Pot type: plum pile.
Traceability: Chen Mingyuan, plum pile pot.
As one of the three friends of the cold year, plum blossom has been praised by literati and writers for thousands of years, plum blossom is proud of snow and frost, since ancient times, it symbolizes the spiritual quality of not tending to glory and profit, tenacity and elegance, and it is also a symbol of spring and good news in the folk.
The plum pile pot was first created by Chen Mingyuan, a purple sand master in the Qing Dynasty, and the technique of stacking flowers was used to shape the plum pile, bark and tangled branches, and the image of the pot was vivid and lifelike. Many famous artists have made plum pile pots, and have their own unique interpretation of plum blossom imagery, and the works have their own charm, and the plum pile pot has also become a "famous product in the pot".
Appreciation: The Pot Eater's Collection.
1. Fan Hongquan's works.
Mud: old purple mud from the original factory.
Capacity: 600cc
Fan Hongquan this two-color plum pile.
It is a masterpiece of the 90s of the last century.
Put plum into the pot. The old purple mud of the original factory is used as a tire.
The mud is pure. Excellent colour.
The body of the pot is in the shape of a tall plum pile.
Lean forward overall. Full of tension.
The surface of the pot is plastered with gall joints and bark scars.
Show the charm of the plum pile.
Flow, handle, button like a plum branch naturally out of the wind.
Straight up. The bend echoes the posture of the kettle.
Strengthened forward momentum.
The water is extremely refreshing.
The handle is dignified and beautiful.
The branches spread from the sides to the surface of the pot.
Plum blossoms are interpreted in heterochromatic clay.
It's the finishing touch.
The vicissitudes of the old pile and the agility of the green plum.
The contrast is strong. Zestful.
600cc large capacity production is not easy.
However, the shape of the whole pot is exquisitely designed.
The details are detailed.
It is really a hand-me-down tea vessel that is both enjoyable and enjoyable.
The collection value is extremely high.
Not to be missed by collectors.
2. Wu Qimin's works.
Mud: old purple mud from the original factory.
Capacity: 200cc
Wu Qimin's plum pile pot.
It is a well-made flower plastic.
It was made in the 90s.
The old purple mud of the original factory is refined.
The mud color is warm and pure.
Take a thick plum pile to make the body of the pot.
Atmospheric crisp. The galls and scars on the surface of the pot are clearly carved.
Restore the true texture of the bark.
Lid closure. The knob is also an arched plum pile.
The bends and ear handles are in the shape of plum branches.
Meandering and twisting. As if it was naturally generated.
Flow, handle, and button each climb a new branch.
Spread to the lid and body.
Plum blossoms and buds are vivid and realistic.
There seems to be a dark fragrance floating.
This pot is both designed for the overall shape.
Or the details of the processing.
are very precise.
The plum pile is ancient.
Merge with the rebirth of plum blossoms.
Interpret the vigorous vitality and full spirit of Hanmei.
It can be called a classic in bionic flowers.
3. Yu Weihui's works (thin tires).
Mud: Raw ore red dragon.
Capacity: 400cc
Yu Weihui this plum pile pot.
The mud is a pure raw ore red skin dragon that has been hidden for many years.
After firing, the color is ruddy.
Strong grease sensation.
The author uses a superb thin tire technique.
All handmade.
So that this pot has a large capacity at the same time.
There is also a light hands-on experience.
It's very rare. The overall shape is taken from the shape of the plum.
The body is a tall plum pile.
The flowing mouth, the handle, and the bridge button are all strong branches.
The node point of the gall on it.
Shape the craggy bones of old trees.
The lid and the body of the pot are pasted with plastic shoots.
Embellished with plum blossoms.
Delicate and elegant, with pride.
Do not lose the gentleman's style.
It is a sight to behold, and it is a sigh of beauty.
Fourth, Fan Xudong's works (Xu Wenjun pottery carving).
Mud: raw ore blue-gray purple mud.
Capacity: 330cc
Fan Xudong this Gaomei pile pot.
The plum element is cleverly integrated into the purple sand art.
The raw ore is made of blue-gray purple mud.
All hand-kneaded.
The look is ingenious.
A slender and upright old pile is the main body.
Galls and cracks are scattered.
Order in chaos. Cumbersome, not redundant.
Irregular lid on top.
A small section of plum pile is a button.
The side of the neck extends upwards above the spout.
Sculpt out the torn texture.
The details are realistic. It's like a natural thing.
The flow is shaped into a branch.
It is long and natural.
New branches stretch out on the body of the pot.
The cold plum blossoms.
It seems to be a lifeless old pile.
Rejuvenated.
Teacher Xu Wenjun carved pottery decoration.
The reverse side of the body is engraved.
The poem writes the plum blossom month, and the tea cooks the valley in the rainy spring".
The bottom of the pot is engraved separately. Acacia plum blossoms overnight, suddenly to the window suspected to be Jun".
They are all poems depicting plum blossoms.
It fits perfectly with the whole pot.
The whole instrument has both shape, spirit and rhyme.
Thin and vigorous. Quaint and vibrant.
It shows the iron posture of the ice muscles of the plum pile.
5. **Works.
Mud: The bottom of the raw ore is cleared.
Capacity: 190cc
*This plum pile pot.
Imitation of the ancient ** flower ware master Feng Guilin classics.
It is based on the bottom of the raw ore and the groove is cleaned.
Grains of sand looming. Rich texture.
The body tube is irregularly shaped, and the plum pile is cut off.
The bark is mottled and cracked.
The knots are clearly visible.
The weather-beaten old state is fully revealed.
The lid fits seamlessly.
The whole device is harmoniously integrated.
The streams, handles, and buttons are all bent plum branches.
Cover the surface, a few bushes of plum blossoms on the body of the pot.
or budding or blooming.
Delicate plum blossoms and old spicy plum piles.
A strong contrast is formed.
It means that the dead wood is spring.
The author is meticulously crafted.
With skillful and handmade techniques.
Present the purple sand ware as a wonderful freehand painting.
Highlight the plum blossom proud frost and snow, Ling Han unique temperament.
Savor it.
Memorable.