Competing for hegemony in the music world: the duel and differences between female singers from mainland China and Hong Kong and Taiwan.
2023 is going to be a brilliant year for the performance market, there is no doubt about it. Countless stars shine like shining stars in many concerts. However, behind this seemingly brilliant situation, the comparison of the strength of female singers from the mainland and Hong Kong and Taiwan has attracted widespread attention. Who will dominate the music scene?Why is it difficult for mainland female singers to compete with Hong Kong and Taiwan female singers?
As we all know, Deng Ziqi, Jolin Tsai, Zhang Shaohan and other female singers from Hong Kong and Taiwan not only performed well in the field, but also showed amazing strength in the large-scale stadium concerts held. In contrast, mainland female singers seem to be slightly bleak. Even singers like Li Yuchun, Zhang Liangying, and Zhou Bichang are facing a lot of challenges at the box office.
What is the cause of this phenomenon?Is it the poor quality, or the lack of charm of mainland female singers?In fact, the reasons for this phenomenon are far more complex than we think.
The first thing to mention is the difference in style. Hong Kong and Taiwan female singers are more daring to try new things in terms of creation, and they integrate various different elements to bring a unique and novel listening experience to the audience. In contrast, the ** style of mainland female singers is relatively single and lacks innovation, which leads to the gradual loss of interest in the audience.
Hong Kong and Taiwan female singers have been honed for a long time in stage performance and singing, and their comprehensive quality is better than that of mainland female singers, and they can easily control a variety of genres. Female singers in the mainland still need to work hard to improve in these aspects.
The development of female singers is greatly affected by the market environment. The Hong Kong and Taiwan music scene started earlier, the market is more mature, and the audience has higher requirements for first-class quality. In contrast, the mainland market is not standardized and the competition is fierce, resulting in many female singers blindly pursuing traffic and topicality in order to become popular, ignoring the value of ** itself.
How can the gap between female singers from the mainland and Hong Kong and Taiwan be narrowed?First of all, mainland female singers need to continuously improve their literacy and stage performance, and treat them with a more professional attitude. At the same time, they also need to try a variety of styles to meet the increasingly diverse needs of the audience.
Second, the market supervision authorities also need to strengthen the regulation and management of the performance market and crack down on unfair competition, so as to create a more level playing field and benefit mainland female singers. At the same time, ** and fans should also give more support and encouragement to mainland female singers to help them thrive in the challenge.
If mainland female singers want to win the love of the audience, they need to work hard in all aspects. Only in this way can we truly compete with female singers from Hong Kong and Taiwan and re-establish the glory of the mainland music scene!