Compared with five-character quatrains and seven-character quatrains, six-character quatrains seem to be rare, but there is no shortage of famous works of six-character quatrains.
Zhu Fang's "desert yellow flowers cover the water, and the egrets frighten the boat from time to time" depicts a quiet and vivid autumn scene, like a flowing picture.
Zhang Ji's "There is snow in the empty forest, and no one returns alone on the ancient road", which outlines the image of a lonely and lonely traveler, which is very emotional.
Liu Yuxi's "The world is different, how can the newcomer be like the old man", expressing his helplessness about the changes in the world and nostalgia for the good old days.
And Su Shi's "Peach Blossoms Fall Whoever Sees the Fall, Water Flows to the World" uses the withering of peach blossoms and the surge of water as an introduction to the philosophy of the impermanence of life and the various states of life.
Although the number of six-character quatrains is small, each one has a unique charm and deep meaning.
The peach color contains the rain, and the willow green is more smoky.
The flowers have not been swept away, and the warblers are still sleeping.
- Tang Wang Wei, Seven Songs of Pastoral Music, Part 6
"Pastoral Music" is a group of poems written by the author when he retired to Gongchuan, so the title is "Six Words of Gongchuan". In this poem, the author's state of mind and natural scenery are integrated, presenting a delicate landscape picture.
The peach blossoms bloom, the willows dance lightly, and the warblers cry gracefully, a vibrant scene that makes people intoxicated. Wang Wei's artistic characteristics of "painting in poetry" are fully reflected in this poem, so that people can appreciate the beautiful scenery of nature while appreciating poetry.
The petals of the peach blossoms are still hanging with last night's raindrops, which are crystal clear. After the rain, the willows are verdant and turquoise, swaying gently in the faint morning mist.
The petals of the flowers that were knocked down by the rain were sprinkled all over the courtyard, the children at home did not clean them, the yellow warblers on the trees cried, and the idle mountain visitors were still sleeping sweetly.
The lonely smoke is far away from the mountain, and the sky is a lonely tree plateau.
A scoop of face back to the alley, Mr. Wuliu to the door.
- Tang Wang Wei, "Seven Songs of Pastoral Music: Part 5".
Leisure, quietness, lightness, and distance are the characteristics of Wang Wei's landscape idyll, and this poem is like a sparse and light ink painting. The first two sentences are descriptions of the vista, and the lonely smoke, the distant village, and the lonely tree describe the quiet and lonely environment. The last two sentences borrow the allusions of Yan Hui and Tao Qian, expressing his feelings of being accompanied by nature, neighboring with the breeze and bright moon, willing to be poor, optimistic and open-minded, and affectionate for the landscape.
In the distance, on the side of the hill lies a quiet village, with a curling eaves rising in the midst of the trees.
I only want to live in a simple life like Yan Hui, enjoy the indifference and self-sufficiency in poverty, and be neighbors with a master like Tao Qian, without quarrel with the world, and live a quiet life.
The water falls and the stream is shallow, and the temple autumn mountain is blue.
The color of the trees is especially remnant of rain, and the bells are far away with the sun.
- Tang Zhang Zhongsu, "Autumn Ji in the Mountain Temple".
Zhang Zhongsu, a poet of the Tang Dynasty. His poetic language is very clear and refreshing, long and elegant, and rarely mediocre;In terms of subject matter, most of them are written about people and women, and there are also works that describe the Spring Festival of Gong Music, which are delicate and euphemistic.
This quatrain poet paints a tranquil and beautiful autumn picture, which makes people feel refreshed and linger.
The shallow stream, the murmuring water, and the autumn temple is surrounded by the clouds in the mountains.
The autumn rain is clear, the air is fresh, the grass and trees are still a little bit of crystal rain and dew, and the sunset is setting, and the sound of the temple's twilight drums reverberates in the valley.
The sound of Banqiao people crossing the spring, the rooster crows at noon on the thatched eaves.
Mo is angry about the smoke of roasted tea, but he likes to bask in the valley and the sky is sunny.
- Don Gu, "The Farmhouse Over the Mountain".
Considering the situation (year of birth and death unknown), the word is Tongweng, and the number is Huayang Zhenyi. Tang Dynasty poet, painter, connoisseur. His official position in his life was not high, he once served as a writer, because he was a Haiyan person, he offended the powerful with his poems, degraded the state secretary to join the army, and lived in seclusion in Maoshan in his later years.
This six-character quatrain is purely described in simple and natural language, showing the labor scene of roasted tea and drying grain in the mountain township of Jiangnan, as well as the straightforward character and simple feelings of the mountain farmers, which is brisk and natural, fresh and simple.
I walked on the board bridge, and the sound of the mountain spring under the bridge sounded in my ears;I came to the farmer's house, and it was the middle of the afternoon, and the rooster crowed in front of the thatched house.
Don't complain about being smoked by the green smoke that comes out of the roasted tea, but you should be glad that it is a sunny day when the grain is sunning.
The door is on the crane stream, and the clouds are connected to the fairy house.
Who understands the seclusion of the ghost, accustomed to watching mountain birds and mountain flowers.
