In ancient times, the Yellow Emperor tribe of the Central Plains joined forces with the Yandi tribe to defeat the Chiyou Jiuli tribe of Dongyi in the Battle of Zhuolu, and the Yellow Emperor became the co-lord of the world, opening the era of civilization of the Chinese nation. Under the rule of the Yellow Emperor, the Chinese tribes were strong and prosperous, and there were not only many inventions and productions, but also the creation of writing, calendars, palaces, boats, clothes, guide cars, etc., which had a profound impact on the culture of later generations.
Mysteriously rode away on the dragon.
The Yellow Emperor reigned for a long time, and he vigorously developed production and made great contributions to the prosperity of the Chinese nation. However, the death of the Yellow Emperor is full of legends. According to the records of "Historical Records and Feng Chan", the Yellow Emperor cast a huge tripod, and next to the tripod, a dragon suddenly flew down and lowered the dragon's whiskers to welcome the Yellow Emperor. The Yellow Emperor climbed on the back of the dragon, and the ministers of more than 70 people around him also boarded it, but the dragon twisted its body and threw them down, even the crossbow used by the Yellow Emperor also fell. The dragon then flew into the air, watching the Yellow Emperor ride the dragon away.
Interpretation of the legend.
In order to commemorate the ancestor of the Chinese nation, people call the place of the Yellow Emperor "Dinghu", and the crossbow he dropped is called "Wuhao". The story of the Yellow Emperor riding the dragon has also evolved into an idiom: "The dragon goes to Dinghu", which is often used to refer to the death of the emperor. In this legend, the Yellow Emperor is the only one who rides a dragon to become an immortal, unlike other immortals who ride cranes or oxen, causing people to wonder.
The Mystery of the Totem. 
From the legend of the Yellow Emperor riding the dragon, we find that the totem of the Yellow Emperor's tribe at that time was probably the dragon. As the supreme leader of the tribal alliance, the Yellow Emperor's dragon ride when he became an immortal (or died) is the most normal symbol. This also shows that dragons at that time were not sacred, but could be driven by people and ridden by people.
However, over time, dragons were gradually sacred. The supreme ruler of the later dynasty called himself the "True Dragon Son of Heaven", believing that he was the son of the dragon, and he did not even dare to ride the dragon himself, let alone othersTherefore, others can only ride cranes, oxen, tigers, leopards and other animals after becoming immortals.
The dual identity of the Yellow Emperor.
As a legendary ancient emperor, the Yellow Emperor is also an ancient immortal revered by Taoism, and his image has the characteristics of an emperor and an immortal from the Warring States period to the early Han Dynasty. His image has both authority and dominance, as well as mysterious and supernatural elements, becoming a unique and rich symbol in Chinese civilization.
Epilogue. The mythical story of the Yellow Emperor riding the dragon reveals the totem worship and cultural inheritance of the early Chinese civilization. As the ancestor of the Chinese nation, the legend of the Yellow Emperor is not only a witness to ancient history, but also a narrative full of mystery and art. This legendary dragon is both a symbol of the Yellow Emperor's era and the starting point of later sanctification. Through this myth, we seem to be able to peek into the context of civilization at that time, and feel the exploration and imagination of people in that era of mysterious power.
In the long history, the legend of the Yellow Emperor riding the dragon is still intoxicating, let us trace the source of Chinese civilization in this mysterious land, and feel that ancient and glorious history.
The Yellow Emperor Rides the Dragon: Mysterious Ancient Legends Provoke Thought.
This article delves into the ancient legend of the Yellow Emperor riding the dragon, revealing the mysterious elements and cultural connotations contained in it. As the ancestor of the Chinese nation, the legend of the Yellow Emperor not only carries the precipitation of ancient history, but also a thought-provoking cultural symbol.
First, the article analyzes the unique civilization of the Yellow Emperor's era and emphasizes the great role of the Yellow Emperor's rule in the prosperity and cultural progress of the Chinese tribes. This kind of restoration of history makes people feel the style of ancient society more truly, and gives us a more intuitive understanding of human society in ancient times.
Secondly, the article describes in detail the mysterious scene of the Yellow Emperor riding the dragon, making the whole story full of legend and mystery. Through the record of "Historical Records and Feng Zen", we seem to have experienced that moment: the Yellow Emperor cast the tripod, the dragon flew down, the minister ascended the dragon, and the Yellow Emperor**. Such detailed descriptions immerse the reader in it and feel the unique charm of ancient myths and stories.
Then, the article focuses on the analysis of the symbolic meaning of becoming an immortal by riding a dragon. Through the idiom of "the dragon goes to Dinghu", it not only provides readers with a timeless expression of the emperor's death, but also shows the thinking and expression of ancient human beings about life and death and supernatural powers. The formation of this idiom is not only a tribute to the Yellow Emperor, but also a kind of awe for life and mystery.
At the end of the article, there is a deep reflection on the changes of the totem. In the time of the Yellow Emperor, the dragon could be driven and ridden by humans, but over time, the dragon was gradually sanctified and became a symbol of the emperor. This view not only provides an in-depth interpretation of ancient totem worship, but also provokes deep thinking about cultural evolution and mythological inheritance.
Overall, this article focuses on the interpretation of ancient myths and legends, and digs deep into their cultural connotations and historical values. Through the description of the Yellow Emperor riding the dragon, the reader seems to travel through time and space and feel the unique charm of ancient civilization. The article not only presents us with a mysterious and glorious historical picture, but also stimulates people's thinking about the profound heritage of Chinese civilization.
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