Zhong Chengbao, male, Manchu, from Xiuyan, Liaoning Province.
Vice President of Anshan Gem and Jade Association in Liaoning Province, Senior Technician.
Jade carving connoisseur in Liaoning Province.
Inheritor of jade carving of intangible cultural heritage of Xiuyan Manchu Autonomous County, Anshan City, Liaoning Province.
In 2023, he will obtain the senior professional and technical qualification of Liaoning Engineering Department (including arts and crafts).
Master of Chinese jade carving appreciation.
From 2000 to 2003, he studied jade carving with Wang Shiwei in the Hada Tablet Jade Mine.
From 2003 to 2007, he was engaged in jade carving in Yuyuanzhai Craft Workshop in Hadabei Town.
From 2007 to 2010, he founded his own jade carving factory to engage in the jade carving industry.
From 2010 to the present, he founded his own jade carving boutique in Hongda Jade Wholesale Market in Hadabei Town, and established a jade carving boutique branch in Xinglong. In 2015, the Yuyuanzhai Jade Boutique Museum was established.
Founded in 2016. Yuyuanzhai National Stone Museum.
Awards: 1. The work "Three Friends of the Cold Year";Material: Flower Jade;Size: 45 33cm;Creation time: June 2014;Winning time: November 2014;Awards: "Tiangong Award" Outstanding Work Award.
2. The work "The Green Mountains on Both Sides of the Strait";Material: Flower Jade;Size: 43 45cm;Creation time: February 2015;Winning time: June 2015;Awards: "Jade Star Award" Outstanding Work Award.
3. Work "Love";Material: Flower Jade;Size: 40 38cm;Created in April 2015;Winning time: June 2015;Awards: "Jade Star Award" Outstanding Work Award.
4. Work "Penglai Wonderland";Material: Flower Jade;Size: 48 60cm;Creation time: March 2015, award time: June 2015;Awards: "Jade Star Award" Outstanding Work Award.
5. The work "Cuizhu Proud Snow";Material: Flower jade, specification: 62*33cm;Creation time: April 2016, award time: November 2016;Awards: "Tiangong Award" Outstanding Work Award.
6. The work "Cat and Butterfly Wealth";Material: Flower jade, specification: 38*33cm;Creation time: June 2016, Award time: November 2016, Award: "Tiangong Award" Outstanding Work Award.
7. The work "Ling Han Douyan";Material: Flower Jade;Specification: 30*45cm;Creation time: March 2016, award time: December 2016;Awards: "Jade Star Award" Outstanding Work Award.
8. Work "Chance Encounter";Material: Flower Jade;Size:46*36cm;Creation time: August 2016, award time: December 2016;Awards: "Jade Star Award" Outstanding Work Award.
9.The work "Praise of the Dharma Realm";Material: River Mill Jade;Award time: May 2023;Awards: Hundred Flowers Award "Bronze Award".
10.The work "Red Army Straw Shoes";Material: Flower Jade;Winning time: August 2023;Award: Jade Dragon Cup "Gold Award".
11.The work "Octagonal Military Hat";Material: Flower Jade;Winning time: August 2023;Awards: Jade Dragon Cup "Bronze Award".
12.The work "The Most Beautiful Terraced Rice Fields in China";Material: Flower Jade;Winning time: 2023;Awards: Shanghai Jade Dragon Award "Gold Award".
13.The work "Splendid Rivers and Mountains";Material: Flower Jade;Winning time: 2023;Awards: Shanghai Jade Dragon Award "Silver Award".
14.The work "Dream of Jiangnan";Material: Flower Jade;Winning time: September 2023;Awards: Jade Star Cup "Bronze Award".
15.The work "Great Wish Jizo Bodhisattva";Material: old jade;Winning time: September 2023;Awards: Jade Star Cup "Gold Award".
16.The work "Chinese Dream";Material: Flower Jade;Winning time: September 2023;Award: Yuxing Cup "Silver Award".
17.The work "Lotus Rhyme";Material: Flower Jade;Winning time: September 2023;Awards: Yuxing Cup "Nomination Award".
18.The work "Splendid Rivers and Mountains";Material: Flower Jade;Award time: October 2023;Awards: Tiangong Award "Nomination Award".
*:1. **Exotic jade species in the Xiuyan jade market" was published in Jintian magazine in July 2015 [2015.].07 "Total No. 330"].
2. **Innovation and Exploration of Jade Carving Art" - to be published.
Jade carving is a traditional handicraft accompanied by the history of Chinese civilization, is one of the important carriers of Chinese traditional culture, its performance in different eras, almost all represent the highest level of handicraft development at that time, is an important cultural element that the Chinese nation is proud of. After nearly 8,000 years of development, it has embodied different roles and values in different historical stages, and still has a wide range of audiences and a relatively common understanding among all social strata. But for most ordinary consumers, jade is a fascinating and very mysterious collectible, with little knowledge of materials, craftsmanship and jade culture, eager to own but deterred. In addition, some practitioners only deceive consumers for immediate interests, do not work product design innovation, but only cater to the market from the perspective of reducing costs, which is also a shackle to the jade carving industry. In the contemporary context, the development of jade carving technology is inseparable from the inheritance of history, and it is necessary to constantly explore new development directions.
The word "Shen Yun" is a deep word, and the emergence of the concept of Shen Yun has an inseparable relationship with thousands of years of traditional Chinese literature. To sum up, we can say that as a work with verve, first of all, it should be beautiful, at least in line with the aesthetic experience of most people's subjects;Secondly, it should be vivid and natural, subtle and fluent;Finally, and most importantly, it should be able to give us a visual taste, a kind of imagination space, and be able to make people "realize".
Jade carving also has an extremely close relationship with people's clothing, food, housing and transportation. Like other literary and artistic works, it must fulfill two basic social functions, namely, to meet the actual needs of the people of the world in their daily lives, and to meet the people's ideological and spiritual needs for beautiful aspirations. From the perspective of these two social functions, jade carving works are first of all handicrafts based on the needs of life, and more emphasis is placed on the applicability of jade carving works in lifeThe second is to reflect the beauty of the material of the jade itself and the beauty of the cultural connotation it carries. In the art of jade carving, culture is the spirit, modeling is the form, and the most touching thing is the inner cultural spirit of the work, not just the external form and jade material. In the final analysis, jade carving works are mostly the product of artificial creation, and its birth and appearance reflect the true life concept of the jade carver, and its ultimate destination must be combined with the life and spiritual needs of human beings. From this point of view, the aesthetic value of jade carving works is mainly reflected through the play of applicability. "Love the heart of beauty, everyone has it", it seems that the creation of a jade carving work can not be created out of thin air, the concept of ideas can be imaginative, the path can be strange, the works must carry the most fundamental needs of the people, that is, the pursuit of the applicability of jade carving works and reflect the people's best taste of life.