The launch of the anti-drug film and television drama "Thunder Sweeping Drugs" has attracted a lot of attention, and it has also triggered a discussion on the issue of anti-Japanese dramatization of anti-drug film and television dramas.
The film presents debatable content in terms of narrative mode, such as the scene of the big drug lord and the beautiful woman wearing a short skirt before the main story, which seems to be a foreshadowing for the anti-Japanese drama. This narrative is quite similar to the routines of many anti-Japanese dramas, which is a bit surprising.
After the story progresses to the arrest of the drug lord, the film brings the revenge rescue operation of the drug lord brothers, as well as the search for the little girl by the anti-drug officers. However, the plot takes a turn in the scene where the hero and heroine enter ***. The audience initially thought that the female practitioners of *** would be an important clue, but found out that it was just an episode in the film arrangement.
The image of the heroine of anti-narcotics with bold actions and cool dress is similar to the image of the heroine of the anti-Japanese drama. The follow-up drug lord battle scene seems to be disorderly, and the direct shooting and fighting make the plot of the film seem hurried and illogical.
At the end of the film, chaos occurs frequently in the process of chasing the drug lord, and the poisonous gas caused by smoke bombs turns the people around him into zombies, which makes the audience unable to predict the development of the story. At the same time, the film's portrayal of female characters also raises questions, and almost all female images are rendered into exposed images, which seems unrealistic.
These phenomena make the overall narrative and creative ideas of the film seem naïve and ridiculous, and it has lost more fan base. In recent years, the phenomenon of anti-drug film and television dramas tending to be anti-Japanese dramas has attracted the attention and worry of the society. The film should pay more attention to authenticity and plausibility, rather than blindly emphasizing the fight scenes and the external image of the characters.
Only in this way can we truly win the recognition and trust of the audience.