In Wong Kar-wai's TV series "Flowers", there are two emotional lines quietly intertwined, which belong to Po and Reiko. Their stories are like a bowl of eternally warm rice in Tokyo at night, simple but evocative.
Ah Bao, the president of Bao who calls for wind and rain today, but in Reiko's memory, he will always be the boy who first met Yu Wei. Every time he goes on an adventure, every time he seeks wealth and danger, Reiko watches silently, keeping that original innocence for him in her heart. She asks for money, she bargains, but it's all just a unique flirtation between her and Po.
And Ah Bao, no matter how far he walked in the shadow of the clothes and temples on the Yellow River Road, his heart was always concerned about the bowl of rice in Tokyo and the person waiting for him. He knew that every little habit of Reiko, every subtle movement, could not escape his eyes. The tacit understanding between them seems to have transcended words, and they can read each other's minds with just one look and one movement.
That scene is like the urban men and women under Wong Kar-wai's lens, and emotions flow in the undercurrent. Reiko drank from the cup Po had drunk, and it was as if the whole world had stood stillAnd Ah Bao's determination and expectation when waiting for Lingzi's ** also made people see the deep bond between them.
Their story does not have vigorous vows and passionate hugs, but it has that deep affection and understanding that flows like a long stream. In this complex world, they guard each other's hearts and the original innocence in their own way.
Perhaps this is the most beautiful appearance of love: no matter how time goes by and how the world changes, there is always such a person who is willing to love you, understand you, and protect you with the original heart. And for Po and Reiko, this love is hidden in that bowl of rice and that love song, and it will never expire. List of high-quality authors