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This article will discuss the performance of the Spring Festival Gala in recent years, as well as some of its impressive programs and missteps.
Chen Peisi said in an interview: "The staff of the Spring Festival Gala are all masters!."This sentence goes straight to the problem and points out that the interests of the staff are contained and have nothing to do with the effect of the program.
Even Shen Teng and Ma Li, who are frequent guests of the Spring Festival Gala, are inevitably affected.
In the Spring Festival Gala of the Year of the Rabbit, although the show "Xiaoguo" by the Shen Ma Group has some characteristics, it also exposes some problems, such as dancing with shackles, which not everyone can successfully control.
The article pointed out that some of the jokes and blessings that have appeared in the Spring Festival Gala in recent years are not always suitable for the situation, and sometimes they are forcibly used and unnecessary stalks.
In the Spring Festival Gala of the Year of the Rabbit, there are mostly language programs, three of which involve plots of husband and wife quarrels.
This allowed the audience to see a large number of quarrels in the Chinese New Year's Eve, among which "First Sight Photo Studio" was ridiculed as a meme.
In addition, Shen Teng, Xiao Zhan, and Ju Jingyi's performances in "Like You Like Me" were criticized for being too idol dramatized, which is quite different from the traditional sketches of the Spring Festival Gala.
For talk shows, the article believes that the presentation on the stage of the Spring Festival Gala does not conform to the characteristics of the performance form, and the collocation with cross talk has not achieved the desired effect.
Yue Yunpeng's magic tricks in the cross talk performance were also accused of being a play, which caused the audience to be puzzled.
The cross talk performance was supposed to be mainly funny, but this time the magic trick made people feel embarrassed.
The article pointed out that today's Spring Festival Gala seems to pay more attention to the joining of traffic stars, and the professionalism of the actors no longer seems to be the focus.
Finally, the article reviews some classic moments of the Spring Festival Gala in the past, including the interaction of the early people through ** songs, and the exquisite combination of the sketch "Superborn Guerrilla" between policy and the masses.
In contrast, today's Spring Festival Gala presents more of a temporary patchwork feeling, making people nostalgic for the classic performances that were popular with the people in the past.