Time flies like a white horse, and the past years have long become memories. Many outstanding painters, with their skillful hands, recorded the scenery and world of China at that time. Today, we have carefully selected and reviewed in depth to commemorate the unforgettable 60s of China.
1.The spring breeze blows the south bank of the Green River.
In 1962, the oil painting "Spring Breeze and the South Bank of the Green River" created by the painter Su Tianci fixed the most beautiful season in the south of the Yangtze River in spring. The river flows leisurely on the earth, and the willow branches sway in the spring breeze. A few small boats weave back and forth in the gondolier's penny, and in the distance, the fields on the shore are beautifully intertwined with whitewashed tiles, yellow rape flowers, and green seedlings.
2.Change on the Xin'an River.
In 1964, the painter Song Wenzhi presented the Chinese painting "On the Xin'an River", which depicted the magnificent scene on the Xin'an River. A high dam has been formed into a lake, and the mountains on both sides have been lined with power lines and iron towers. The red leaves on the cliff compete with each other in the great development after the founding of the People's Republic of China, outlining a new look.
3.Spring's message.
In 1963, the painter Hu Renqiao's oil painting "Spring Xun" showed a group of young people on the iron pipe of the water pipeline on the high slope. They held wrenches in their hands and prepared to open the floodgates. The terraced rice fields below are already green, and the message of spring fills the heavens and the earth.
4.Beautiful autumn morning in a mountain village.
In the 1960s, Lin Fengmian's "Beautiful Autumn Morning" painted on paper depicts an autumn morning at the bottom of the valley at the foot of the mountain. The tall trees around the hamlet are dyed in a variety of bright colors by the autumn sun, and it is peaceful and intense.
5.A new countryside for intellectual youth.
In 1964, Ya Ming's "Building a New Countryside" Chinese painting showed a young woman lying on the bed, concentrating on writing a diary under an oil lamp. She documented the plan for building a new countryside.
6.The sound of geese in the village.
In 1963, the painter Fu Luofei painted "A Goose Voice", a watercolor painting depicting members raising geese by a pond in the village. A member of the club holds a bell hanging on a pole and is shouting to release geese.
7.Dawn in the steel mill.
In 1960, Tao Yiqing's "Dawn" Chinese painting showed the scene inside the steel factory in the early morning. The factory building is already in full swing, various chimneys are spewing smoke and dust, and steam trains transporting ore raw materials are whizzing past the rails.
8.Towards Xinnanniwan.
In 1969, Ou Yang's pastel painting "Xinnanniwan" depicts the scene of the members working together to ask for food from the barren mountains under the scorching sun. Three young women, blushing in the sun, struggled to pull the ropes from the plough and ploughed the new land.
9.Harvesting of forest farms.
In 1963, Yu Ben's oil painting "Harvesting in Forest Farms" shows a large area of forest in the forest area. Lumberjacks use machines to cut down towering trees and contribute to the country's economic construction.
10.The sunrise time in the workers' new village.
In 1964, Fan Mingti's watercolor painting "Workers' New Village" depicted the life scene of a workers' new village in Shanghai. Workers come from home in the morning light and walk to the factory together to work, while the children play on the grass.
These paintings bear witness to the great changes in China in the 60s, and each work is a picture scroll of time, vividly showing the style of that era. Through these works of art, we not only saw the development and changes of the society at that time, but also felt the simplicity and hard work spirit of that era. Time flies, but these paintings are forever frozen in that nostalgic era.
This series of essays describing the works of Chinese painters in the 60s sketches a rich picture of the social changes of the time, and each work is a witness to time, recording that era full of struggle and hope. These works of art are not only intoxicating with their delicate craftsmanship, but also a window into history, allowing people to feel the style and spirit of the era.
First of all, the "Spring Breeze and the South Bank of the Green River" mentioned in the article shows the pleasant scene of spring in the south of the Yangtze River, outlining the picture of willow trees swaying and small boats shuttling. Su Tianci's ingenious technique integrates the spring of the earth into the painting, making people seem to be able to smell the freshness of the river and the fragrance of the earth. This work is not only a beautiful landscape painting, but also a unique expression of Jiangnan culture, conveying a quiet and tranquil attitude to life.
Secondly, "On the Xin'an River" presents the majestic changes of the new era through Song Wenzhi's pen and ink. The dam impounds water into a lake, the transmission line is erected, and the red leaves compete for the beautiful mountain cliffs, all symbolizing the rapid development of China's construction. This is not only a landscape painting, but also a warm echo of the country's modernization at that time. Through his works, the artist conveys his passion for social progress and his yearning for a better future.
In "Spring Rush", Hu Renqiao vividly shows the vibrant scene of spring by describing the scene of a group of young people on the water pipe. A young man with a wrench is about to open the floodgates, the terraced fields are already green, and the picture is full of the joy of labor and anticipation for the future. This work not only expresses his love for rural life, but also reveals the artist's confidence in the progress of the times.
Lin Fengmian's "Beautiful Autumn Morning" shows the quiet and beautiful side of the mountain village. On autumn mornings, the trees are decorated with various colors by the autumn light, and the whole picture is both full of tranquility and extraordinary vividness in the color of color. Through affectionate brushwork, this work outlines the simple and tranquil picture of the countryside, making people feel as if they can feel the freshness of nature and the tranquility of the mountain village.
"Building a New Countryside" is Yaming's creation, through the scene of an intellectual young man writing a diary in bed, showing the society's ardent expectations for the construction of a new countryside at that time. The woman in the painting lies on the bed, intently recording the planning of the new countryside, which is not only a praise for the active participation of intellectuals in social construction, but also an optimistic outlook on the progress of the times.
Each of these paintings is a unique interpretation of the times and a fragment of life that they capture with their brushes. While appreciating these works, people can more deeply feel the social changes of that era, people's expectations for the future, and their yearning for a better life. Through art, these painters have become chroniclers of the times, leaving a valuable historical and cultural heritage for future generations.
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