- Don Li Bai, "Spring Scene".
The water of the crane stream is murmuring, like a poem that opens lightly. Looking at the Yantang Mountain, the clouds and mist are shrouded, just like a picture of paradise.
They are accustomed to watching the birds fly, admiring the flowers, and purifying their minds in the embrace of nature. In this secluded world, who can understand the deep meaning of the secluded?
This little poem blends the beauty of the spring scene with the poet's emotions, like a deep and beautiful landscape painting. Whether it is the clear stream, the continuous mountain peaks, the ethereal mountain fog, the mountain birds and mountain flowers, they are all full of vitality in the poet's pen. The poet is affectionate about the landscape, lonely but at ease, with far-reaching artistic conception, which makes people intoxicated and forgetful.
The willow leaves are green and dark, and the lotus sunset is red.
Thirty-six spring waters, white-headed want to see Jiangnan.
- Song Wang Anshi, "Two Songs of the West Taiyi Palace Wall, One of Them".
This is a wall poem. In 1068 A.D., the poet revisited the West Taiyi Palace after arriving in the capital, touched the scene, improvised the work, and wrote it on the wall.
In the poem, the summer scenery in front of you is reminiscent of the scenery of the hometown in the south of the Yangtze River, expressing the thoughts of the hometown and relatives, and containing the meaning of the fallen leaves returning to the roots
In the depths of the dense willow leaves, the cicadas are chirping, and the red light of the setting sun is reflected on the lotus pond, making the pool of red lotus even more red and dazzling.
Looking at the spring water in the pond, I was already full of gray hair, and I was reminded of the spring in the water town in the south of the Yangtze River.
The plum blossoms between the windows are ripe, and the bamboo shoots under the wall are out of the forest.
Even the rain does not know the spring, and the summer is deep when it is sunny.
- Song Fan Chengda, "Happy Sunshine".
Fan Chengda likes to plant plum trees in front of the window, and you can taste green plums in summer and plum blossoms in winter.
This idyllic poem, fresh and picturesque, describes the idyllic scenery of late spring and early summer.
The spring rain is endless, and today finally ushered in a sunny day for the first time in a long time. The poet pushed open the window and was pleased to find that the green plums in front of the window had ripened, and the bamboo shoots in the corner had broken the ground, forming a verdant bamboo forest. It turned out that in the continuous drizzle, spring had already quietly left, and summer had quietly arrived.
Jiangshang is early in spring every year, and people walk every day in Jintou.
By asking the distance of Shanyin, I still hear the twilight bell.
- Tang Huangfulan, "Xiao Jiang Huailing is a Master".
Huangfu Ran, whose name is Maozheng, was a poet of the Tang Dynasty. Tianbao fifteen years jinshi. Huangfu Ran is talented, he can write poems at the age of 10, and there are many excellent works, Zhang Jiuling is called a little friend. His poems are fresh and elegant, mostly written about wandering away from chaos, wandering in seclusion, landscapes and landscapes.
The poet looked out at the riverside, remembering his friend Ling Yiren, who was far away in Shanyin, and wrote this moving poem.
Spring on the river comes early every year. The ferry is full of people every day.
It was already twilight, and I wanted to ask how far it was to go down to San'in, when I faintly heard the temple bells.
The dangerous stone leads to the bird road, and the empty mountain has more people.
The peach source is set in the depths, and the water floats and falls.
- Tang Liu Changqing, "Looking for Zhang Yiren's Mountain Residence".
Liu Changqing, a poet of the Tang Dynasty, is a scholar. Tianbao (742-756) Jinshi, who was imprisoned for his affairs, was degraded twice, moved to Muzhou Sima, and finally became an assassin in Suizhou, known as Liu Suizhou. The poems mostly write about the sense of frustration, but there are also works that reflect the chaos, and they are good at depicting natural scenes. Liu Changqing works in poetry and is longer than five words, which is called the "Great Wall of Five Words".
There is a mountain path next to the steep rocks that only birds can fly over, but there are still people living in the empty mountain forest.
I think the Peach Blossom Spring must be deeper in the mountains, I don't believe you look at the falling flowers floating on the mountain stream.
The heart is like a gray wood, and the body is like an untied boat.
Ask Ru Ping's life achievements, Huangzhou, Huizhou, Danzhou.
- Song Su Shi, "Self-titled Portrait of Jinshan".
In May 1101, Su Shi passed through Runzhou and saw the portrait of Su Shi painted by Li Gonglin in Jinshan Temple, so he composed this poem. The poem describes the wandering of life in a self-deprecating tone, and his achievements are only degraded continuously. The poet faces the portrait of the past, reminisces about the past, and is full of emotion, and the poem not only laments the dying old age, but also summarizes his life. The language is desolate, the meaning is profound, and the evocative is endless.
The heart is like water without desire, like wood that has burned to ashes;This life is adrift, like a lonely boat that cannot be tethered.
If you ask me where my life's work is, it is actually in Huangzhou, Huizhou and Danzhou.
There are the ups and downs of my life, and my unfulfilled ambitions and pursuits.
-end-
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