The domestic drama market near the end of the year is really full of good dramas, and major platforms have played their trump cards.
There is the campus drama "Minglong Boy" led by Zhang Ruoyun, and the spy war drama "Thrush" starring Liu Xueyi and Peng Xiaoran. But if you want to say that the most popular, you have to count the Xianxia drama "Shen Yin".
Only one day after it was launched, the show became wildly popular, and the score on the station once exceeded 90。
Judging from the texture of the premiere, the costume and scene layout are very attentive, perfectly showing the aesthetic world of oriental mythology.
The style of light comedy coupled with humorous and funny lines will save you from the unhappiness of the day. The character design is also very interesting, all the members are wastewood, fighting monsters and upgrading together, and the bonds between each other can be described as full of highlights.
Of course, in addition to the advantages of the plot, the most attractive point of Xianxia dramas to the audience is the appearance of the actors.
"Shen Yin" also did not live up to everyone's expectations, and it can almost be described as a full Yan Ba, especially after several female supporting actresses appeared, they became the dominant existence.
Cao Feiran amazed many audiences with his three-dimensional and exquisite facial features in the hit drama "The Sea in My Dreams" not long ago.
She plays He Hongling, who dares to love and hate, is enthusiastic and generous, wandering between sensibility and rationality, and vividly interprets the character of women in the new era who pursue self and independence.
In this play, she plays the peacock princess Hua Shu, who appears in red and wearing a gold crown, showing her beauty, and exuding a dignified and beautiful temperament in her gestures.
It is in strong contrast with the heroine who is also dressed in red but is eccentric, and the degree of beauty is even higher than that of the heroine.
In the fourth episode, Hua Shu's beauty has been reflected in all aspects, whether it is a frontal face shot or a side shot, her facial features are quite attractive, with both the nobility of a princess and the innocence of a girl. No wonder the male protagonist Kuching saw her as if he had no soul.
In addition to her appearance, Cao Feiran's acting skills in the play are also quite outstanding.
In order to borrow an umbrella, she lowered her body and took the initiative to visit Kuching, and her pitiful appearance was pitiful.
After succeeding, the expression on his face couldn't hide the excitement in his heart, and he didn't forget to sarcastically mock the heroine before leaving, and the emotions of seamless switching were very well handled, and the future must be a scheming ruthless character.
Yinger is a post-80s actress with both appearance and acting skills, and surrounded by a group of post-90s actresses, her costume style is also not lagging behind.
She plays Hongruo, who is the head of the fox clan, wearing a fiery red fur fur, and her temperament of not being angry and arrogant is about to come out.
At the dowry under the Holy Palace of the Emperor of Heaven, in the face of everyone's ridicule and questioning, she was full of aura, neither humble nor arrogant, and her temperament was so strong.
Kanauna is a rising post-00s flower, and has attracted many viewers with the corner of the Oiran Zhang Haohao in "Menghualu".
In this play, she plays Yan Shuang, the princess of the Eagle Clan, although there are not many scenes in the first few episodes, but the unique exotic style and fearless personality, the sassy character is really very emotional.
In contrast, the heroine Zhao Lusi's appearance in the play is really not flattering.
Zhao Lusi has a round baby face and a sweet appearance, which has great restrictions on her costume style.
The makeup artist of this play coiled her hair in a bun, and her round face looked very abrupt, without the temperament of a classical beauty at all, and there was no fairy feeling.
Zhao Lusi's facial features have a strong sense of modernity, and she can show a playful and cute girlish temperament in the puppet drama.
Can't Hide Secretly", the Sang Zhi she portrayed, both externally and internally, is highly compatible with the original characters, and has won unanimous praise from the audience.
In the ancient puppet drama, Zhao Lusi's facial features do not have many advantages. And the styling of this drama is a negative teaching material, especially when it comes to the face shot, even if the makeup is not good, even the double chin comes out, this pot must be carried by a makeup artist!
In addition, the heroine's clip sound is also indescribable, especially when learning African cooking, I have goosebumps, and it is very dramatic.
In fact, the heroine Ayin's character in the play is still quite interesting, although she takes the "silly and sweet" route, she has an independent and sober three views.
It's a pity that the styling and lines did affect the feeling of chasing the drama, but made the audience feel that several supporting actresses were more brilliant.
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