On the evening of December 31, New Year's Eve, the total construction area was about 6The new scene of the 40,000-square-meter pottery second factory is lit up. As the "home field" of the theme activities of Dingshu Intangible Cultural Heritage Week, the first Golden Sand Fair, including nostalgic intangible cultural heritage, cultural and creative purple sand, catering and food, and handicraft arts, opened, gathering 200+ unique and trendy market authors to build a multi-level consumer experience.
That night, the national style youth custom show containing pottery cultural elements was the first to be striking. Subsequently, Wang Xiaoli, Qiu Yulin, Liu Jun, Fan Weiqun, Fan Zefeng, Xie Qiang and other 2023 Wuxi "Hundred Craftsmen and Thousands of Products" intangible cultural heritage inheritance and innovation "Hundred Craftsmen" were unveiled, Shi Xiaoming, Gu Meiqun, Ge Haoxiang, Gu Qin and others won the 2023 Wuxi "Hundred Craftsmen and Thousands of Products" Intangible Cultural Heritage Innovation "Boutique Project" was commended, Yixing Jichangyuan Zisha Culture and Art***Yixing Fanjiahuzhuang Ceramic Artwork***Yixing Zhongchao Liyong Purple Sand Pottery***Yixing Yinlu Shanfang Ceramic Culture*** Wuxi Tea Research Institute and other first batch of Yixing municipal intangible cultural heritage workshops were awarded.
The site of the second pottery factory is Yixing Zisha Craft No. 2 Factory, which has a history of more than 40 years. As a key urban renewal project, Tao No.2 Factory is not only committed to improving the functional layout of urban space, but more importantly, preserving and inheriting history and culture, and improving the quality and image of the city. Among them, the landmark art museum of Tao No. 2 Factory is the first building of Japanese architect Kengo Kuma to use clay materials. In keeping with the architectural elements, Kuma also designed a vibrant and dynamic visual symbol of the building, "Kiln Changing Colors". On the ceramic panels used on the façade of the art museum, not only the surface is treated with curved concave and convex textures, but also the kiln transformation effect is gradually and naturally changed from deep to shallow through high-temperature firing. Not long ago, the world's largest sculpture robbiyizhe is 8 meters high, 14 meters high, and weighs 2 tons. (Photo by He Xiaobing, Wen Zhang Jiashuo, Cao Liyao, Xingge).
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