The scene was unveiled by Chen Nan, a reporter from Southeast Net
Southeast Network, December 2 (Reporter Chen Nan) This morning, the unveiling ceremony of the Creation Research Center of Shen Shao'an Lacquer Art Research Institute (hereinafter referred to as "Shen Shao'an Innovation and Research Center") was held in Fuzhou Minhou Zhongke City.
According to reports, Shen Shao'an Innovation and Research Center was established according to the development goal of "protecting and inheriting China's excellent traditional lacquer technology, promoting Chinese lacquer art research and exchange in the new era, and exploring the road of innovation and development of Chinese lacquer art".
Lin Zhengjia, Chairman of Jiaxin Haitan Holding Group, Founder of Shen Shao'an Lacquer Art Museum, Chairman of Shen Shao'an Lacquer Art Research Institute, Zheng Xiuchao, Master of Chinese Arts and Crafts, Tang Mingxiu, former Director of Fujian Art Museum, Huang Baoxian, Taiwanese lacquer artist, Luo Liping, Dean of the Academy of Fine Arts of Fujian Normal University, Shen Kelong, contemporary lacquer artist, Tang Zhiyi, Professor of the School of Arts of Xiamen University, Jin Hui, Dean of the Academy of Fine Arts of Minjiang University, and Qiu Zhijun, Director of the Fujian Art Museum, attended the event. Lacquer artists Zhong Yu, Chen Na and Chen Si settled in as the first batch of artists.
Tang Zhiyi said that the Innovation and Research Center will focus on the research direction of lacquer art, and invite intangible cultural heritage lacquer art heirs, domestic and foreign lacquer art masters, and experts in the cultural and artistic circles as a professional consultant team to focus on the inheritance and development of traditional lacquer art, lacquer art technology upgrading, lacquer art product innovation, etc., and is committed to promoting the research and exchange of Chinese lacquer art in the new era and exploring the road of innovation and development of Chinese lacquer art.
Lin Zhengjia said that the deep cultivation and operation of the lacquer art field is a cultural project that Jiaxin Haitan Holding Group focuses on. Over the past 20 years, the Group has successively established the Shen Shao'an Lacquer Art Research Institute and the Shen Shao'an Lacquer Art Museum, striving to create a new economic model of intangible cultural heritage, as well as the original intention of establishing the Innovation and Research Center, as well as the vision of the Innovation and Research Center.
According to reports, the Shen Shao'an Innovation and Research Center is presided over by Professor Tang Zhiyi, executive deputy director of the Art Research Institute of Xiamen University and doctoral supervisor, and consists of resident young lacquer painting master studios: Zhong Yu Studio, Chen Na Studio, Chen Si Studio, etc., which is committed to the innovation of lacquer painting creation concepts and the inheritance of lacquer art techniques, and carries out research on the creation and research of contemporary Chinese lacquer painting, the traditional and contemporary transformation of Chinese lacquer art, the innovation of new materials and new processes, and the art and contemporary design of lacquer. The members of the Innovation and Research Center not only carry out collective collaborative creation research, but also carry out individual independent creation research, which complement each other and promote the mutual integration and transformation and application of lacquer art research results.
Shen Shao'an Innovation and Research Center integrates the four functions of "production, education, research and innovation", integrating four major functions: lacquer art academic research, lacquer art talent training, lacquer art product innovation and production, and lacquer art research and Xi practice, and will give full play to the role of Shen Shao'an lacquer art academic research position, Shen Shao'an lacquer art creation base, oriental lacquer art aesthetics Xi Institute, lacquer art science popularization and publicity base, etc., to provide a steady stream of development power for China's contemporary lacquer art.