In 2023, the Year of the Tiger literary feast will explore the source, and the style of the head of a hundred beasts will bloom in classic poems.
2022 is the Year of the Tiger in the lunar calendar. Tiger, the chief of all beasts, is powerful in all directions. China, the homeland of the tiger, tiger culture is one of the oldest totems in Chinese civilization. The poems and essays depicting the natural attributes of tigers, the relationship between tigers and humans, and the profound origins of tigers in traditional Chinese culture all show the author's thoughts on social cognition and emotion.
The second series of Chinese Zodiac Poetry Dictionary The Ugly Niu Yin Tiger Scroll" is a book published by Bashu Publishing House, which selects classical poems and lyrics related to tigers and expounds tiger culture in depth. Among them, some poems have been interpreted in detail, appreciated in popular language, and vividly displayed the mysterious charm of the tiger. In order to allow readers to better appreciate the charm of the Year of the Tiger, the first reader client excerpted the ancient poems related to the tiger in the book from January 31 to February 6, presenting a literary feast for readers.
Tiger Words": Tiger power and bravery, to the prosperity of benevolence.
Chu Guangxi's "Tiger Words" in the Tang Dynasty can be said to be an early work in the poetry of the tiger. In the five-character ancient poem, the image of the tiger is depicted in a eloquent way, and the opening chapter bluntly says that the tiger is not afraid of snow and is hungry but not cannibalistic, expressing reverence for the tiger god. In the poem, the tiger is used as a metaphor for benevolence, and the tiger is used to achieve peace, expressing the author's yearning for a better society and thinking about political concepts.
The author, Chu Guangxi, a literary scholar of the Tang Dynasty, is known for his idyllic poems and his poetic style is simple and fresh. Through the image of the tiger, "Tiger Words" expresses the expectation of a harmonious society, and is an early lyrical work that reflects political ideas.
Qujiang Three Chapters and Five Sentences": Du Fu's suffering and ambition.
Du Fu, a literary giant of the Tang Dynasty, expressed his loneliness, sorrow, and concern for the rise and fall of the country in "Qujiang Three Chapters and Five Sentences". Through the depiction of Qujiang's autumn atmosphere, the loneliness and helplessness of the wanderer are written. The poem expresses his agitated ambition and deep concern for the safety of the country, showing Du Fu's dual identity as a poet and a patriot.
With a unique chapter and sentence structure, Du Fu integrates personal encounters with the fate of the country, showing his adherence to the feelings of his family and country. The works are deep and agitated, and the emotions are sincere, and they have become a treasure of Tang Dynasty literature.
"Tiger Walking": Lu Ji's expression of the pain that Huai Cai did not encounter.
The "Tiger Walk" created by the Western Jin Dynasty writer Lu Ji expresses the pain of personal talent. The poem depicts the scene of the generous appointment of people with lofty ideals and the ups and downs in the political turmoil, showing the author's helplessness and pain in the attempt to achieve his ideals.
Lu Ji uses a unique style and lyrical technique to integrate personal encounters with the confession of national sorrows. The poems have a profound sense of the times and are representative works in the literature of the Western Jin Dynasty.
In mid-September, two small poems were inscribed on the Nanhuo bamboo, and I forgot to travel yesterday to see and record": Su Shi's elegant feelings.
Su Shi, a literary giant of the Song Dynasty, wrote "Two Small Poems on the Nanhuo Bamboo in the Middle of September, Forget It, See It Again Yesterday and Record It", which expresses the hermit's life mentality in a contradictory situation. The poem uses Nanhuozhu as the background to express thoughts on the contradictions between seclusion and politics.
Su Shi depicts the contradictory state of mind of the Jianghu monks with bold words, and shows the choices in the contradictions of life through the metaphor of loving bamboo but not being able to bear to burn the mountain. The work is elegant and full of profound meaning, and it is one of the masterpieces of Su Shi's lyrics.
Conclusion: The bloom of the growth of beasts in literature.
In the Year of the Tiger in the lunar calendar, the strength of the beasts in literature shows profound cultural connotation and artistic value. These classical poems express their wishes for the Year of the Tiger, their reflections on society, and their feelings about their personal destiny in their own unique ways. Through the appreciation of these literary masterpieces, we can better appreciate the unique charm of the Year of the Tiger and feel the authors' deep thinking on ideals and reality. In the Year of the Tiger, let us taste the majesty of these beasts in literature, and feel the depth of the years and the magnificence of life.
The article "Literary Chapters of the Year of the Tiger in the Lunar Calendar" deeply analyzes the essence of classical poetry in the Year of the Tiger, and shows the profound influence of tiger culture in Chinese literature through the interpretation of the works of poets in different periods. This series of literary treasures not only reflects the mysterious image of the tiger, but also expresses personal emotions while projecting the author's thoughts on society, the country and ideals.
First of all, the article introduces the ancient poem "Tiger Ci" in the Tang Dynasty, in which the author Chu Guangxi expresses his yearning for benevolent government and his desire for a harmonious society through the image of the tiger. This method of expressing political ideas makes classical poetry not only have profound literary connotations, but also contain expectations for social development. In such ancient cultures, the tiger became a symbol that led people to think about good governance and governance.
Secondly, the Tang Dynasty writer Du Fu's "Qujiang Three Chapters and Five Sentences" was endowed with a more profound connotation. Through the description of the wanderer, the poet expresses his longing for his home and country. This combination of personal emotions and the rise and fall of the nation allows literary works to express individual experiences while incorporating broader social emotions, providing readers with a sense of empathy.
The article also touches on the Western Jin Dynasty writer Lu Ji's "Tiger Xing", which depicts the ups and downs of a man with lofty ideals in a politically troubled world, as well as his helplessness about the failure of his ideals. Through this story, the reader can feel the author's reflection on the political situation and his adherence to his ideals. This combination of political current events and individual encounters makes the literary work more vivid and moving.
Finally, Su Shi's "Two Small Poems Inscribed on Nanhuozhu in the Middle of September and Forget Yesterday and See and Record Again" reflects the hermit's state of mind in a contradictory situation through the depiction of Nanhuozhu. This reflection on the contradiction between seclusion and politics, as well as the contradiction of life choices expressed through the contrast between bamboo and mountain, makes the work more philosophical.
Overall, this article delves into the connotations of the Year of the Tiger literature through the interpretation of classical poetry from different periods. Through the depiction of tiger culture, these works not only convey the author's thoughts on society and the country, but also express the perseverance and pursuit of individuals in the changing times. The literary treasures of the Year of the Tiger are like a picture scroll of time, outlining the literary trajectory of the past and present, allowing people to appreciate the profundity and breadth of Chinese civilization in reading.
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