Portrait of Nanxun Temple: A Mystery of Time.
In an essay of about 5,900 words, we delve into the uniqueness of the portrait of Zhu Yuanzhang, the Taizu of the Ming Dynasty. This long article, which takes 18 minutes to read, provides an in-depth analysis of 13 portraits in the collection of the Nanxun Temple, 11 of which have attracted widespread attention. In the process of unraveling this historical mystery, we traveled through time and space from the Ming Dynasty to the early Qing Dynasty, looking for clues to Zhu Yuanzhang's true face.
The painstaking depiction of a Ming Dynasty painter.
The article first traces the history of Zhu Yuanzhang, the Taizu of the Ming Dynasty, who convened painters to paint portraits in the early Ming Dynasty. After many attempts, only one painter succeeded in capturing Zhu Yuanzhang's face, and retouched it on this basis, which was recognized by Zhu Yuanzhang himself. This version became one of the imperial statues of Taizu enshrined in the palace later.
The timing of the entry of the portrait of the Nanxun Temple.
In the early years of the Qing Dynasty, in the inventory of the portraits in the palace, Zhu Yuanzhang's portrait did not attract special attention. However, it was not until the ninth year of Qianlong that the portrait of Ming Taizu officially entered the Forbidden City, and the framing work began in the twelfth year of Qianlong. These two statues were valued in the Qing court and became part of the royal collection.
The time when the anomaly flowed into the court.
And the 11 visions entered the Nanxun Hall only after the fourteenth year of Qianlong. When the Qing court conducted a second inventory of the portraits, the number decreased, but as time passed, the number of portraits of the emperor and queen in the Nanxun Hall gradually increased. The records of the seventh year of Jiaqing show that Zhu Yuanzhang's vision was only officially included in the court collection of Nanxun Hall during this period.
The imprint of the times in the portrait.
The article focuses on the details in the portrait of Ming Taizu, such as clothing, headdress, facial features, etc., to reveal the imprint of the portrait of the times. The two statues of Ming Taizu are wearing yellow gowns and black gauze folded scarves, and the overall style is consistent with other Ming Dynasty emperors, showing the fashion trend at that time.
The truth of history is revealed.
At the end of the article, through the analysis of the records of the characters of the late Ming Dynasty, it is revealed that the reason why the visions of Ming Taizu flowed into the Nanxun Temple, and these visions mainly came from folk collections. Through the study of historical documents one by one, the article restores the truth behind Zhu Yuanzhang's portrait for readers, and draws a complete end to this historical mystery.
Epilogue. With its in-depth research and detailed historical materials, this article takes readers into a historical journey that intersects time and space, and unveils the mystery of the portrait of Zhu Yuanzhang, Taizu of the Ming Dynasty. The truth behind history is often more colorful than we think.
Unraveling the Mysteries of History: The Story Behind the Portrait of Zhu Yuanzhang.
This article about the portrait of Zhu Yuanzhang, Taizu of the Ming Dynasty, through in-depth research and meticulous research of historical documents, presents readers with a journey of revealing the mystery of history. Through 5,900 words, the author has restored in detail the 13 portraits of Zhu Yuanzhang in the collection of Nanxun Palace, especially 11 of them, which is thought-provoking.
First of all, the article starts from the source of the portrait and traces it back to the early Ming Dynasty, revealing the process of Zhu Yuanzhang, the Taizu of the Ming Dynasty, personally convening painters to paint portraits. This provides the reader with a historical background to Zhu Yuanzhang's personal examination of the portraits, and also allows us to better understand why these portraits have such a unique status. The painters tried several times, and only one succeeded in gaining Zhu Yuanzhang's approval, which made this version of the portrait one of the imperial statues of Taizu enshrined in the palace.
Secondly, the article details the process of entering and preserving these portraits in history. In the early years of the Qing Dynasty, the inventory of the portraits in the palace did not attract special attention to the portraits of Zhu Yuanzhang. However, it was not until the ninth year of Qianlong that the portrait of Ming Taizu officially entered the Forbidden City, and the framing work began in the twelfth year of Qianlong. This presents the reader with a mystery of time and the gradual rise in the value and status of these portraits in history.
In the process of revealing the historical truth, the article conducts an in-depth analysis of the details of the portrait, revealing the imprint of the era of the portrait from the aspects of clothing, headdress, and facial features. The two statues of Ming Taizu are wearing yellow gowns and black gauze folded scarves, and the overall style is consistent with other Ming Dynasty emperors, showing the fashion trend at that time. This provides readers with a more specific historical background and allows us to better perceive the culture and aesthetics of the Ming Dynasty.
Finally, on the basis of analyzing the records of the characters of the late Ming Dynasty, the article reveals the reason why these visions flowed into the Nanxun Temple. The discovery that these anomalies are mainly from folk collections is thought-provoking. The intersection of historical records and folklore makes these portraits not only part of the royal collection, but also people's interpretation and imagination of history.
In general, this article takes readers into a historical journey that intersects time and space through the combing of historical documents and detailed research. In the process of unraveling the mystery of history, the article successfully restored the truth behind Zhu Yuanzhang's portrait with its in-depth research and vivid description, and presented us with a more real and rich historical picture. Such historical investigation not only satisfies the curiosity of historical truth, but also triggers deeper thinking about history and culture.
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