In the wonderful realm of archaeology, the veil of history is sometimes gently revealed, sometimes unfathomable. Bai Juyi's "Makeup of the Times" depicts "a round mustache without sideburns, oblique red and not faint ochre", which has troubled experts for a long time. However, the pottery fragments in the Dangxiong cemetery finally provide an answer to the historical mystery of "ochre mask" makeup.
In June 2020, the archaeological team launched a conservation excavation at the Dangxiong cemetery in Lhasa. Five large burial mounds became the focus of their attention. However, the caves discovered during the clean-up confirmed that the tombs had been looted by tomb robbers over the years. According to the overall style of the cemetery, archaeologists preliminarily deduced that the construction date was from the 7th to the 9th centuries AD, showing the cultural characteristics of the Tibetan period.
After a long period of excavation, more than 300 artifacts were unearthed, including gold and silverware, pottery, precious ornaments, etc., among which more than 90 black and white stone chess pieces are more eye-catching. Go, which originated in the Spring and Autumn Period and flourished in the Tang Dynasty, proves that the Tubo culture had close exchanges with the Tang Dynasty culture in the Central Plains.
However, the most striking finds came from pottery shards. The portrait on the fragments, which depicts a woman with a red cheek, aroused the excitement of the experts. Through research, they confirmed that this was the ancient Tibetan "ochre" makeup, a Xi of applying red to the face, expressing a special makeup that turned red due to anger.
"Ochre" makeup is a type of facial makeup regardless of gender or rank, and is applied in red to the protruding areas of the face, such as the forehead, nose, cheeks, etc. Historically, this kind of makeup is a symbol of highland culture and a unique local feature, but it has only existed in written records and people have not been able to see it with their own eyes. It was not until the pottery fragments of the Dangxiong cemetery revealed its true appearance that this ancient face decoration was first discovered in the **plateau area.
This archaeological discovery has attracted widespread attention and re-lit a glimmer of light in the culture of the Tibetan period. Surrounding the unveiling of the "ochre" makeup, the discoveries of archaeologists provide a unique perspective for historians and cultural researchers. This glamorous facial makeup reveals the rich and mysterious aesthetic of the ancient people.
Cultural relics are witnesses of history, and archaeology is the golden key that opens the door to history. Through archaeological work, the cultural relics buried in the ground can be seen again, and the mission of inheriting culture can be fulfilled. I believe that with the in-depth excavation of the Dangxiong cemetery, there will be more surprises waiting for us, let us look forward to the continuation of this historical journey.
"Tomb Puzzle Bai Juyi's "ochre face" makeup was finally cracked by the Dangxiong cemetery!The article reveals a fascinating archaeological discovery, profoundly and vividly restoring a glimpse of the culture of the Tibetan period. With vivid language and detailed archaeological details, the article vividly outlines the unveiling process of this historical mystery, making people feel as if they are on the scene and feel the mystery of ancient civilization being gently lifted.
Archaeological excavations are often accompanied by the revelation of historical mysteries, and the discovery of the "ochre-faced" makeup of the Dangxiong cemetery can be said to have added a brilliant color to archaeology. This special face decoration Xi, painted in red, conveys the emotional meaning of ancient people's faces flushed due to anger. Through the description of the article, the reader seems to travel back in time to see how people in ancient Tibet expressed their emotions and cultural uniqueness through facial makeup.
The discovery of the archaeological team not only revealed the true appearance of the "ochre face" makeup, but also provided intuitive evidence for the cultural exchanges between the Tibetan culture and the Tang Dynasty in the Central Plains at that time. The discovery of Go is a strong testament to the spread and integration of this culture. This kind of exchange across time and space has given people a deeper understanding of the prosperity and diversity of culture during the Tibetan period.
The pottery fragments mentioned in the article are the key to solving the mystery of "ochre face" makeup. The figures on these pottery vessels, with their cheeks painted red like blush, have allowed archaeologists to discover the cultural information contained in them at a glance. This discovery reminds us of how ancient people decorated themselves with various masks and integrated emotions and beliefs into their daily lives.
At the end of the article, it is mentioned that cultural relics are witnesses of history, and archaeology is the golden key to open the door of history. This quote profoundly expresses the importance of archaeology. Through archaeological work, we are able to gain a deeper understanding of ancient civilizations, discover artifacts buried underground, and bring them back to the world, providing us with a valuable opportunity to understand history and pass on culture.
Overall, this article successfully outlines the archaeological discovery process of the Dangxiong cemetery through vivid descriptions and detailed archaeological details, and arouses readers' thoughts on ancient civilization and cultural exchanges. This historical journey not only reveals the mystery of "ochre mask" makeup, but also presents us with the diversity of culture in the Tubo period and the integration with the culture of the Central Plains, which makes people full of curiosity and yearning for ancient history.
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