In the Spring Festival Gala of 1990, Uncle Benshan appeared on the stage with his ** work "Blind Date".
It was this sketch that made him popular in one fell swoop and became the focus of attention.
It is said that before "Blind Date" appeared on the stage, there was a series of accidents, and during the performance, Uncle Motoyama and the actors had some dialogue problems due to being too nervous.
But fortunately, the two actors were flexible, and these vignettes instead made the audience feel more natural and relatable.
The plot of "Blind Date" is funny and humorous, and the father played by Uncle Benshan took the initiative to go on a blind date for him in order to urge his son to get married, but unexpectedly met the object of his crush.
The other party entrusted the blind date for his daughter, and a series of absurd and funny plots made the two old people change from a blind date for their children to a blind date for themselves.
This unique style laid the foundation for the success of Zhao Benshan's sketches.
In 1991, "Little Nine Old Music" became a high-quality program that every household must look forward to every Spring Festival Gala, and this series of sketches has been presented by Uncle Benshan since 1990
With the popularity of "Blind Date", Uncle Benshan once again brought his work "Little Nine Old Music" in 1991, which reached a higher level in connotation and depth.
He integrates comedy with core content and spirit, and makes a certain analysis of the "twilight love" of the elderly.
The dialogue between Uncle Benshan and his daughter-in-law, Erjiu'er, made the audience laugh.
Among them, Uncle Benshan's classic line "Daughter-in-law, don't laugh, I have no bottom in my heart", even now can still perfectly show the true status quo of most wives who are strict: daughter-in-law smiles, life and death are unpredictable.
In 1992, the success of "I Want to Have a Home" brought a huge boost to Zhao Benshan's status, and before he appeared on the stage of the Spring Festival Gala, he had already launched two sketches, "Blind Date" and "Little Nine Old Music".
That year, the director team sent him an invitation, and he brought the sketch "I Want to Have a Home" planned by himself directly on the stage of the Spring Festival Gala.
This time his partner is Huang Xiaojuan, and the two have worked together many times before, so they began to perform a love story as soon as they met.
From going on a blind date for their children to going into the TV station to record together this time, they were even jokingly called "blind date professionals".
In the story, the uncle played by Zhao Benshan stepped on the TV station for a blind date, but his overly introverted personality led to frequent mistakes.
It was at this time that he met a girl who also came on a blind date.
Both of them had problems with the recording and were reprimanded by the director, so they encouraged each other and eventually developed a relationship.
They found that not only did they always make mistakes with each other when they went on blind dates, but they also had a lot in common in life, so they decided without hesitation not to go on blind dates anymore and go home hand in hand to live.
This play made the director and the audience cry and laugh, and everyone laughed constantly.
The 1993 "Old New Year's Greetings" Spring Festival Gala did not create a myth, but Uncle Benshan once again created a myth in the sketch world on the stage of the Spring Festival Gala in the same year
It can be said that Uncle Benshan's solid singing skills and funny demeanor are unforgettable, which is completely in line with the popularity of Internet literature at that time: it really deserves to become a well-deserved popular all over the Internet.
Over the years, no one has been able to surpass him, and it is also because of Uncle Benshan's experience in continuous learning and innovation in the sketch industry.
The most classic passage in "Old New Year's Greetings" is estimated to be the part where Uncle Benshan reports the name of the dish, from the equal division of people and dogs to the white swallow falling on the beach.
Only Uncle Benshan has the strength to say that big pork ribs and tofu are dipped in salty salt so freely, which is indeed only he can do.
In 1995, the sketch of "Uncle Niu Tigan" depicted the life of normal people in a down-to-earth way with a sense of artistry, which is also an important reason why it can enter the hearts of the audience and be remembered
Take "Uncle Niu Tigan" as an example, it shows the sophistication of human feelings through nonsensical forms.
In order to improve the learning environment of children in the mountainous area, Uncle Niu went to the glass factory alone to ask for the boss's resources, but was deceived and used to help the boss negotiate business.
