Text|Linghu Boguang.
2023 is coming to an end, so I started to write an inventory of works, and I wrote the best domestic animated film "Thirty Thousand Miles of Chang'an" this year, mentioning that no matter what, this animation has made a good start to the influence of Chinese historical animation, and sure enough, some people said Li Bai, saying that Luoyang and Chang'an and other problems. Actually, I think this is the difficulty of doing culture in China now, everyone is too up-and-coming.
It's been half a year since this movie, not to mention that most people don't know that there are discrepancies between film and television works and historical facts, and then there are those who think that the film is purely historical, even if this kind of person doesn't watch this movie, a few people will take the initiative to understand this history by themselves.
The main thing about this kind of film and television works is that the artistic conception is depicted, attracting interested people to further understand, you have to feel that he has a difference, first of all, it is certain, and secondly, it is necessary for you to kill the words like this, you can publicize the real history, you can use this cultural boom of the Tang Dynasty to do Luoyang's popular science, a win-win situation, you have to make the content creators afraid, and other audiences are disgusted.
I shouted before that I was tired of "Fengshen" and "Journey to the West", and finally there was a dazzling work, so I had to restore history 100% and satisfy all talents
The movie is very exciting, but there are still many things in this movie that do not match history. For example, Li Bai's "Chivalrous Journey" is not written in a high-level manner, and Cheng's father-in-law should not worship Li Bai (military emergency, he came all the way to understand Li Bai's story?).Gao Shi did not lure the enemy deeper, and in the end it was Guo Ziyi who saved Datang, and he did not make meritorious contributions, and Li Bai** did not lend a hand. Moreover, Gao Shi and Du Fu are friends, and the friendship between Li Gao is not so deep.
Li Bai wrote a poem directly to Gao Shi, and at present, there is only the one in which Li Bai asked Gao Shi to save his life in prison, and called Gao Shi "Gao Gong" in the poem. Moreover, Gao Shi even burned the correspondence with Li Bai in order to avoid suspicion. It was Guo Ziyi who recovered the two capitals and saved Li Bai, and it was Li Bai who saved Guo Ziyi, not Gao Shi.
When Li Bai was in prison, it was Song Ruosi who fished him out of prison, Guo Ziyi "until Ziyi asked for dismissal to redeem him, and there was an edict to stay overnight", and on the way to exile, there was an amnesty that only "the light boat has crossed the Ten Thousand Mountains". Li Bai sat in prison to write a letter for help, and even Cui Lian, who was not very close, pleaded for it.
If you still have to look for it, you will definitely be able to find a lot, after all, these characters and events in history are not linear. You can still bump into the whole drama for hours, but you can do it for months, years, or even decades. In addition to being inconsistent with individual historical facts, the details of the movie are really good, and the second half is really shocking.
Moreover, as an ordinary viewer, do you really not know that the historical facts are tampered with in this movie?Especially when I saw the quarrel, what Li Du met for the first time, I didn't see this plot in the movie at all, and it was said that King Qi's house was in Luoyang, and the Tang Dynasty had a rule that King Qi could not buy real estate in the capital, so he went on vacation to watch entertainment performances?
It is more reliable to say that three days a day is never in Yangzhou, I wonder if not all history has been recorded. Is it possible that three artists will meet in Yangzhou one day to perform in a wave?As long as there is, it is not tampered with, unless you can prove that there really was no such thing in history, or that there could not have been.
I think there are a lot of mistakes in the movie that do not conform to the historical truth, and then go to the public to popularize science, to point out some mistakes in the movie, what the real history is, this approach is fine, but to criticize the movie, to boycott, to sue, this approach will not only not let the neutral audience support you, or even understand you, but will feel that making a fuss will produce a rebellious mentality.
After all, what people shoot is not a historical documentary, how many people in film and television dramas don't know that there is artistic processing?When supporting the accusation and boycott of the artistic processing of film and television dramas, the consequence is that future film and television dramas will almost be impossible to film.
If Li Bai and Gao Shi are not in line with history, it's just that netizens are quarrelling, Luoyang and Xi'an are competing for cultural and tourism resources, and many history bloggers have popularized some important historical facts in the movie, but this historical society just grasped the most trivial Li Du's first encounter in **.
Even if the audience knows the location of the first encounter, so what?That day, I saw the composition of Luoyang's GDP, which used to be the proportion of the second industry, but now it is obvious that the second industry is not good, and the third industry accounts for more, so I began to "work hard" in the field of the third industry, and it is also to find new economic growth points, so it is very understandable to be "sensitive".
