On December 12, on the occasion of the 340th anniversary of Gao Fenghan's birth, Nanfu Homecoming: Gao Fenghan's special exhibition of "Celebrating the Birthday of the Second Brother Gao Cangpei" was successfully held in the Gao Fenghan Memorial Hall.
This exhibition has received extensive attention and support from Jiaozhou City and all walks of life. Experts and scholars from the arts, collections, culture and other fields gathered at the exhibition site to witness the exhibition of Gao Fenghan's calligraphy art.
Song Xiangwen, chairman of the Jiaozhou Federation of Literary and Art Circles, came to the exhibition site.
Zhu Chengsheng of the Chinese Painting and Calligraphy Department of Xiling Auction was interviewed by Qingdao TV.
Gao Fenghan's descendants were invited to the exhibition site to tell the guests about Gao Fenghan's family lineage, family history and the inheritance and protection of Gao Fenghan's art, which deeply revealed the admiration and attention of the people of Jiaozhou to the cultural celebrities in their hometown.
Exhibition view. 
Exhibition view. The day before, an academic seminar on "Gao Fenghan's Collection of Books, Li Shizuo's Paintings, and Longtan Jieshou Calligraphy and Painting Inscriptions for Gao Fenghan's Second Brother Gao Cangpei" made important annotations for this exhibition.
Group photo of guests. 
The market is unique. Gao Fenghan collected the collection of books.
The market is unique. Li Shizuo landscape scroll.
The market is unique. Works related to the study of Gao Cangpei's life.
Catalogue of Ancient Chinese Paintings and Calligraphy" was published in its entirety.
Bibliographic. Chinese Calligraphers and Painters Printed Collection".
Gao Fenghan's own use of the seal in the fifteen squares taken from this volume.
Gao Fenghan (1683-1749) collected books of public bodies, painted by Li Shizuoqing Yongzheng.
For Gao Fenghan's second brother Gao Cangpei made Longtan Jieshou calligraphy and painting inscription scroll.
The exhibition exhibited "Gao Fenghan Zhongti Collection, Li Shizuo Painting for Gao Fenghan's second brother Gao Cangpei Longtan Jieshou calligraphy and painting inscription volume" The total length of the whole volume is more than 5 meters, the essence of the collection of the family, especially the volume of Gao Fenghan's seven different styles of calligraphy poems, is the most abundant calligraphy work in the world, and it is also the only one in the market Gao Fenghan collection of the body of the book in one volume, quite rare, during which the pen meaning is close to Shen Zhou, It shows Gao Fenghan's profound traditional calligraphy skills, fully demonstrates his personal charm, and provides an important supplement to the diversity of Gao Fenghan's calligraphy style, which is of great significance.
It is an orderly circulation of the volume, starting from the Yongzheng period, carried by Gao Fenghan and Gao Cangpei brothers for several years, and there are many inscriptions of the same era, **late Qing Dynasty**, by the famous collector Chen Jingtao, Chu Deyi handed over the collection. In the "Catalogue of Ancient Chinese Paintings and Calligraphy", "Appraisal of Ancient Chinese Paintings and Calligraphy", "Notes on the Appraisal of Ancient Chinese Paintings and Calligraphy" and other most authoritative books have been published and recorded, in the volume of Gao Fenghan more than 27 seals, of which more than 20 are included in the "Chinese Calligraphers and Painters Seal Collection", and the book has 15 prints from this volume, which is very important.
Frontispiece by Li Shizuo "Longtan Jieshou Tu".
It is the only Li Shizuo landscape scroll in the market.
What's even more rare is that Li Shizuo and Gao Fenghan in the volume are both Wen Ruyu seal carving**, active in the Jiaozhou seal altar in the early Qing Dynasty, and once ruled many India for Gao Fenghan. However, the works of the two are rare, and Li Shizuo's hand-me-down paintings are extremely rare, and only two of his surviving works are known to exist, one is the 12-page "Landscape Book" (collected by the Hubei Provincial Museum), and the other is this volume.
and the birthday of the king" sentence and "Longtan other messenger" seal.
The frontispiece "Longtan Other Messenger" seal is engraved by Gao Fenghan.
According to the printing spectrum, it is "self-imitating the Chinese seal".
This year, Gao Fenghan first arrived in Longtan, and this seal should be engraved by Gao Fenghan for this trip to Longtan to commemorate.
In addition, this volume is the only work on the market that studies Gao Cangpei's life. There are very few relevant records of Gao Cangpei, the person in the above paragraph, because the famous scholar in the volume called him "Mao Jun" and inscribed "Brother is forty years and five", and it is known that he was born in 1687. Gao Cangpei is five years younger than Gao Fenghan and is also a native of Jiaozhou, Shandong. Gao Fenghan called him "middle brother", which shows that the relationship is close.
Gao Fenghan copied poems in seven different styles.
The only Gao Fenghan in the market collects the book of the public.
In addition to Gao Fenghan and Li Shizuo, the writers of the poems and essays written by Tu Liang, Zhang Cong, Wang Xinjian, Kuang Jiwu, Li Bao in the same guest Longtan and birthday in the volume, and Huang Zhirui, Jin Shuchun, Tian Yunhe, Chen Lu, and Zhang Chun inscriptions in the back of the volume, during which you covered Gao Fenghan's important relatives and friends in Jiaozhou, Jinling, Huizhou, Yangzhou and other regions, which is not only an important historical data and witness for you to make friends, but also enriches the image of your gentlemen.
Jin Shiqi Qing Kangxi portrayed Gao Fenghan as a thirty-five-year-old statue.
The exhibition also features the masterpieces of Gao Fenghan's close friends Zheng Banqiao, Bian Shoumin, Jin Nong and related famous calligraphers and painters. Among them, Jin Shiqi's "Portrait of Gao Fenghan at the age of 35" or the earliest surviving portrait of Gao Fenghan is particularly noteworthy.
Zheng Banqiao (1693-1765) Ink and bamboo drawing.
Bian Shoumin (1684-1752) Lu Yantu.
During his residence in Yangzhou, Gao Fenghan and Zheng Banqiao, Bian Shoumin, Jin Nong, etc., were very close to each other, and their deep friendship also became a good story in the cultural circle. Zheng Banqiao's "Ink and Bamboo Drawing" and Bian Shoumin's "Lu Yan Picture" exhibited in this exhibition are the most representative creative themes of the painter, and the brush and ink are dripping and hearty.
Jin Nong (1687-1763) Hsinchu Diagram.
As a leader in the national industry, Xiling Auction has been leading the southern art market for nearly 20 years, insisting on academic guidance for auctions, fully exploring the hidden academic attributes of each lot, and further setting up special sessions and special topics as a new way to look back on the history of painting, providing collectors with novel interpretation perspectives.
It is reported that most of the works exhibited in this exhibition will be auctioned at the "Xiling Seal Society 223 Autumn Auction" that will open in Hangzhou on December 18, and collectors and art lovers from all walks of life are welcome to visit the auction site.