* In the long river of time, Cao Xun went through ups and downs, fought in four dynasties, and went north four times, and the honor and disgrace of life are closely linked to the rise and fall of the Zhao family. His life was deeply rooted in the alternation of the northern and southern dynasties, and he became a witness to the diplomatic changes of the Song and Jin dynasties. After the Jingkang disaster, the luck of the Northern Song Dynasty declined, and the Southern Song Dynasty court only cared about a corner of peace. When Cao Xun was in personnel troubles, he favored the courtiers and caused trouble;The strong enemy pressed the territory, but blindly sought peace, and the people were panicked. As an envoy, he shouldered the heavy responsibilities of the imperial court, bowed down to foreign tribes, and only sought temporary peace. As a literati, witnessing the shattering of mountains and rivers and the trampling of the Central Plains by the iron hooves of foreign races, the pathos, unwillingness and deep national affection in my heart turned into poetry, and I vomited the bitterness in my heart.
Cao Xun's path to the remnants.
Sigh for the sorrow of the old country
In the second year of Jingkang, Cao Xun was thirty years old, and as a waiter of Huizong, he was captured and went north. watched the emperors of the Great Song Dynasty being snubbed and insulted, watching the land of the Great Song Dynasty being captured and plundered, and watching the people of the Great Song Dynasty go into exile and starve. The Northern Song Dynasty perished in front of his eyes, and the pain of losing the country was deeply rooted in Cao Xun's bones.
The vicissitudes of the northern kingdom in the poems.
Passing through the Beijing Division".
On the way north, Cao Xun inevitably had to pass through Xiangzhou, Chuzhou, Handan, Zhending, Taihang, and Huaihe, which had been invaded by the Jin Dynasty. He wrote poems such as "Over Handan", "Over Zhending", "Over Taihang" and "Over Huaidian". These poems record his deep sorrow for the fall of his homeland and his feelings about the vicissitudes of the capital city of Bianjing.
The Tao Passes through the Beijing Division (two songs).
Bianjing, the capital of the Northern Song Dynasty, was prosperous and lively, but now it is a pheasant flying and bleak and lonely. Cao Xun wrote in the poem: "The capital is full of pheasants and clouds, and the four towers are leaning on the middle ......The wall was ruined and the ruins became hopeful, and the whip crossed the bridge again. "The prosperity of Bianjing has become a thing of the past, and the former economic center is now deserted, which makes people sigh. With his attachment to Bianjing, Cao Xun wrote the poem "Traveling to Biandu with Kexi" to express his grief over the vicissitudes of his hometown.
Exotic scenery in the North.
Looking at Taihang" Cao Xun has been an envoy to the Jin Dynasty several times as the deputy envoy of Jiedu, and he has a soft spot for Taihang Mountain. In "Looking at Taihang", he depicts the beauty of Taihang Mountain from a unique perspective. The falling moon is like an old woman, and she is happy to see Taihangbi. Cao Xun compared the old woman to the moon to express his deep feelings for Taihang Mountain. Taihang Mountain is like his hometown in his heart, and every time he passes by, he can bring the ** of his soul.
Express the will to resist Jin and restore the country.
Huaiyin Temple
On the way north, Cao Xun passed through Huaiyin County and visited Huaiyin Temple. Han Xin, Marquis of Huaiyin, was a hero of the establishment of the Western Han Dynasty, and Cao Xun wrote a poem "Huaiyin Temple" with respect for the heroes. He hoped that Han Xin would manifest himself and help the Southern Song Dynasty fight against the Jin Dynasty and regain the lost territory.
Over Handan".
Cao Xun missed the heroes in "Crossing Handan", and hoped that he could be like Lin Xiangru and Xinlingjun, witty, not dishonoring the mission, and even able to defeat the strong enemy and recover the Northern Song Dynasty. In his poems, he expressed his belief in opposing the will of Kim to restore the country.
Affectionate northern rivers and mountains.
After the signing of the Shaoxing Peace Conference, Cao Xun passed through the junction of the Huai River and felt emotional. In "Crossing Huaidian", he wrote that the smoke of Changhuai is quiet, and the gulls are singing. This is a true depiction of the Huai River area, expressing the regret of the loss of land and the nostalgia for the scenery of the northern country.
Conclusion: The literati in the vicissitudes of life.
Cao Xun, a relict of the Southern Song Dynasty, suffered honor and disgrace in the turbulent history, and his poems are like historical picture scrolls, recording his feelings at the time of vicissitudes. Throughout his poems, we seem to see the vicissitudes of the rivers and mountains in the north, and feel his deep attachment to his homeland and endless anxiety about the fate of the country. Cao Xun's poetry is not only an artistic expression, but also a genuine concern for the rise and fall of the country in the depths of his soul. Perhaps in the long river of history, these poems expressing the will to resist Jin and restore the country will be passed on forever and become a historical heritage for future generations to think about the fate of the country.
Cao Xun's poetry profoundly reflects the turbulent historical situation of the Southern Song Dynasty and his personal encounters and feelings in this historical context. In this article, Cao Xun is portrayed as an envoy with a rather civil and official demeanor, who has gone through four dynasties in his life, traveled north four times, and is closely connected with the Zhao family, witnessing the rise and fall of the northern and southern dynasties. His poems are not only a sincere reflection of the ups and downs of the country's fate, but also an expression of his personal experiences and thoughts.
After the Jingkang disaster, the Northern Song Dynasty gradually ran out, and the small court of the Southern Song Dynasty was in a corner of peace. Cao Xun's poems are full of anxiety and affection for the fate of the country. He expressed his deep sorrow for the demise of the Northern Song Dynasty through "Sigh of the Sorrow of the Departure of the Homeland", and saw the land of the Great Song Dynasty being conquered and the people in exile, and his pen revealed his sincere sorrow for the pain of the loss of the country. This kind of emotion, which is based on personal encounters, runs through many of his poems, such as "Passing Handan" and "Passing the True Determination", integrating his state of mind with historical time and space.
In Cao Xun's poems, the description of the fall of Bianjing is particularly profound. Through the poem "The Road to Beijing", he contrasts the prosperous Bianjing of the past with the desolate picture of today. In Cao Xun's eyes, the hundred pheasants and the four towers in the capital have become ruined and helpless. This realistic and emotional depiction takes the reader into a historical moment and feels his deep attachment to his old capital.
Taihang Mountain has become another landscape in Cao Xun's poetry. His depiction of Taihang Mountain, taking "Looking at Taihang" as an example, compares the old woman to the moon, expressing his deep feelings for Taihang Mountain. In Cao Xun's poems, Taihang Mountain is not only the sustenance of the soul, but also the witness of history, and has become a symbol of his ambition to resist Jin and restore the country.
The affectionate rivers and mountains of the northern country have become a form of expression in Cao Xun's poetry. In "Crossing Huaidian", Cao Xun's depiction of the silence of the long Huai smoke and the chirping of gulls at the junction of the Huai River reflects his deep regret for the loss of land and his attachment to the scenery of the northern country. This feeling of nostalgia for his homeland is fully expressed in his poems.
Overall, Cao Xun's poems are a vivid historical picture, depicting the turbulent history of the Southern Song Dynasty and his personal ups and downs. He used poetry to record his adventures as an envoy, expressing his deep concern for the rise and fall of the country. These works are not only literary expressions, but also historical witnesses, skillfully integrating his personal experiences with the great history of the Southern Song Dynasty.
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