In the end, Uncle Niu reluctantly returned to the original point because of the unexpected development of the situation, vividly showing the unwillingness and loneliness of the people at the bottom.
In 1999, "Yesterday, Today, Tomorrow" was the first collaborative work of Zhao Benshan and Song Dandan, an inseparable small group, in the Spring Festival Gala
This sketch greatly increased the popularity of the two and became household names.
Among them is the classic line: "My name is Bai Yun, my name is Heitu, I am seventy-one, I am seventy-five", almost everyone can memorize it by heart.
Especially the name of the inferior between them, which made many viewers laugh and cry.
Teacher Song Dandan's explanation of Qiu Bo is even more hilarious, and the sentence "autumn spinach" hit the laughter of many people.
Carefully**Uncle Zhao Benshan's sketches, we will find that some of the now popular stalks have appeared in sketches a long time ago.
It's like they've grabbed a sheep and gotten rid of all their wool, as shown in the sketch.
Therefore, it is not an exaggeration to call them the "kings of memes" at that time.
Mr. Zhao Benshan and his partner Gao Xiumin and the scope created the sketch "Selling Abduction", which was performed in the Spring Festival Gala in 2001
This sketch was regarded as a classic by the audience and became a milestone in the history of the Spring Festival Gala.
Mr. Zhao Benshan's character "Big Fool" is known for his eloquence, and even deceives others by pretending to be lame, and successfully defrauds people's money and bicycles.
Among them, "take two steps without illness" has become a classic line in the sketch and is quoted by people in daily life.
The appearance of the sketch "Selling Abduction" not only strengthened the connection between the sketch and life, but also strengthened people's vigilance against fraud.
In 2008, "Torchbearer" was staged at the 2008 Beijing Olympic Games, and Mr. Zhao Benshan once again showed his talent, he not only promoted the Olympic Games in the sketch "Torchbearer", but also brought laughter to the audience
Among them, Zhao Benshan and Song Dandan used classic stalks to create new jokes, which were also used for reference even in the later Spring Festival Gala cross talk programs.
Adding a wooden word under the word "wide" is called a bed, and adding two wooden words becomes a double bed, although these jokes have been many years, but in retrospect it will still make people can't help but raise the corners of their mouths.
This may be the reason why Zhao Benshan's sketches have endured for a long time, which can make hot spots not limited by the times and make jokes not replaced.
No matter how you mention the 2007 "Planning" sketch, you can't escape the classic line: "The that lays eggs, the fighter in the rooster, Oye".
This sketch was launched in the Spring Festival Gala in 2007 and left a deep memory on countless post-80s, post-90s and even post-00s.
Whenever it comes to the sketches co-starred by Mr. Zhao Benshan and Mr. Song Dandan, no matter who they are, their classic cooperation and funny actions will come to mind.
In 2011, "You at the Same Table" was when everyone thought that Mr. Zhao Benshan would become a fixed role in the Spring Festival Gala and accompany us forever
However, after the last sketch performance in 2011, Mr. Zhao Benshan announced his withdrawal from the stage of the Spring Festival Gala.
As soon as this news came out, many of his loyal fans felt sad and cried, and even his old partner Song Dandan burst into tears.
After years of hard work and everyone's recognition, he finally chose to leave this stage that countless people have been thinking about, which made everyone feel extremely nostalgic.
Teacher Zhao Benshan brought "You at the Same Table" to everyone before leaving, perhaps because he was about to leave the stage of the Spring Festival Gala, "You at the Same Table" exuded a strong parting atmosphere as a whole, which made countless audiences cry like rain.
Sketches with this theme were gradually adopted by many later sketches and became the basic routine of many sketches.
As some netizens ridiculed: Today's sketches are either dumplings, vegetables, or touching tears, and everyone still misses the past teacher Zhao Benshan more.
Although Mr. Zhao Benshan has not performed sketches in the Spring Festival Gala for many years, he is still remembered by everyone, and his sketch stories will become classics from generation to generation, forever remembered and inherited.