In view of the outstanding achievements of calligrapher Wei Demin in the field of calligraphy, the calligrapher Wei Demin was included in the Chinese popular literature and art talent pool and obtained the professional title of senior researcher after being reviewed by the expert group of the China Literature and Art Popular Research Association under the supervision of the China Federation of Literary and Art Circles.
About the Artist
Wei Demin, male, Zhai Tongjian Zhai, Gu Yueju. He is now a national first-class artist, a researcher of calligraphy and painting art at Beijing Modern University of Management, the deputy director of the China Art Starlight Green Calligraphy and Painting Platform, the deputy secretary-general of the Chinese Buddhist Art Calligraphy and Painting Institute, the deputy secretary-general of the Heilongjiang Branch of the China Academy of Calligraphy and Painting, a member of the China Education Television Ink Danqing Painting and Calligraphy Institute, a contracted calligrapher and painter of the China Ziguangge National Rite Center, a director of the Qiqihar Calligraphers Association, the executive vice chairman of the Calligraphers Association of Qiqihar City, and the vice chairman of the Calligraphers Association of Tiefeng District, Qiqihar City.
Perennial adhere to the creation of calligraphy and seal carving, study calligraphy, seal carving art, Linchi never stop, hold the knife more than once, chase the Qin and Han dynasties, play art in the vast expanse of Jinwen, the elegance of the small seal, the simplicity of the Han Jane, the square inch of the seal carving, formed a vigorous and vigorous, graceful and handsome, arbitrary and colorful and "pen in the pen, knife in the pen" calligraphy and seal carving art style.
In 2023, he won a special gold medal at the first national "Starlight Cup" cultural exquisite calligraphy and painting exhibition, and was received by Pan Zhenzhou, former vice minister of culture and the first director of the National Museum, and presented the award in person. Won the gold medal at the 2nd Beijing Painting and Calligraphy Exhibition. In celebration of the 70th anniversary of the founding of the United Nations in the New York Painting and Calligraphy Exhibition, Asia Art Reception Exhibition, the second Confucius Festival Calligraphy and Painting Exhibition, in the celebration of the 90th anniversary of the founding of the Communist Party of China "Yellow River Cup" anniversary of the painting and calligraphy competition, in the "Gratitude to Kindness" commemoration of the 110th anniversary of Zhao Puchu's birth of the calligraphy and painting exhibition, in celebration of the 100th anniversary of the founding of the Communist Party of China World Chinese Painting and Calligraphy Grand Prix seal carving won the special prize. He was awarded the titles of Outstanding Literary and Art Worker of the Year, "Honest Brand Calligrapher and Painter", "People's Calligrapher and Painter", "National Art Calligraphy and Painting Leader", and "China's 100 Famous Calligraphy and Ceramic Artists" by the Chinese Culture and Art Talent Pool.
Love public welfare, often go deep into enterprises, streets, rural areas, create works for the grassroots people, was awarded the title of the city's love public welfare messenger, his works in the "People's **" seal carving, "cultural elite - blooming dreams" special, "national art", "the soul of the mind" and other books and magazines published, by Sohu, China.com, Tencent News and other ** report. His works have been widely collected by Confucius Old Book Network, Sun Moon Gorge International Ecological Park, Municipal Library and calligraphy enthusiasts.
Work appreciation
Title of Work:"Remembering Qin'e-Loushan Pass".
Specifications:69cm×138cm
Material of the work:Shengxuan.
The work is narrated:This poem was written in February 1935, with the great victory of the Red Army in capturing Loushan Pass and annihilating two enemy divisions in the Long March as the background. The scene is written on the top, and the sad voice is generous and high-pitched, majestic and magnificent. At the beginning of "West Wind Fierce", it shows the loneliness of the generous and tragic hero, cutting through the cold sky and going straight to the clouds, the sky is vast and endless, and the geese are mourning and mourning. "Frost Hanging Moon", "Broken Horses", and "Trumpets Crying" hint at the tension and intensity of the battle. Xia's "Xiongguan Mandao is really like iron, and now it is stepping forward from the beginning. "It condensed the strong determination and fearless spirit of the Red Army to turn over the Xiongguan Pass and step through the hardships and dangers. It reflects the poet's optimism and courage as a great man of a generation. The whole word is majestic and tragic, and the momentum is like a rainbow, which is not only a magnificent march map, but also a majestic revolutionary march. Calligrapher Wei Demin with strong brushwork, close structure, embodies the state of battle charge, strong and heavy, vigorous and powerful, tactful and flowing, rich in strong impact, embodies the red army in the face of difficulties, bravely advance the revolutionary spirit, highlighting the calligrapher's reverence for the leader.