But arguing over there with a point of divergent opinions, and the point where the film doesn't exist at all, I feel a little anxious. The reason why Xi'an's Tang culture is doing well is mainly because it has been deeply cultivated, excavated, innovated, infrastructure, and service support, and it is not simply a matter of making a few film and television dramas.
The support behind the cultural industry is the real industry, which has always been like this, and the most important thing is that even if it is the development of the cultural industry, the launch of Chen Xin, Luoyang is far inferior to Xi'an. In the past few years, you have seen how successful "The Twelve Hours of Chang'an" is, and how unsuccessful Luoyang has been in remaking a "The Wind Rises in Luoyang".
Luoyang film and television IP has always been Di Renjie, and then bound to Wu Zetian, but in the past few years, there has been no breakthrough to produce any important cultural IP, the most important thing is that you see that the "Dunhuang Heroes" that wrote Chang'an and Dunhuang are here again, and the main creator is from Xi'an, directly under the banner of "returning to Chang'an".
Moreover, the investor of "Thirty Thousand Miles of Chang'an" is not Xi'an, and the production company Chasing Light Animation is from Beijing.
At the beginning, Datang Never Sleeps City was built and deserted for a long, long time, but it still slowly became popular by accumulation, and the news a few days ago began to make a profit. Speaking of artistic creation itself, it is necessary to put life above life, and arbitrarily buttoning up all kinds of "misleading young people" and "historical nihilism" hats will have a great impact on literary and artistic creation.
In fact, it is still business, and over the years, there have been a lot of noises about the former residences of celebrities, their hometowns, and the tombs of celebrities.
In addition, there is the controversy about Li Bai, in fact, I think the main perspective of the movie is Gao Shi, but it is very wonderful. Gao Shi is a person who clearly distinguishes reality and emotion in reality, which is why he is the only poet in the Tang Dynasty who holds a high position. Most literati are emotional, because sensibility can have the perception and pursuit of life.
Gao Shi's Biansai poems are very well written, but if you compare the poems of Wang Changling and Cen Shen, you will find that his poems are a little more heavy and less unrestrained than these two people, which is actually a military general, the difference between a person in the officialdom and an ordinary literati. The Anshi Rebellion was an opportunity, but it was only an opportunity, the opportunity was important, but without the blessing of his own character, he would not have become one of the few literati in the entire Tang Dynasty who combined poetry and politics.
There is another thing that can also be seen, in the animation, Li Bai's wife pleaded with Gao Shi, and in reality, Li Bai also wrote poems to Gao Shi to fight for himself, but in the end, just like in the animation, Gao Shi did not see Li Bai (as for the commission of Guo Zijing in the animation, I don't know if it is true).
We can say that he does not value friendship and ignores his friends in danger, but it is precisely this point that shows that his distinction between emotion and rationality is very obvious, so I can also understand Gao Shizhong's attitude towards Li Bai in the middle of the period. Gao Shi's character is destined that he will not be trapped by money and friendship, and it is not difficult to understand that he said that kind of thing when facing Li Bai.
I don't think the movie is portrayed as Gao Shi in my eyes, and the distinction between the two realms of Gao Shi is not very obvious, but it is still more emotional;Li Bai's words, I think there is a lack of pain in the free and easy, there is a performance, but it is not in place. Overall, it feels okay, it's good to have shortcomings, and being perfect will only make things go downhill.
and then talk about how Li Bai is in the movie, how Luoyang and Chang'an are promoted, and how to teach bad boys.
Chinese children are really fragile, many people say that children's historical knowledge is learned by watching movies, I want to ask if the child is sleeping in class?Animated films are works of art, not historical documentaries, and there must be room for secondary creation. A little common sense knows that film and television works are basically artistically processed, how can it not be adapted at all.
How many movies based on real people and real events at home and abroad cannot be 100% completely restored.
My first feeling after watching "Thirty Thousand Miles of Chang'an" was shock, what shocked me was that it was an excellent historical animated film, trying to restore the complexity of Chinese historical figures, and Li Linfu, who was rated as one of the top ten traitors in ancient China, was not killed in the film. In fact, in today's world, such literary and artistic works are becoming less and less popular.
If you don't believe it, just look at the latest historical blockbuster "Napoleon" at the end of the year, and the French will cry angrily.
Many domestic film and television dramas are also marked with historical dramas, and many of them have adapted plots, do they all have to send a lawyer's letter?It's better to give up as soon as possible to learn history by relying on this, and let your children read more history books. Film and television works can arouse children's interest in this matter, guide them to learn and learn more about relevant knowledge through various ways, and establish their own knowledge framework systematically, then this film and television work plays its due role.
Obviously, this three-hour movie does it part of it. The poems are there, the books are there, and Chang'an is there.