In the history of China, we can't help but trace back to the period of the Shang Dynasty reform, which was the first large-scale occurrence in the history of our country. According to the record of "Heshi", Shang Ying implemented "burning poems" and "books" and clarifying laws in the reform of the law. During the reign of Qin Shi Huang, the government decrees became more stringent, affecting the classics of other schools. It is clearly recorded in the "Historical Records": "Historians who are not Qin Ji are all burned", "Those who are not doctors' officials, those who dare to have "poems", "books", and hundreds of languages in the world will be burned by the guards", "Those who dare to say "poems" and "books" will abandon the market", "Those who do not go, books of medicine, divination, and tree planting".
The ban on culture in the early Han Dynasty was liftedThe existence of the law of coercion in the era of Liu Bang.
However, when Liu Bang, the ancestor of the Han dynasty, was in power, the ** policy was not completely abolished. In the early Han Dynasty law decree presided over by Prime Minister Xiao He, there was a "law of coercion", the specific content of which is no longer examinable, but from the meaning of the word "coercion", it is similar to the ban on book burning in the Qin period. In the early Han Dynasty, in the era of the frequent rise of the heroes, it was a forced means of controlling the minds of the common people. However, with the consolidation of the Liu dynasty, the law of coercion gradually became unnecessary. In 195 BC, Liu Bang's eldest son, Emperor Hui of Han, succeeded to the throne and abolished the law of coercion.
Han Dynasty culture flourished?**The impact is still there.
However, the Han Dynasty did not completely lift the policy of cultural confinement. The various schools of scholarship gradually flourished, but in the early Han Dynasty, the ban still existed. The classics "Poems", "Books", "Rites", and "Spring and Autumn" are different on the basis of "** flourishing. By the end of the Western Han Dynasty, the doctrine of Wei Wei arose, and it was regarded as an outlier by the rulers. After the Sima family usurped the power of Cao Wei, they ordered "forbidden star qi and the study of weft".
The Book of the Art of War was banned, and Confucianism flourished.
The books of the art of war were not spared the fate of being banned. "The Art of War", as an upgraded version of "The Art of War", has rich content in terms of strategy and tactics, but it was banned in the Qin period. This type of warfare focuses on specific tactical means and is considered dangerous by the rulers. However, these forbidden art of war still had a profound impact on later wars throughout history.
The mystery of the Book of Luban: Architectural skills become taboo.
Among the banned books, there is one "Book of Luban" that attracts attention. This book chronicles the architectural skills and feng shui related matters of Lu Ban, an inventor of civil engineering and architecture. However, the reason why this book has been classified as an "evil book" by successive rulers is because of the five words on its title page, "widowed and lonely" and the obscure mantra in the second half of the book. These words imply that the Xi will inevitably become one of these five categories of people in the future. In order to prevent these skills from being introduced to the people, the rulers fabricated the contents of the second volume of the Book of Luban and spread legends about the fate of Xi.
The wrestling between the demon book and the ruler: "Liutao" and the "evil book".
During the Ming Dynasty, the rulers intensified the ban on "evil books", including the "Liutao". As an upgraded version of The Art of War, Liutao is regarded as a first-class reference work for its detailed discussion of strategy, tactics, and the use of weapons. Its practicality and operability are so strong that it is not welcomed by the rulers. This kind of enforcement of the "evil book" has become a consistent practice of successive rulers.
The Rise of the Demon Book: The White Lotus Sect and the "Legend of Zhou Dianxian".
During the period of the rise of the White Lotus Rebellion at the end of the Yuan Dynasty, the concept of "demon book" appeared. The ruler was well aware of the incitement of such books to the people, so Zhu Yuanzhang, the founding emperor of the Ming Dynasty, stipulated: "Anyone who creates prophecies, demon books, evil words, and spreads to confuse the people will be beheaded." However, this has not completely eradicated the phenomenon of using demon books to cause trouble. During the Ming Dynasty, there were many peasant uprisings caused by the bewitchment of demon books, which made the rulers even more vigorous in banning "demon books".
Lu Banshu: Why did architectural skills become an "evil book"?
Some people believe that the "Book of Luban" was designated as an "evil book" because it was fabricated by the rulers. Luban's architectural skills and craftsmanship threatened the ruler's dominance. In order to prevent the spread of these stunts, the ruler fabricated the second volume of the Book of Luban and spread the legend of the miserable fate of the Xi cultivators. Judging from the ** decrees of the past dynasties, only books that really threaten the ruler will be forcibly banned, and the Book of Luban just meets this condition.
Epilogue. China's history is confusing, and behind every banned book there is a deep social background and power struggle. The mystery of the "evil book" of the Book of Luban is not only related to architectural skills, but also involves the ruler's control of knowledge and the maintenance of interests. This historical story tells us that the struggle between culture and power never stops, and that every banned book contains the memory of an era.
China's ** History Revealed: Why Lu Ban Shu Was Named "Evil Book" The article deeply analyzes the ** phenomenon in Chinese history and introduces readers to a complex topic of knowledge, power and cultural control. Based on solid historical data, the author connects the historical events from the Shang Dynasty to the Ming Dynasty through clear clues, presenting the political turmoil and the power of the rulers behind the **.
The article describes in detail the origin of **, the large-scale of the Shang Dynasty Reform Period, the strictness of the government decrees during the Qin Shi Huang period, and the existence of the law of coercion in the early Han Dynasty. The description of this part has both historical objectivity and shows that the control of knowledge by rulers is a consistent phenomenon in Chinese history. Through the long river of history, the article shows the process of rulers controlling their thoughts in order to maintain the stability of power.
In the article, the author's views on the development and confinement of Han culture, especially the rise of Confucianism, are clear and unique. Through the explanation of "Liutao" and "Sun Bin Art of War", the threat of these classics to the rulers and the impact on ordinary people are in-depth. This part of the analysis enables the reader to better understand the logic behind the ** measures, as well as the importance and fear of the rulers to knowledge.
The analysis of Luban's book becoming an "evil book" is one of the highlights of the article. Through an in-depth analysis of the content of Luban's book, as well as the fabrication and legend of the rulers, the author shows how intrigue and political control can exclude a book with practical use from society. This revelation not only gives readers a deeper understanding of historical events, but also prompts people to think about the importance of freedom of expression and knowledge dissemination in contemporary times.
Regarding the rise of the Demon Book and the wrestling of rulers, the author vividly demonstrates the game between knowledge and power through the example of the White Lotus Sect. This part of the narrative gives readers a more intuitive understanding of the rulers' ban on "evil books", and at the same time arouses attention to the dissemination and control of contemporary information.
In the epilogue at the end of the article, the author cleverly summarizes the main thrust of the entire article, emphasizing that the contest between culture and power never stops, and that every banned book contains the memory of the times. Such an epilogue not only summarizes the core idea of the article, but also provokes the reader to reflect on knowledge, culture, and power.
Overall, this review not only analyzes the original text in depth, but also has its own unique insights, providing readers with a comprehensive and clear perspective, so that the complex and profound topic of history can be presented more vividly in front of readers.
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