Title of Work:: "The Tao".
Specifications:：69cm×69cm
Material of the work:Shengxuan.
worksTellWhen creating the calligraphy work "Dao", I deeply felt that the character "Dao" contains Chinese philosophy, religion and culture, represents eternal and unchanging existence, and is the root of all things in the universe. "Dao" is the law, the order, and the rules that human development needs to follow. "Heaven has no relatives, and is always with ordinary people", which means that the "Tao" is just and selfless, and people must abide by the rules of the universe and live in harmony with nature. Calligrapher Wei Demin has been engaged in calligraphy for decades, playing in the three generations, Qin and Han dynasties, the book "Tao" is written in the golden seal, innocent, antique, classical and elegant, can trace the source of the text, and chase the root of the universe. Use the pen to be natural, such as the interdependence and interdependence between man and nature in ancient times. Self-cultivation and enlightenment is that people cultivate their sentiments, taste life, participate in Zen and enlightenment, perceive the world, and recognize society under the avenue, so as to achieve spiritual enjoyment and strict life. A "Tao" is independent of Yu and has infinite meanings. On the white paper, the word Dao is like the instant condensation of time and space and Juanjuan time, carrying people's hopes and longings.
Title of Work:"Twenty-four Filial Piety Seal Carving".
Artwork size:138cm×69cm
Material of the work:Raw rice paper.
worksTellFilial piety is a traditional virtue respected by the Chinese nation, which has a special status and role in China's traditional moral norms, and is a fine tradition of Chinese culture. The ancient saying has "filial piety is the first", "filial piety, the foundation of virtue", filial piety culture is the basic culture in traditional Chinese culture, "civil harmony, no complaints", also known as harmonious culture, Chinese characteristics of culture.
The seal carving "Twenty-four Filial Piety" in this work is a twenty-four square seal carved seal carefully created by Mr. Wei Demin, a seal carver. Mr. Wei Demin has been engaged in the art of seal carving for decades, starting from the Qin and Han seals, tracing the ancient seals, and connecting the genre seals, working hard between the swords and stones all the year round, insisting on carving a seal every day, and engraving nearly 10,000 squares. The seal carving "Baifu Guzhen" work was awarded a special gold medal at the first "Starlight Cup" Cultural Elite Calligraphy and Painting Exhibition, and was personally received and awarded by Pan Zhenzhou, the first director of the National Museum and former vice minister of culture. And published in books and magazines such as "Seal Carving" and "Soul of Meaning". This "twenty-four filial piety" seal carving works, the design is ingenious, the printing surface is more volatile, there are round, square, strip-shaped, vermilion and white, and the great filial piety emotion is contained between the square inches. The author uses the knife as the pen, the punching and cutting are combined, the lines flow vigorously, sometimes like a strong man out of the mountain, magnificent, sometimes like a beautiful woman stepping in spring, graceful and colorful. The chapter is dense, virtual and real, clutched, looking forward to, force and affection are condensed in it, the strokes are thick and full, the momentum is strong, and the vitality is vigorous, giving people the power of beauty.
As the core of the ancient Chinese Confucian "filial piety" ethical thought, "24 filial piety" is also the moral code for maintaining family relationships. The seal engraving of "Twenty-four Filial Piety" is designed to promote filial piety and care for parents, and to encourage and carry forward the spirit of filial piety. Only by inheriting and carrying forward the traditional Chinese culture and humanistic spirit can we cast the root of the nation, the soul of the nation, adhere to cultural self-confidence, and pass on the culture of the Chinese nation from generation to generation.