at the same time, with the help of the quiet and beautiful picture in the vision, the wonderful beauty of the music is set off.

Summary: The whole poem is described through multiple levels and perspectives such as listening, guest listening, hearing from far and near, resentment, and sadnessIt vividly reproduces the bitter tune played by Xiang Ling, Empress E and Nuying looking for a husband, and playing the drums

It vividly expresses the unswerving loyalty of the second concubine to love and the grievances and longing for Emperor Shun who died in the cangwu, and has become a recognized model of trial poems. It was recited for a while, and established Qian Qi's immortal reputation in the poetry world.

Ladies and gentlemen, what do you think after reading the words?Welcome to leave a message below the article to interact or leave your beautiful poems.

Note: This article is the original of Piaoxue Yiyi, please do not carry and plagiarize, **From the Internet, the copyright belongs to the original author, if there is anything wrong, please contact to delete, thank you for your attention and support.

Meng Jiao: The most fantastical and beautiful poem, the language is concise and beautiful, and the aftertaste is endless!

Mi Fu: The most lively and lovely words, indifferent and quiet, wanton and free, have you also read?

Gao Shi: The most classic poem is comparable to Wang Bo's "confidant in the sea, if the end of the world is next to each other".

Yang Wanli: This poem is full of interest and amazes readers, have you also read it?

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