Wu Weiye "Danqing Treasure Raft Map".
Longitudinal 778cmHorizontal 663cmCollection of the Shanghai Museum
Danqing Treasure Raft is a painting by Wu Weiye, the founder of the "Loudong Poetry School", depicting the early glow after the rain.
Painting and painting the scenery of the mountains and rivers, the forest covering the mountain home, and the ancient temple of Lan, the brush and ink take the Song and Yuan Dynasty, and the brush is simple and simple, and the ink is born of virtual and real, and the overall atmosphere is in line with the "orthodox" painting style of the early Qing Dynasty.
The name of this picture originates from the inscription of Wang Jian, one of the "Four Kings" in the early Qing Dynasty, and the whole picture is made of brush and ink as a boat, flowing down from the traditional "river flow" of the Song and Yuan dynasties, blending into the blue waves, and many paintings together constitute a beautiful landscape in the early Qing Dynasty painting world.
Xiang Yuanbian's "Fanlin Tu".
Longitudinal 256cmHorizontal 86cmCollection of Nanjing Museum
"Fanlin Tu" is the owner of the "Tianlai Pavilion", connoisseur Xiang Yuanbian depicts his relationship with the Zen monk Yaji calligraphy and painting scroll.
Part of the painting in the volume paints the pavilion secluded, the solemn scene of the Buddhist hall, the monks and Confucians in the building talk about Zen teachings, and appreciate the famous paintings of the law and the Dingyi vesselsThe tail part records the scene of Yaji and the birth of the work in Bawen.
As one of the few hand-me-down works by Xiang Yuanbian, this picture and the Xiang family's old collections scattered around the world continue to write the immortal legend of this connoisseur and his "Heavenly Pavilion".
Dai into the "Linggu Spring Cloud Map".
Longitudinal 319cmHorizontal 1244cmAsian Art Collection, Landesmuseum Berlin, Germany
"Linggu Spring Cloud Map" is the founder of the "Zhejiang School" painting Dai Jin in the Ming Dynasty **, the literary scholar Nie Danian was invited to make, depicting the scene of Linggu Peak in Linchuan (located in Fuzhou, Jiangxi) in Nie's hometown.
In the picture, the green peaks are like a screen, the blue water lingers, the mist is pervasive, and it is beautiful and quiet. There are many connoisseur inscriptions at the end, and there are letters from Nie Danian asking for paintings.
The whole volume is detailed from the birth of the painting to the famous scenery in the painting, and then to the circulation experience after the painting is completed, and the brushwork is exquisite and clear, which can be said to be equal to artistic value and documentary value, and it is enough for people today to get a glimpse of the elegance of the ancient scribes.
Xu Liang "Taibai Riding a Whale".
Longitudinal 262cmHorizontal 447cmCollection of Chuzhou Museum, Huai'an City, Jiangsu Province
Taibai Riding a Whale was unearthed in the tombs of the Ming Dynasty and is a national first-class cultural relic.
The picture depicts the allusion of Li Baifei, the "immortal", who raised his head and looked into the sky, as if to salute the godsThe whale under its crotch looked sideways, as if it was about to take off into the air and fly up for nine days.
The whole picture uses concise brushwork to vividly show the legendary story of Li Bai's whale riding immortalization, and portrays the extraordinary spirit of this "sea whale rider".
Lu Ji's "Antarctic Old Man".
Longitudinal 216cmHorizontal 1143cmCollection of the Palace Museum
Antarctic Old Man Picture" depicts the scene of the old man of Antarctica worshipping under the moon. He has a short body, a long head and a high forehead, snow-white eyebrows, and a strong spirit, which is the image of "long head, big ears and short body, and the Antarctic side is called old life".
There is a white deer next to the old man in Antarctica, which is also a symbol of longevity.
In the painting, there are also bamboo, peach blossoms, auspicious clouds, bright moon and other scenery, which set off a long-term artistic conception.
The whole picture is quite brilliant in terms of content and brushwork, which not only has excellent aesthetic value, but also conveys the artist's deep blessings for the safety of his family and country and the longevity of the people.