On the night of December 8th, the TV series "The Return of the Boy Who Broke the Sky" started in the 4th episode of Tencent**. This TV series is regarded by many fans as the second season of "Breaking the Sky". In this season, the story depicts the male protagonist returning from the rivers and lakes, and after entering the academy, he begins to show his talent and abilities.
From the analysis of the existing 4 episodes, this TV series is more like a group of adult children who are playing a drink at the house. They're living the life they love. There are at least two main factors contributing to this phenomenon of excessive family. On the one hand, the level of actors is too low. The first thing to mention is that this script really doesn't fit well, and it is somewhat similar to a children's play. Most of today's children's dramas are written by adults, and most of them are played by adults, and there is no real child to play them. From another point of view, the acting skills of the leading actors are really poor, it's like a joke, and they can't even count the cost of entertainment.
A common problem is that almost all online TV adaptations suffer from poor script quality. This also means that the success of the theme of online reform ultimately depends on the ability and attitude of the adaptor. A long time ago, there were a large number of networks on our online platform that were called hits**. Those online versions of "Little Times" and "No Future" have also become hot topics in a short period of time. The capital of the film and television industry firmly believes that those online ** are definitely hot-selling works, and once they are adapted, they will definitely be warmly sought after. In fact, in the past few years, none of all the film and television works adapted from online articles have reached the standard of high quality.
The quality of online dramas is not up to standard, which is directly related to the serious problems existing in the online text itself. From the current point of view, the main problem with film and television adaptations of online texts is that the content is too long. Numerous networks** are mainly monetized by increasing the word count. The online article is the most concise, if you want people to read it and think it is very simple, you have to delete half of the lengthy paragraphs. In film and television works, concise plots are crucial, valuable plots need to appear one after another, and those useless plots, none of them are allowed. It is difficult to be rich in content and vivid in the characters. It's easy to insert too much useless content on the web.
If film and television works are adapted in strict accordance with the model of the Internet, it may lead to many plots being abandoned, which actually does not have much value. If the bridge is deleted, then it is equivalent to adding a big burden to the plot, and the audience is unwilling to watch it. For example, in the first two episodes, more than half of the plots in the first two episodes didn't actually have much value, and removing them would help speed up the development of the plot. Therefore, before "The Return of the Boy Who Broke the Sky", I always wanted to delete some bridges, because I felt that if a work was to gain ratings and word of mouth, it must have a good beginning. However, if you remove those abandoned and useless TV drama plots, then the plot of this drama becomes scarce. Because many of these bridges cannot be found in online works, such as the bridges in "Three Lives, Three Worlds, Ten Miles of Peach Blossoms". This is because the web** does not provide substantial content.
From another point of view, online adaptations of dramas often lack a clear direction in terms of narrative. This requires creators to think deeply about their works, and to find the most suitable narrative structure and form from the perspective of the whole. Numerous networks** often lack a clear goal in the way they are told. A good TV series should have a certain degree of artistry and storytelling. The TV series emphasizes the compactness of the narrative, ensuring that each episode has its own unique narrative goals. Therefore, for TV dramas, it is difficult to resonate with the audience if there is no clear theme. In the work "The Return of the Boy Who Broke the Sky", many plots do not have a clear goal orientation. In this case, it is easy to give people the illusion of "narrative uselessness". It is only when the narrative has a clear goal and thread that the audience's expectations can be formed. So how can this be achieved in one work?This kind of problem is commonly encountered in online adaptations of TV series.
Think of it, it's a play" has become the most striking trait of this TV series, or more accurately, it's a problem. There is a plot in "Bright Sword", that is, after the protagonist fights a battle, he falls asleep in bed, which is also a very interesting phenomenon. For example, when the male protagonist falls asleep after winning the battle, the female protagonist chooses to accompany him by the bedside. Such an ending is a suspense that gives the audience a sense of anticipation. This part of the content is acceptable in **, but it is boring in the TV series. I think that TV dramas should tell some stories, and they should be story-like, but they should not be boring. For a TV series to be both tense and engaging in terms of narrative, it is essential to focus on its appeal. However, the relationship between the characters in the TV series is too complicated now. How can I make a slight modification to make it better?
The hero loses consciousness in bed. The male protagonists do this, and the female protagonists are no exception, so they all have to wait. All the heroines are waiting. The heroine is looking forward to the male protagonist waking up, and the audience also has such a desire, and the plot of the plot will begin to develop. At this critical juncture, the senior leadership of the academy made it clear that only those who enter the library within the specified time and obtain the required cheats will be eligible for the corresponding rewards, and there will be no more waiting after the deadline. So, when the plot developed to a certain extent, the audience's expectations reached their peak, and the heroine looked forward to him waking up. Once the scheduled time is missed, the whole plot becomes tense. However, the actor still didn't wake up, and the audience was anxious again. When the heroine expects the male protagonist to wake up, the audience also has the same expectations, which makes the plot more story-like. Subsequently, the actor woke up, and all the audience was happy. Then, on the question of whether the male protagonist will be able to successfully obtain the cheats, the audience becomes nervous again.
What profession does the person who writes the script do?It is in this process that the screenwriter conveys his thoughts and emotions to the audience. For such a vulgar web adaptation of a TV series, the screenwriters are always busy with this - those tedious plots become more compact and tense under the clever conception of the screenwriters. Because screenwriters are the most important people in the screenwriting company, their task is not to tell the plot to the audience, but to turn their ideas and ideas into reality. If you put it bluntly, in fact, the profession of screenwriter is redundant. Having said that, for this kind of simple and straightforward TV drama script, if we hand it over to the current intelligent creation machine software, it should be possible.
From the perspective of the script, the quality is really low. On the one hand, the heroine is really too ordinary. As a result, the show feels like a bunch of older kids playing with a drink. Therefore, this is also a big failure of the show. From another point of view, the actor's acting skills are really poor, which makes people feel very embarrassed. He Luoluo, as the leading actor of this TV series, his acting skills are not outstanding, which is of course related to his personal factors. If you change to someone who is good at acting, the effect will definitely be slightly better.
However, from another perspective, this kind of online adaptation of the TV series is essentially a challenge to acting. Because most of these dramas complete the development of the story through the performances of star actors, and the star actors themselves also have certain commercial value, their shaping of the script is often deviated or even distorted. In this type of theatrical production, all that is required for the character is the temperament of an idol and the temperament of traffic. Therefore, in these works, we do not see real characters, but some fictional characters. From the point of view of the original text and script, it has not yet succeeded in shaping the character type characteristics with utility. This makes the script a kind of "water without a source" that cannot play its due role. For the shortcomings of the script, only the actors themselves can compensate. In the script, the actor is to play the role of the character in the play. If you find that you don't have much talent for acting as an actor, then you can only perform like a player's family play.
Fortunately, those who like "Breaking the Sky" are either a group of young people, or those who have never successfully entered college, or those who have gone to college but do not work hard to learn Xi every day, and only know how to read the Internet. They will all regard TV series as the most real friends and partners in life. This batch of viewers does not have high expectations for TV series. Because they know that they can understand the people and things in the TV series. Many people, perhaps, really like this way of playing home wine. I think this kind of TV series should be able to attract more young audiences. Gossip entertainment star