Zhuangzi is a peculiar and multifaceted existence in the history of Taoism. Although he is revered as a Nanhua Zhenren and his book "Nanhua Zhenjing" is widely praised, it has left very few traces in Taoism. Zhuangzi's multifaceted nature is fascinating, he is not only a carefree practitioner who does not eat the fireworks of the world, but also a kaleidoscopic fancier, and an ordinary mortal who is not afraid of death.
Zhuangzi who does not eat the fireworks of the world.
Zhuangzi's emphasis on the realm of selflessness in the "Theory of Things" made him look like a tree and get rid of the troubles of the world. He taught practitioners to have no desires, no desires, and not to be burdened by the world, and to achieve the state of "no self for others, no merit for gods and men, and no name for saints". In addition to selflessness, the second core of Zhuangzi's emphasis is to be free from dependence on the outside world and to truly be at ease.
Zhuangzi illustrates this point through the columns in The Wandering Journey. Even if Liezi has been able to resist the wind, he still needs to rely on the wind and have something to do, so he has not really reached the realm of freedom. The state pursued by Zhuangzi is to achieve nothing to be done on the basis of selflessness, no longer bound by external objects, so as to achieve true freedom and leisure.
The ever-changing rhapsody Zhuangzi.
In contrast to the leisurely practitioner of Gaoge, the other side of Zhuangzi is that of a rhapsodic person. He used Kunpeng in "Getaway" as an example to express the ever-changing realm. This idea of "transformation" is in line with the concept of Taoism, which believes that everything in the world is the manifestation of the Tao, which can be ever-changing, and people can also become immortals and realize supernatural powers.
Zhuangzi's rhapsodic state is more in line with ordinary people's fantasies about the gods, expecting the gods to be ever-changing and soar freely. This changeable Zhuangzi enables practitioners to no longer be intimidated by the high realm, but to accept a richer and more fantastical spiritual life.
Zhuangzi who is not afraid of death.
However, Zhuangzi is not only in the two realms of high and rhapsody, he is also an ordinary mortal with earthly emotions. While Zhuangzi seems not to be afraid of death, he also reveals his perception of loneliness. The story of the death of chaos in "Zhuangzi" reveals Zhuangzi's grief over the death of Huizi. Deeply aware that no one can debate with him anymore, the importance of Zhuangzi to Huizi is vividly reflected.
The ordinary people of Zhuangzi tell us that there will also be loneliness, contradictions, and sorrows on the path of cultivation. He did not reach the state of freedom at the beginning, but overcame the pain of loneliness and independence in the process of becoming a mortal to a god. Zhuangzi encouraged practitioners to get out of their confusion and embrace happiness.
A multifaceted life on the path of cultivation.
The multifaceted nature of Zhuangzi shows the variety of possibilities on the path of cultivation. Leisurely cultivation, rhapsodic transformation, and ordinary mortals, these three kinds of Zhuangzi constitute a multi-level picture of spiritual life. Whether it is the pursuit of high-level leisure, or the pursuit of changeable rhapsodies, or the experience of ordinary mortal contradictions, these are all states that may occur in the process of cultivation.
Zhuangzi's teachings are diverse and rich, encouraging people not to fear death while also being comfortable with loneliness in their spiritual practice. He tells us that practice is not achieved overnight, but is a process of continuous exploration and evolution. We may not be able to reach Zhuangzi's high level of leisure, but at least we can find our own path of cultivation in ordinary mortals and rhapsodic illusions, which is the true meaning of Zhuangzi's multifaceted life.
Zhuangzi's thought is like a multi-layered picture scroll, showing the diversity and complexity of the spiritual life. In this article, the author depicts three different aspects of Zhuangzi in vivid words, presenting readers with a multi-dimensional and multi-layered image of Zhuangzi.
First of all, the article deeply analyzes the side of Zhuangzi's "not eating the fireworks of the world". Through the description in the "Theory of Things", Zhuangzi presents a practitioner who is beyond the worldly world and beyond the troubles of the world. Selflessness and non-treatment became the two cores of his cultivation, which freed him from his obsession with the world and realized a relaxed state of mind. This kind of high-level and leisurely Zhuangzi provides an ideal direction of cultivation for some practitioners who pursue the transcendent realm.
Secondly, the article vividly depicts the "ever-changing" side of Zhuangzi. Through the image of Kunpeng, Zhuangzi presents a kaleidoscopic and free realm of cultivation. This kind of rhapsodic Zhuangzi is closer to people's fantasies about the gods, and shows the realm that practitioners can reach in the process of exploring the self and changing things. This kind of Zhuangzi attracts more practitioners who seek to enrich their spiritual experience, injecting more color and possibilities into their practice.
Finally, the article highlights the "not afraid of death" side of Zhuangzi. Through an in-depth analysis of Zhuangzi's reaction to Keiko's death, Zhuangzi is not only revealed to be fearless of death, but also shows his attachment to human relationships and sensitivity to loneliness. This side of Zhuangzi is closer to ordinary mortals, which makes his thoughts more affinable and more able to resonate with the majority of cultivators.
While expounding on these three types of Zhuangzi, the article points out more profoundly that Zhuangzi did not achieve the high level of freedom from the beginning, but went through a diversified process of cultivation. This is an encouragement to the reader, making Zhuangzi's ideas no longer out of reach, but a revelation to find one's own spiritual direction in ordinary life.
In general, this article is not only an introduction to Zhuangzi's thoughts, but also a deep reflection and **. Through the analysis of Zhuangzi's multifaceted nature, readers can understand Zhuangzi's spiritual philosophy more comprehensively, and it will also make it easier for people to accept Zhuangzi's ideas and find a path of practice that is in line with them. Such an essay is both enlightening and profound, opening a door to the world of Zhuangzi's thought for the reader.
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