Chinese culture is profound and has a long history, and one of the treasures is the couplet culture. Ancient literati and writers used couplets as an intellectual activity, gathering for fun, and unrestrained. Today, couplets have been deeply rooted in people's lives, and they can be seen during the Spring Festival, Lantern Festival, and Mid-Autumn Festival. In the red and white ceremonies, the happy couplet expresses the yearning for a better life, and the elegiac couplet expresses the deep sorrow for the deceased.
The heirloom of the master of the couplet.
There are many masters of ancient couplets, and the Buddha seal monk and Su Dongpo are among the best. The two often ridicule each other with couplets, and the most popular one is: "The poem of the east slope of the water drifts, and the dog gnaws the bones on the river". This homophonic couplet is extremely difficult through the ingenious homophony of "Dongpo poem" and "Dongpo corpse", "river bone" and "monk bone", plus the elements of the couplet.
A wonderful interpretation of the overlapping words.
The couplet introduced today is a couplet of overlapping words, four words in a row, and a verb is connected to form a complete couplet. Shanglian said: "Hug Diao Chan, meet the concubine, ask Zhaojun, want to Xi Shi", skillfully use four verbs to connect the four beauties.
Imagine the magic of space.
The ancients only made the upper and lower couplets of the pairs, and did not give horizontal batches, leaving room for imagination. For "Water Drifting Dongpo Poems" and "Dogs Gnawing on the River Bone", how to position the horizontal batch? The blank space bursts with infinite creativity and association.
The subtle echo of the lower link.
The couplet pays attention to the neatness of the battle, the upper couplet mentions the four beauties, and the lower couplet should have a similar echo. The following link of the classic is: "Living in the Red Mansion, Watching the Water Margin, Reading the Three Kingdoms, and Dreaming of Journey to the West", which uses the four famous works to echo each other with the four beauties.
Exquisitely endowed with a horizontal batch.
As for the horizontal positioning of "poems on the east slope of water drifting" and "dogs gnawing on the bones of the river", it is puzzling. Perhaps it is the wandering of literary classics, or the feast of monks by the river, all of which can be the starting point of association.
Abundant downlink possibilities.
In addition to the classic Xialian, "living in the Red Mansion, watching the Water Margin, reading the Three Kingdoms, and dreaming of traveling to the west", there are more possibilities. Maybe it's the four great talents, "the cloak walks the world, the pen splashes ink Huaxia Ba", or the four ancient capitals, "long street walking, southern style, northern majesty, Luoyang ancient rhyme".
The inheritance and integration of couplet culture.
Couplets have been integrated into people's lives, not only in traditional festivals, but also in modern occasions to express emotions and wishes. Its various forms, such as phonetic couplets, couplets, digital couplets, word couplets, etc., make it glow with new charm in the inheritance.
Epilogue. Classical couplets are part of the treasures of Chinese culture, which run through ancient and modern times with wisdom and fun. Its inheritance and development not only enriches Chinese literature, but also is a kind of spiritual inheritance. Let's wander in the ocean of couplets and feel the profound heritage of Chinese culture.
This article profoundly and vividly demonstrates the unique charm of classical couplets in Chinese culture, and outlines a fascinating cultural picture through the wonderful use of elements such as history, literary masterpieces, and beautiful women. First of all, the article introduces the breadth and profundity of Chinese culture, emphasizes the long history of couplet culture, and highlights its unique position as an intellectual activity of ancient literati. This provides the reader with a clear understanding of the historical context of the couplet.
Secondly, the article vividly demonstrates the humor and wit of the couplets through the couplet ridicule between the Buddhist monk and Su Dongpo, which makes the couplet art no longer dull and dull, but full of fun. In particular, the ingenious homophony of "poems on the east slope of water drifting" and "dogs gnawing on the bones on the river", as well as the addition of elements in response to the scene, not only reflect the wisdom of the ancient literati, but also add a layer of profound cultural connotation to the couplet.
The introduction of the overlapping words in the article is also quite fascinating, through the upper couplet of "hugging Diao Chan, meeting the concubine, asking Zhaojun, and thinking of Xi Shi", the four beauties are successfully connected, making the reader feel like visiting the demeanor of the beauty in the process of association. This is an ingenious and interesting conception, reflecting the richness of the art of couplets.
For the horizontal criticism of blank space, the design of the article is ingenious and thought-provoking. This treatment not only allows the reader to have free imagination, but also adds a lot of color to the art of couplets. In particular, the possibility of the two horizontal criticisms of "Poems on the East Slope of Water Drifting" and "Dogs Gnawing on the Bones on the River" is even more incomprehensible, and also arouses curiosity about the rich associations in Chinese culture.
Finally, the article cleverly echoes the four beauties through the classic couplet: "Living in the Red Mansion, Watching the Water Margin, Reading the Three Kingdoms, and Dreaming of Journey to the West", showing the neat beauty of the couplet. As for the issue of horizontal criticism, the article also puts forward other possibilities, such as the four great talents, the four ancient capitals, the four major cuisines, etc., so that readers leave more room for thinking in the article.
Overall, this commentary** provides an in-depth and simple explanation of the classical couplets in Chinese culture, which not only gives people a more comprehensive understanding of the inheritance of the couplet, but also arouses the reader's awe of the profound heritage of Chinese culture. Through the guidance of the article, the reader seems to be wandering in the ocean of culture and feels the unique charm of classical couplets.
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