Boldly reveal the secret Yang Guifei turned out to be the empress of Japan, the truth is staggering!

Mondo History Updated on 2024-01-29

Yang Guifei, one of the four beauties of ancient China, her beauty and painful ending have always been a historical mystery. In a 1963 Japanese television program, a young girl claimed to be a descendant of Yang Guifei, sparking widespread discussion in China and Japan. How did Yang Guifei die?This question has formed an unsolved mystery between history and legend.

According to the official history, Yang Guifei was forced by angry soldiers on the way west of Tang Xuanzong after the Anshi Rebellion, and was finally hanged in Maweipo. The corpses were displayed for the soldiers** before continuing their westward migration. However, a Japanese scholar, Ryuze Watanabe, recounts the different versions in detail in The Secret History of the Resurrection of Yang Guifei. He said that Yang Guifei was not really hanged, but in a state of suspended animation. After the Tang army left, she fled to Japan with the help of Xie Aman and Ma Xianqi.

This raises the question: Why did Yang Guifei go to Japan?According to Watanabe Ryuze, Yang Guifei lived a good life in Japan and even became the empress of Japan. However, there is also another theory that she lived in seclusion in Japan and had children with the locals, resulting in people in Japan who claim to be descendants of Yang Guifei today.

This argument also has supporters in China, and at the end of the 20th century, the red scholar Yu Pingbo pointed out that Yang Guifei did not die, but was exiled to the female Taoist monastery. He thought that the detailed records of the official history might have covered it up, and that Tang Xuanzong might have let her escape. Yu Pingbo even believes that Yang Guifei's later occupation made Tang Xuanzong feel undignified.

Regarding the mystery of Yang Guifei's life and death, it is difficult to distinguish between truth and falsehood in the fog of history. The record of the official history is up for debate, and whether Tang Xuanzong let her escape is still a mystery. And there is more than one legend about Yang Guifei in Japan, including the Japanese girl and the famous actress Yamaguchi Momoe who claims to be her descendant. Yang Guifei's tomb has also become a scenic spot in Yamaguchi Prefecture, Japan, and is known as "Yang Guifei's hometown".

In the time and space of history, true and false, legends and facts are intertwined, and the official history may not be completely credible. We may need more thought and discussion about the life and death of Yang Guifei and her legend in Japan. Whether Yang Guifei really went to Japan or not, this mystery may never be revealed.

This article takes the mystery of Yang Guifei's life and death as the theme, and through the comparison of historical records and legends, it triggers deep thinking about the fate of this ancient beauty. Watanabe's claim that Yang Guifei did not die and fled to Japan has led to a debate among historians and readers about the authenticity of the canonical history and legends.

First of all, the article mentions the detailed plots recorded in the official history, including the scene where Yang Guifei was hanged in Maweipo and the corpse was displayed in the lobby of the post station. These episodes seem to be intended to prove that Yang Guifei did indeed die, however, the article expresses the author's suspicion that the records of the canonical history may have deliberately obscured the truth. This point of view causes readers to question the authenticity of history, and makes the thinking about the mystery of Yang Guifei's life and death more profound.

Second, Watanabe's perspective injects a new element into this historical mystery. He believed that Yang Guifei did not really die, but came back to life after the Tang army left, and eventually fled to Japan. This statement subverts the traditional perception of history and stimulates readers' fresh interest in this period of history. The statement that Yang Guifei became the empress of Japan is even more fascinating, making people can't help but imagine the fate of this legendary beauty in a foreign country.

The article also mentions a variety of legends about Yang Guifei's descendants in Japan, including the claim of a girl who claims to be a descendant of Yang Guifei on TV shows and the claim of actress Yamaguchi Momoe. These legends add more color to the story of Yang Guifei, allowing the legend of this ancient beauty to continue in Japan and become a part of the local culture. And the "Tomb of Yang Guifei" in Yamaguchi Prefecture provides a substantial symbol of this legend.

Finally, the article cites Yu Pingbo's view that there may be a deliberate cover-up of historical facts in the official history. He believes that Yang Guifei did not die, but went to the female Taoist academy and engaged in an unknown profession. This view challenges the authority of canonical history and makes readers more cautious in their understanding of historical events.

On the whole, this article triggers readers' in-depth thinking about the truth of history through the ** of Yang Guifei's history and legend. The conflict between the canon and the legend, as well as the different versions of the story, provide more dimensions to this eternal mystery, making the reader more flexible and open in their perception of historical events. This review is not only a response to the content of the article, but also an affirmation of the diversity of historical research methods and perspectives.

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