The appreciation of calligraphy works can be said to be the opinion of the benevolent, and the wisdom of the wise. There are a thousand Harry Potters in the eyes of a thousand readers. At the same time, appreciating calligraphy works is a way to improve the aesthetic level of calligraphy and calligraphy art cultivation, and it is also a process of enjoying the beauty of calligraphy art. Appreciating calligraphy works also requires a certain basic knowledge of calligraphy and appreciation ideas. The appreciation of calligraphy is generally to look at the layout from a distance, look at the structure up close, and look at the strokes carefully. The following is only ** these three aspects, and there will be opportunities for other in-depth ** in the future.
1. Layout, that is, the chapter, as mentioned above, should be reasonably arranged, highlight the content (text) inscription specifications, words and words, lines and lines to undertake each other, the white cloth is comfortable, the white space is clear and generous, the seal is appropriate and reasonable and compliant, the form is novel and lively, and it is good to give people a pleasing feeling.
2. The structure, the chapter is the structure of the whole article, the text, the inscription, and the seal are the same, compliant, novel and lively. The structure of each word should be carefully looked at closely, and it should conform to the structural principles and methods of the word. Sun Guoting said in the "Book Pedigree": "Violation but not offense, harmony and difference" This is one of the main principles of the structure of Chinese characters, that is, the unity of yin and yang, and contradictions. Not the same, do not contradict each other, like the length is different but can not conflict, the elder is special, the short is particularly short;Some are wide and some are narrow, but they cannot be too wide or too narrow;There are big and small, but not too big or too small;There are high and low, but they can't be too high or too low, that is, they don't violate. And the same to have changes, like horizontal and vertical to have long and short, there are changes, there are ups and downs, there are thick and thin, the apostrophe is not the same, the double out, the hook is no longer seen, the two parts of the same left and right structure should be written differently, the upper and lower structures should be the same up and down the same up and down, the width of the word should be wide and narrow, and so on, that is, and different.
Mr. Bai Yun's "inner noble and rich, outer noble and empty", "the middle palace is tightened, and the four sides are expanded", "the sparse place can make the horse walk, and the dense place does not make it breathable" and so on are the classic methods of Chinese character structure, that is, the inside is adducted and the outside is released.
Others, such as square and stable, dot painting, coordination and echo, flexibility and change, and ten major relationships are all to observe the structure of Chinese characters.
3. As for the strokes, they are like horizontal like overturning boats, twists and turns, the hook should be straight, and the horizontal hook should be equal. In general, the word should be "charming", both strong and good-looking, and the stroke writing is a circle in the square, and a square in the circle, so as to achieve a combination of square and circle.
There are different evaluation criteria for calligraphy works of different calligraphy styles, just as Sun Guoting said in "Book Spectrum": "Really take dot painting as the shape and quality, so that it can be transformed into temperament, and grass with dot painting as temperament, so that it can be transformed into shape." "When we talk about strokes, most of them are in regular script, and cursive writing is more focused on turning, so that the turn is natural and beautiful. These should be treated differently, and the dot painting standards of regular script and official script can not be used to appreciate the cursive script, nor can the method of cursive script be used to appreciate the strokes of regular script and official script.
It is worth mentioning that tasting is a person's subjective impression, which has a great relationship with people's qualifications and hobbies, and people with different preferences for the same work, people with different cultural levels, people with different hobbies, and people with different experiences may have different judgments. We said that the two kings were very good, Tang Taizong only liked Xizhi, not the king's dedication, and the style of their father and son's calligraphy was still in the same line. Zhao Mengfu's calligraphy is known as one of the four masters of regular script, Fu Shan hated Zhao Shen, because Fu Shan has always been clear and Zhao Song and Yuan, made two ministers, Fu Shante looked down on him, so he hated his book. These are related to personal likes and dislikes and choices, and do not judge right or wrong. It may be more pertinent to love and know its evil, and to hate and know its good.
Above, about the appreciation of calligraphy works for the time being** so far, although the views are relatively shallow, but they are relatively easy to implement the appreciation experience. If there is anything inappropriate, I hope the Fang family will correct it.