Jia Dao, Yao He, and their followers,The poems are relatively narrow in content and rarely reflect on social issues。Jia Dao wrote, there are frustrations and resentments about encountering walls in scientific research, lamentations of poverty and embarrassment, feelings about the state of silence and the realm of Buddhism and Zen, and interactions with monks and hermits, most of which are not within the scope of personal life. The subject matter of Yao He's poems is close to that of Jia Dao, and he writes more about trivial daily life scenes. In terms of style, Jia Dao has had the experience of Zen room life, and has been influenced by Han Yu and Meng Jiao, so there are more cold elements in the poems, while Yao He's career is relatively smooth, and the poetry style is relatively stable and leisurely.
Jia Dao, Yao He and others are hereThe common expression of the creative attitude is bitterness。In the late Tang Dynasty, there were a large number of scholars who had been trapped in the examination room for a long time, and there were also many people who were in a low-level and idle position although they entered the office. They are a bit like the literati of the Great Calendar era, who need to compose poetry for spiritual compensation. Those who seek fame in the subject need to take the five laws as daily homework training. In this way, these literati, who were neglected in society, devoted a lot of time and energy to composing poems, examining, discovering, and experiencing their poverty and idleness in many ways, and expressing their helplessness. Therefore, through the profound excavation and pondering of the situation and scenery, it has become a new fashion to see the freshness and strangeness in the neatness, which is different from the adventures of Han and Meng and the flow of Yuan and Bai.
The bitter poets of the late Tang Dynasty did not care enough about social life, had a narrow range of experience, and were relatively poor in poetry. theirsPoetry often does not emerge spontaneously, but is intentional from the beginning。They put aside genres such as songs, which are characterized by emotional and imposing concentrations, and poured their strength into the close body. The close body can be used in rhythm, duality, and words, and can be scrutinized and tempered calmly. Because of the bitter chanting, the late Tang people did create a lot of good sentences. These poems, although deliberately written, are quite neat and precise. No allusions, no inlaid odd words, with seemingly ordinary language, achieved a good artistic effect.
The shortcomings of the Jia and Yao factions areThe poetry is narrow, and there are no sentences。Life experience is limited, and the poems are inseparable from piano, chess, monks, cranes, tea, wine, bamboo, stone and other things. The content is insufficient and bitter chanting, which inevitably hurts the vitality, detracts from the poetry, and reveals the Xi of the little family. The key reason why their poems are constrained by rhythm and cramped is due to the lack of broad and profound feelings. Poets of the late Tang Dynasty often worked hard to create some neat sentences, but due to their lack of talent, they were still weak when they looked at the whole text. There is a sentence first, and then there is an article, which is inevitably uneven before and after, and lacks a complete artistic conception.
[Li Fan keywords:The poetry is narrow, bitter, and the poetry is thoughtful, and there is no sentence
[Li Fan said:The creative attitude of the minstrel is related to their personal life experience, and then the poetry is narrow, although the sentences seem neat, but often lose the artistic conception and connotation.