Zhang QuanyuMr., born in 1957, is a famous seal carving, painting, calligraphy, poetry and writer. His ancestral home is Luoyang, Henan. Honorary Vice President of the Royal Chinese Academy of Painting. Secretary-General of the Chinese Academy of Painting and Calligraphy. Director of the Diaoyutai Painting and Calligraphy Institute of China. Together with Fan Zeng, Zhang Hai, Ouyang Zhongshi, and Minanyang, they are listed as the five masters of calligraphy. In 1981, he graduated from the senior teaching and research class of the calligraphy training center of the Chinese Calligraphers Association, for decades, he studied hard and practiced hard, and never stopped ploughing, in the practice of artistic creation, he paid attention to the connotation of the work, and paid attention to the cultivation of character. The teacher is ancient but not muddy, innovative, and self-contained.
His calligraphy beginner Yan Zhenqing and Liu Gongquan, and the final method was the "two kings" (Wang Xizhi and Wang Xianzhi) and integrated the Han Li, creating his own one, maintaining the calligraphy characteristics of Yan and Liu. In terms of style, it absorbs the beautiful and elegant knot characteristics of Zhong Shaojing's regular script and the sharp and vigorous pen characteristics of Ouyang Xunkaishu. At the same time, their elongated glyphs were compressed. Moreover, in the movement of the pen and the knot, a large number of Lishu's posture is incorporated, but it is not a rigid copy, but selectively absorbs innovation and turns it into its own use. His works have been collected by relevant institutions and individuals in Taiwan, Hong Kong, China and countries for many times, and have attracted wide attention in the industry.
His works have been selected into the "Dictionary of Chinese Calligraphers and Painters", "Guide to the Collection of Chinese Calligraphy and Painting", "Masters of the Prosperous Age", "Chinese Sons and Daughters", "Collection of Chinese Calligraphers", "Dictionary of Chinese Contemporary Calligraphy and Painting", "Dictionary of National Treasures of Calligraphy and Painting", "Dictionary of Chinese Middle-aged and Elderly Art Calligraphy and Painting" and other classics and special publications.
Representative works.