Recently, the news of the comeback of the suspected former Internet celebrity anchor "Chen Yifaer" in the Kuaishou live broadcast room has attracted widespread attention. The anchor, who once became popular for a self-playing and self-singing song "Fairy Tale Town", was permanently banned from the Douyu platform in 2018 for involving sensitive remarks. However, now he is back on the air on a new platform, which has sparked discussions about the comeback of bad artists and the responsibility of online platforms.
According to reports, on the evening of December 8, the reporter found that the Kuaishou account "Chen X", which was suspected of being Chen Yifaer, was singing live broadcast, and the number of ** people in the live broadcast room reached 10w+, and the number of likes was nearly 5w. It is undeniable that Chen Yifaer's fan base is still strong, which has attracted the attention of the first.
For a while, netizens expressed strong dissatisfaction and condemnation of the news of Chen Yifaer's comeback. Many people believe that an artist with a bad record should not have a chance to make a comeback, and are full of anger and resistance towards him. This is consistent with the guidelines put forward by relevant state departments and industry organizations in recent years that "bad artists" should be restricted and boycotted.
This incident is similar to the previous incident that happened to Chen Yifaer. As early as 2018, he caused controversy because of his ridicule of the tragic memories of the three eastern provinces such as Nanjing and the fall of the three eastern provinces during the live broadcast. This comeback once again aroused the public's reflection on his inappropriate remarks and the discussion of his attitude towards bad artists.
Chen Yifaer's comeback has sparked a discussion in the society about the comeback of bad artists. On the one hand, some people believe that the challenges of bad artists on the moral bottom line and the legal red line should not be tolerated, and they should be severely sanctioned and resisted; On the other hand, there are also people who believe that bad artists have the right to stand up again, but they must take responsibility for their own words. The debate has also raised concerns about the responsibility of online platforms to manage.
So far, there has been no update on Chen Yifaer's comeback. However, this incident has made people think more deeply about the management responsibilities of online platforms.
This incident has once again sparked discussions about the comeback of bad artists and the responsibility of online platform management. The comeback of bad artists not only needs public acceptance and forgiveness, but also their own reflection and remorse. As a public platform, the online platform must assume the corresponding social responsibility, and cannot only pay attention to the ratings and click-through rate, but ignore the control of the moral bottom line and legal red line.
So, what do you think about the comeback of bad artists and the responsibility of online platform management? Should they be banned permanently or can they be given a chance? In your eyes, is a bad artist worthy of forgiveness and re-acceptance? How do you think online platforms should better manage and control the comeback of bad artists? Feel free to leave your comments and join the discussion!
Note: This article is an original article and is only a personal opinion and does not represent all views. Related to the Internet.