The fashion circle, like a gorgeous feast, the intersection and disputes of the bigwigs constitute a vivid picture. On this bizarre stage, the ups and downs of the fashion devils not only open people's eyes, but also make people think about the role of fashion in change. Let's go through this fashion whirlpool together and explore the persistence and struggle of the bigwigs in the era of change.
On the big stage of the workplace, there are countless unforgettable moments. Some people are criticized for an article that contains someone else, and the resentment lingers in their hearts for a long time. Looking back many years later, it turns out that the original contradiction was a pure misunderstanding. On social **, in a famous scene, the Weibo conversation between editorial director Sun Zhe and Hong Huang became the focus, unveiling the scene of "script killing" in the fashion circle.
The fashion circle's "script killing" turned out to be so complicated. Sun Zhe wrote a series of essays on his Weibo, "I as the Editor-in-Chief", in which he mentioned the elites in the fashion industry, such as Su Mang, Zhang Yu, etc. This series of revelations not only made waves in the fashion circle, but also sparked a wide range of discussions.
Through Sun Zhe's text, we see the power and intrigues in the fashion circle. The intricate web of relationships between the characters makes this glamorous stage hide more unexpected stories. Sun Zhe embellishes his experience into a workplace version of palace scheming, making people feel as if they are in a fashionable version of a conspiracy drama.
Fashion bigwigs have not only had fierce collisions in the workplace, but their life trajectories after leaving their jobs are also confusing. Su Mang set up a trendy brand Xi club based on short **, trying to go to the front of the stage, but it did not make much waves in the entertainment industry. Hong Huang has become the godmother of Chinese fashion and continues to be active on the Internet with her own studio. The departure of these fashion bigwigs is not the end, but the beginning of the exploration of more possibilities.
Sister culture" is rising, and Su Mang is involved in the women's talk show "Amazing Sister", which brings an in-depth ** about women's power. Hong Huang, on the other hand, has maintained his presence in the fashion circle through his social networking and participation in the discussion of various hot topics.
For these former fashion demons, their departure is not the end, but the beginning of a new journey. Today, when fashion is gradually developing from paper magazines to digital, these bigwigs are no longer "fashion bosses" in the traditional sense, but more like witnesses and leaders in the changing times.
The stories of fashion bigwigs make us think about the future of fashion. In the era of big data, can traditional fashion magazines still maintain their original status as a trend vane?In this era of the rise of "sister culture", will the changes in the fashion circle continue, and what kind of new stories will be born?
Perhaps, ten years later, the fashion industry is no longer what it is today, but the stories of those former bigwigs will become a precious history of the changes in the fashion industry. On the stage of this big era, every character is writing their own legend, and the future of the fashion industry is waiting for the birth of a new story.
Time flies, looking back on the 2003 TVB Awards Ceremony, that unprecedented night is unforgettable. On the stage, Zhang Keyi, Xuan Xuan, Guo Keying, Chen Huishan and Charmaine Sheh are all starry, each shining brightly, which amazes the entire entertainment industry. However, the story behind the night is full of controversy, leading to a series of ironic scenes.
One. 
At the moment when Zhang Keyi won the honor of "Behind the Eye", the cheers rang out like thunder. However, this moment is destined to become a source of turmoil in her acting career. Under the stage, Xuan Xuan, Guo Keying, Chen Huishan and Charmaine Sheh stood in a row, each looking radiant. Zeng Lizhen supported Zhang Keyi, seeing that Liang Jiashu's camp wanted to win two awards, her words completely changed the game.
However, Zhang Keyi's joy of winning the award put her in the whirlpool of controversy. When the lottery was drawn, she cheered, but seemed to ignore the finalists next to her, and the scene was extremely embarrassing. In the follow-up interview, she was even more inappropriate and belittled Guo Keying's shortlisted works. This series of behaviors reminds people of the hot scenes in the entertainment industry back then.
Xuan Xuan and Zhang Keyi have a long history of grievances, as early as 1997's "Difficult Brothers", the two caused a real confrontation in reality because of the fight scenes in the play. The competition outside the play not only shows their true side, but also becomes the ** of classic emojis. This grievance seems to have faded in time, but the award ceremony in 2003 made this past resurface.
Two. Time came to 2005, TVB was facing a turning point, and the four major Hua Dan of that year also experienced different fates. Guo Keying, born in a rich family, became an instant hit, but the life of a wealthy family also brought endless speculation about her marriage. Zhang Keyi, who caused a sensation because of the award, suffered from illness in later years. And Xuan Xuan, after the failure of her marriage, returned to the entertainment industry and became more mature and sensible.
During this period, the entertainment industry gradually moved towards the stage of "being separated for a long time, and being separated for a long time", but TVB failed to realize this change. The departure of the four major flowers has become an important turning point in the company's future development. At this time, Zhang Keyi reflected on his behavior after his illness, while Guo Keying also faced pressure from his family and career.
Three. Today, time has passed, and that controversy is a thing of the past. Xuan Xuan, Zhang Keyi, Guo Keying, these three former Hua Dan have become more mature women in the baptism of time. What was once confrontation and misunderstanding has become insignificant over the years. Now they open their hearts in the show, admitting the consequences of losing control of their emotions back then, and admitting that they may have been too persistent.
Who is right and who is wrong has become an irrelevant question. Time has taught them to reflect and forgive, and to make the past insignificant. This is no longer a grudge of the year, but a tortuous road to growth. Perhaps, on the big stage of this entertainment industry, the years will eventually precipitate everything, making people look back at the past with a smile and no longer care about the gains and losses of the past.