When studying the playing techniques of this traditional instrument, we sometimes find a confusing phenomenon - there are no two notes "4" and "7" on the guzheng. So, does that mean you can't play a track with these two notes?This article will reveal the answer to this question.
First, the structure and vocal range of the guzheng.
The guzheng, as a Chinese musical instrument with thousands of years of history, has a unique construction that allows it to produce a rich and delicate tone. However, despite its wide range, the guzheng does not include all the notes, especially the notes "4" and "7".
2. How to remedy the missing notes?
Special techniques for using the guzheng: Although the guzheng itself cannot directly produce the "4" and "7" notes, we can still simulate the effect of these two notes by using some special playing techniques. For example, when playing, we can adjust the pressure, speed and position of the fingers to make the sound low or high, so as to achieve an effect similar to "4" and "7".
Ensemble with other instruments: When we are playing a track with notes "4" and "7", consider playing with other instruments that are capable of pronouncing these two notes. For example, working with instruments such as the erhu and pipa, which are better at expressing these two notes, can fill in the lack of the guzheng.
Innovation and Adaptation: For some repertoire, we can try to adapt or innovate them to suit the range and playing technique of the Guzheng. This may require a certain amount of theoretical knowledge and practical experience, but through hard work and innovation, we can find new ways of expression for the guzheng.
3. Conclusion: Evaluation and Reflection.
In the face of the missing "4" and "7" on the zither, we are not helpless. We can skillfully overcome this challenge by using special playing techniques, playing with other instruments, or making innovative arrangements of the repertoire. This not only shows the flexibility and inclusiveness of Guzheng, but also provides us with more avenues to explore and innovate.
However, this does not mean that we should ignore the limitations of the Guzheng vocal range. On the contrary, we should pay more attention to it and strive to expand the possibilities of its performance. Only in this way can we better inherit and carry forward this thousand-year-old traditional art form.