Cao Xueqin said: "When the fake is true, the truth is also false, and there is nowhere to do nothing." ”
TV series, as a product of technological progress, have long played an important entertainment role in people's lives. From children to the elderly, regardless of age, they can find their spiritual sustenance in this medium. However, as an artistic creation, TV dramas often need to make certain fictions and adaptations of history in order to attract audiences and improve entertainment.
Let's take some historical figures who are regarded as heroes in film and television dramas as examples to reveal the subtle relationship between fiction and historical truth in TV dramas.
In the creation of TV dramas, for historical themes, simple historical stories may not be able to arouse strong resonance among the audience. Therefore, in order to attract attention, creators often add some fictional elements to the stories of historical figures, making the plot more tortuous and interesting.
Li Yuanba, the son of Li Yuan, the founding emperor of the Tang Dynasty, although he showed superhuman strength and combat skills in historical dramas, did not exist in real history. Its powerful physical fitness and almost mythical meteor hammer are nothing more than a fictional product of the creators in order to present the image of the Tang Dynasty general LinkedIn Yong.
In the Sui and Tang Dynasty historical dramas, Yuwen Chengdu was given the title of "General Tianbao of the Sui Dynasty" and was portrayed as a villain who was both wise and brave. However, historical records have not left his figure, and his heroic image is only a product created by the screenwriter for the needs of the plot.
Yang Zongbao, as the only seedling of the descendants of the Yang family, was given a heroic mission in the TV series. However, in real history, Yang Zongbao does not exist, he is just a fictional character created by the creator in order to create a heroic atmosphere of family inheritance. Similarly, Xue Dingshan, as the son of the famous general Xue Rengui, is only a fictional character in the play.
Chai Gui and Luo Cheng, who appeared in the Song Dynasty and Sui and Tang historical dramas respectively, are fictional villains who are fictional in order to highlight the heroic image of the protagonist. Their tragic endings are just to highlight the tolerance and bloodiness of other historical figures and serve the needs of the overall plot.
Although these heroes do not exist in history, as characters in TV dramas, they still shoulder the responsibility of inheriting history and showing culture. As an entertainment medium, TV dramas convey ancient Chinese culture and heroic spirit to the audience through fiction and creation.
Whether it's a book or a movie, there is a certain threshold, and many people may only know about history through TV dramas. Even if some of the characters are fictional, while entertaining, it can also make more people feel the charm and heroism of Chinese culture. However, if you really want to understand history in depth, you still need to consult information books, and TV dramas are just an introduction to historical knowledge.
Through the fog of history, we can still see the real cultural heritage and the flicker of heroic spirit.
The article reveals the subtle relationship between fictional and real history through an in-depth analysis of examples of fictional historical characters in TV dramas. With clear discourse and rich details, the author successfully illustrates the needs and challenges of the creative history of TV dramas. Here is a review of the article:
First of all, the article uses Cao Xueqin's famous words to introduce the theme in the introduction part, which cleverly fits the creative characteristics of "true and false when fake is true" in TV dramas. This quote not only shows the author's literary accomplishment, but also clarifies the main idea of the article for the reader.
Secondly, through a detailed interpretation of the examples of fictional historical figures in TV dramas, this paper reveals some creative techniques in TV dramas when presenting history. For example, the article mentions Lee Wonba's fiction, emphasizing the fiction that the creators have made in order to captivate the audience by describing his extraordinary powers and meteor hammer in the play. This kind of plot processing makes the historical story more vivid and interesting, but it is also out of touch with real history to a certain extent.
The article further mentions the fiction of the descendants of historical figures in the TV series, such as Yang Zongbao and Xue Dingshan. These fictional descendants of the heroes add a lot to the story, but they also make it difficult for the audience to discern the historical truth while entertaining. Through this, the article successfully leads the reader to think about the balance between entertaining and historically accurate in historical dramas.
The article ends with an introduction to "The Imaginary Light Through Time", emphasizing the importance of TV dramas as a medium to convey culture and heroism. Through fictional historical figures, the TV series successfully conveys the charm of ancient Chinese culture to the audience while entertaining. However, the author also makes it clear that a deeper understanding of history still requires consulting information books to avoid misunderstanding history.
Overall, this review** reviews the article and believes that the author has succeeded in revealing the phenomenon of fictional historical characters in TV dramas and their role in cultural inheritance through vivid examples and clear discussions. The article is well-structured and logical, and through reflection on the TV series, it leads readers to think more deeply about history and culture.
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