Antique Collection: Why Your Collection Is Unattended

Mondo Collection Updated on 2024-01-31

Autumn and Winter Check-in Challenge In addition to the hobby of some people, antique collection is also a means used by most people to seek high profits, is there not such a sentence, three years do not open to eat three years, it can be seen that antique collection is a quite lucrative industry, high profits are also the fundamental reason to attract most people to join the collection, but also accompanied by the birth of the antique industry, and antique collection things are not ancient then there is no value, and most people just for pure economic interests and collection, for things do not understand at all, so as long as it is complete and high-end cheap, will buy the collection, and then sell to another antique collector who does not know how to be greedy and cheap, or some people know that things are imitations, but the imitation is good, things are also bought, and they are deceived to collectors with certain eyesight and economic strength, which is a very normal thing in the antique collection industry, because the collection depends on eyesight, your own eyesight is not good, you can only suffer a loss and take medicine, collect a bunch of imitations of the new job, in the end some can be sold, but some can only be smashed in their own hands.

Recently, many friends in the industry have said that now the trade is not good, there are things that can't be sold at all, no one buys them, and the conclusion is that it's not that no one buys things, but most of the people who just collect for pure profit, they began to react, and they received a lot of imitations, they can't sell them, and the real old goods and good things still don't worry about not selling, if there is no problem with your collection, then the thing is too ordinary, not worth too much** , and your own bid is too high, beyond the market range, otherwise it is impossible not to sell, there must be a lot of people who really understand the old goods, or the thing is very high-end but no, for modern imitations, since it is an imitation then the real collector will not buy, and the collector who does not understand will not be out of the normal **, so it can only be smashed in your own hands, this is nothing strange, the thing itself can speak, it is useless to find someone to identify, the appraisal expert can not give you a guarantee, the thing can not be sold he gives you a back!

Things are not easy to sell, most of the reason is because the things are wrong, even if it is a very ordinary collection as long as there is a certain year, then someone still buys it, don't always think about national treasure-level cultural relics, or porcelain made in official kilns, for the modern collection industry, this kind of thing is rare, how can you let you touch and can pick up the leak?

There are good things who will not be too low ** shot, as far as the current market sees, there will rarely be a relatively high-end and complete official kiln porcelain on the market, most of them are high imitations, and the general products or fine products of the kiln are still relatively common, some people think that the things of the folk kiln do not have the collection value, but we think in turn, the reason why the antique is called the antique, so is it not still the ancient to play, not the ancient what else to play?A bunch of high-end imitations have the fun of collecting and playingThat's obviously impossible, imitations can always be copied, today you dare to sell one, tomorrow it is possible to come out a bunch, and old objects are not copiable, see one less piece, so we must pay attention to the collection of things must be old, whether it is worth it or not, but at least it is old, although it is not worth too much value, but at least there is a market, no matter how good the imitation is, once it is bought it is difficult to sell it out, which is also the reason why most people have collections in their hands and cannot sell them, it is because the thing is wrong.

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